Malick's films, though incredibly beautiful, can
leave contemporary audiences bewildered and dissatisfied.
Not exact matches
Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual
Audiences», focusing on digital innovation and how new technology is starting to
leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on
contemporary art.
The 2002 shortlist — Fiona Banner, Liam Gillick, Keith Tyson, and Catherine Yass — announced in late May, offers even less provocation,
leaving one to wonder whether the Tate misses the media hysteria and the attendant box office or, having spectacularly achieved its goal of increasing
audiences for
contemporary art in Britain, instead welcomes this newfound serenity.
The 2002 shortlist - Fiona Banner, Liam Gillick, Keith Tyson, and Catherine Yass - announced in late May, offers even less provocation,
leaving one to wonder whether the Tate misses the media hysteria and the attendant box office or, having spectacularly achieved its goal of increasing
audiences for
contemporary art in Britain, instead welcomes this newfound serenity.