Having already received his MFA, he drew on geography's analytic tools to develop an artistic practice premised on the hunch that, however «secret,» clandestine government programs would always
leave material traces — facilities, flight records, post office boxes — that could be located, documented, and made visible to a broader public.
Movable, impermanent or perishable structures, such as scaffolds, arbors, banners, and litters that have
left no material traces but can be inferred from iconography and epigraphy, are also included.
Not exact matches
«When the physical model of wave - motion in a
material medium had to be abandoned in physics», writes Mary Hesse, «it
left its
traces in the kind of mathematics which was used, for this was still a mathematical language derived from the wave equations of fluid motion, and so, for the mathematician, it carried some of the imaginative associations of the original physical picture.»
Traces of the intruder's DNA turned up on the bedsheets and in the saliva he
left on a beer can, but the sample didn't match the genetic
material of any of the suspects.
The circuit disintegrates after 10 minutes in water,
leaving only
traces of relatively safe metals behind (Advanced
Materials, doi.org/v29).
Grated toilet solutions on the other hand
leave trace amounts of feces behind that must be cleaned thoroughly before any waste
material dries or becomes stuck on.
Despite
leaving the country during the period of Perestroika, Roiter's artistic output retains a heavy hint of his Russian past: the recurring green that recalls the pervasive Russian military, the economy of forms and
materials reflective of pervasive paucity, and
traces of early twentieth century Russian avant - garde influences.
From Brontë's earliest literary works — written in a minuscule hand designed to mimic the printed page — to her explosive novel Jane Eyre, it presents a portrait of an ambitious author through the
material traces she
left behind.»
These items take the form of
material fragments, sketches, abandoned projects, or remnants of research: the collateral things either
left behind or brought to ISCP upon arrival, foregrounding each artist's stay or marking its
trace.
This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw
material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the
traces and physical prints
left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being of perception and thought.
Trusting her process, she applies silver
leaf to canvas only to disrupt the pristine surface with an application of liver of sulfur, a corrosive
material that
leaves its dark
trace as it eats away bits of silver.
Explaining that his final images often illustrate «a struggle between the printer and my
material — and the
traces of this are
left on the surface — snags, drips, streaks, mis - registrations, blurs.»
«There is often a struggle between the printer and my
material - and the
traces of this are
left on the surface - snags, drips, streaks, mis - registrations, blurs.»
In her work, architecture is captured as a physical extension of ritual experience, with particular attention to the
material traces left by these practices.
Tension arises in the dialogue between the original form of objects and the
traces left by the performative interventions, turning the body into the
material and the medium of action.
Marcin Zarzeka (born Elblag, Poland, 1985) creates constructions made of glass, plaster, Styrofoam and other building
materials that can
leave extremely subtle
traces.
With the artist's hand
leaving traces of her process, the rigidity of the
materials is counterbalanced with the personal.
Examining common
materials and universal gestures, I document the individual
traces we
leave behind and the indelible marks we
leave upon each other.
There is often a struggle between the printer and my
material - and the
traces of this are
left on the surface: snags, drips, streaks, mis - registrations, blurs.
Incorporating the vocabulary of tracking numbers and of various discarded
materials, the paintings allude to various techniques of mechanical reproduction to explore
traces left of relationships.
Since his artistic practice is based on a participative approach to art, community, and community - forming power of art, some of his works
leave hardly any
material trace.
The fact of a civilisation being sustainable does not exclude recyclable
materials leaving a
trace.
This instrument can identify the chemical composition of
materials, so
traces of chemicals that only come from fossil fuel combustion would
leave a kind of fingerprint.