Sentences with phrase «leave out of a painting»

It seems that what I leave out of a painting is as important, if not more important than what I paint in.

Not exact matches

Basically, no one agrees what expenses you leave out of EBITDA, offering companies enough wiggle room to paint their businesses in an over-flattering light.

But the committee's conclusions about whether Donald Trump's presidential campaign colluded with Moscow left out critical context and painted an incomplete picture of the scope of the campaign's contacts with Russians.

Had you have left Calvinism out of the picture, you would have had a point but not only have you painted all Calvinists with one brush (intentional or not) but you've also personally misrepresented James White by using him in your opening statements and connecting him to «shotgun hermeneutics».

It's easy to paint a road map to the league's demise — let's say, a critical mass of players leaves the sport because of health concerns, fans likewise lose interest in a sport they know is ruining men, and the game itself becomes a terrible slog to watch — but the end point may be several decades from now, well after the people who could have acted have sold out or died.

On Tuesday night, Justin Upton hit a home run out of Angel Stadium that ended up in a large Sherwin Williams paint can situated beyond the fence in left - center field.

Some suggestions: Set up a play dough table; fill a plastic basin with water and let the kids dump, pour, and stir the water (never leave them alone, though — even a few inches of water can present a drowning hazard); stock a small sandbox or sand table with shovels and pails; or put out paper and crayons or finger paints.

So I have taken a leaf out of Frank Clarkes daytime painting show, and I use a hair dryer on the paint to speed the drying process up.

So leave the building and the painting of the nursery to the husband, but don't miss out on picking out the right colored crib, the blankets, the plushies, the pillows, and the toys.

Obour must tell us how many people musigha has taken on foreign trips and how many of them have returned to Ghana over the years Obour must explain why even after renting part of our office building out to a chyrch, the union has not been able to put even dirty oil on the building as paint and has left the musigha building in such a dilapidated state Obour must tell us who are signatories to the musicians union of Ghana account and which bank / banks we save with These are just a few of the many questions I want answer for I'll only be part of your committee that is set up to investigate President Obour and possibly prosecute him.

The figures paint a tale of two states, with some areas left out of the economic recovery, and even reporting job losses.

I weeded out the elements of the leaf that I wouldn't need, i.e. the portion that I would be painting in.

I don't want to run out of paint mid-project but I also don't want to be left with a ton leftover.

If you want thicker paint, just leave out a bit of the water.

But seriously, I've painted with LOTS of brushes, and they are hands - down my favorites... no bristles coming out in your coat, and they leave such a smooth, durable finish.

Left out for best picture consideration were the deserving «Notes on a Scandal,» «The Painted Veil,» «Last King of Scotland» and «The Illusionist.»

As the quintuplets deal with a wayward hose shooting out compressed air, paint cans leave them all to sport a variety of colorful designs.

All of this (I have left out many details) paints a portrait of a couple torn from their secure lives and forced into a horrifying new world of despair, testing them both to discover who they really are what they really feel.

Taking a leaf out of deBlob's book, players run around arenas while spraying each other with paint.

«While the lush 3D location shots of a desolate Moscow are admittedly stunning, the forgettable characters and paint - by - the - numbers plot threaten to burn the entire film out of your brain mere seconds after you've left the theater,» says Daley before joking, «Remove the sporadic alien attacks and «The Darkest Hour «suddenly feels like a Sunday night slideshow of your parents» summer tour of the Motherland.»

I left the pedicure salon, started my car and drove less than 3 miles to pick up something from the store, when I stepped out of my car my feet were black... and I don't meant just from dirt, It looked like someone dumped a bucket of black paint on me from shins down.

So I leave and contact Chrysler Corporation and tell them the problem, I didn't get anywhere, so I called the dealership and ask who their body shop was, got the name Robs Collision in Bristol, PA, I took my truck there unannounced and got an estimate for $ 2,000 in repairs took the estimate back to the dealer and gave it to them and they threw it the trash along with pictures I took of the paint work that were supposed go to corporate, after fighting with the dealership and Chrysler Corp for 4 weeks, Chrysler is buying me out of the truck, the dealership wanted nothing to do with it.

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Limiting the chart above just to those who use the device every day or a few times a week (leaving out usage of just a few times a month or less often), the data paints a different picture:

This laugh - out - loud picture book focuses on Robin, who leaves things all over the house, puts a sneaker full of sand in his mother's bed, paints the walls and plants flowers in the bathtub.

Body of small green leaves, veined, very thin, its fins painted in light cast from elsewhere, but from his eye out his long snout, an eruption of galaxies without foreign source, born in the fish itself.

Chinchillas should be taken out of the cage every day to play and exercise, but they should never be left unsupervised, as they may chew on electric cords, painted surfaces, and other toxins.

Keep an eye out for a colorful, hand - painted shack on the left side of Route 27.

Baga Beach in Goa looks as if it has come alive out of a painting... Majestic white waves rushing to wipe out the feet imprints left by you on the brown sand while the wind continues to flirt with the palm read more...

Baga Beach in Goa looks as if it has come straight out of a painting... Majestic white waves rushing to wipe out the feet imprints left by you on the white sand while the wind continues to flirt with the palm trees.

I also bought Pixie but I left him out of this cause you require to paint the whole figure, that would have taken more time and I only wanted the Puyo for this feature.

Hi Cory I find this a very interesting piece but I am not a youngster who has just passed a degree course I am a 60 year old who has just been disabled out of work and who has drawn, doodled or painted all of my life, I come from a family of 12 so we didn't get a chance to go to college I left school at 14 with nothing more than a second place in an art competition and every time I tried to take a course in art at night school my work hours would change usually just after I had handed over my # 100 or so.

As usual he has given a very clear and easy to follow class, but I just wish he had used some artistic license and moved the dark tree or even left it out that is behind the foreground tree on the right hand side as it is so dark my eye keeps going to it instead of into the picture I know it is in the photo but that doesn't mean every thing should go into the painting surely sorry just a personal view

I use thicker pigment from the cad yellow and add a touch of burnt sienna (hardly any) to take the blue out of the green and begin to paint in the shadows I see on the leaves.

Or you can see it as a kind of «motif» or configuration that runs from right to left, horizontally across the centre of the painting, starting at the right - hand slope, running across the strong green horizontal bands, and ending in the mid-left hand - shaped fanning - out.

In the meantime, she had left the medium of painting for indoor / outdoor installations involving brightly colored «ooze» (polyrurethane foam) pouring out of the windows of various buildings and down staircases, and provocative street collaborative performances with Hannah Wiener and John Perrault.

As I've said, the lion share of both abstract and representational painting and sculpture produced in America since 1950 is left out.

Works that are about the pleasures of paint, drawing, surface, material, color, feeling, sensuality, pure visual language, visual ideas, plastic space, beauty, and intuitive expressions are by and large left out.

Delicate and poised, spidery and animated, these bronze casts of tree trunks, hollowed out and painted with a radiant gold - leaf interior, seem to prowl the gallery on their spindly branched limbs.

Out of all of his work, all that is left is a series of small paintings in simple driftwood frames.

Conversely, a selection of drawings, however careful, can not disguise what they leave out — Gorky's paintings.

Algus has earned a certain cachet mounting gently revisionist shows of left - out artists like Paul Feeley, Nicholas Krushenick, and Robert Stanley; here you see Semmel's paintings the way you might have seen them back in» 78, in an intimate space on the fringes of SoHo.

The Bequest consisted of eight large paintings painted in the previous three years by contemporary British artists and bought by Bristol out of money left by L.R. Dyer, a local benefactor.

Instead of diamonds and hearts there are soft and voluminous snow - white peaches, peaking out from a wall of crisp green leaves, gently rendered to achieve a level of sameness on the surface of the painting.

Always to be counted on for pushing the perimeters of her intensely optical abstract paintings, this show finds Ferris, now 41, experimenting, rethinking, slowing down, mixing marble dust into her oil paint, laying down stenciled polygonal shapes, wiping out areas of canvas, leaving severe spray - painted black lines as structure.

All well and good, but it leaves out pretty much all of Hassam's career and the specificity of American painting.

Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out of flat planes of primary colors in two dimensions on the left (a gesture reminiscent of the painterly techniques of her idols Jacob Lawrence and Romare Bearden), and in a televised two dimensions on the right.

The carpets alone offer a miniature history of modern painting, including a quilt in mute colors out of Paul Klee, mirrored geometries out of Synchromism or Joseph Stella, patterns like leaves out of Lee Krasner, torn fabric out of Kurt Schwitters, a head and arm out of Constantin Brancusi or a Matisse cutout, and deep blues out of Henri Matisse.

I would do things in this painting that I wouldn't ordinarily and try to leave out things that I would normally paint — to have that kind of thinking be my guide.

Were a visitor to arrive at the Dulwich Picture Gallery, under the misapprehension that etching and lithography were techniques secondary to painting, whose purpose was the cheaper dissemination of an image, they would leave having had such a misconception blasted out of all being.