Sentences with phrase «leave white marks»

However, it, too will leave white marks on some wood surfaces, which we also learned the hard way.

After discovering — to my furniture's detriment — that the Apple HomePod and the Sonos One speakers can potentially leave white marks on certain wood surfaces, I decided to see what other smart speakers are capable of causing similar damage.

It's the only dry shampoo I have tried that doesn't leave white marks all over my hair.

Dove Invisible Dry Spray Antiperspirant goes on invisible, leaving no white marks on 100 colors of clothing.

The Apple HomePod is apparently not the only smart speaker that may damage wooden furniture, as Tom's Guide reviewer Mike Prospero found out that the Sonos One also leaves white marks on wooden surfaces.

Last week, customers who purchased Apple's HomePod were rightfully upset to find out that the speaker's silicone feet left white marks on wood surfaces.

Pocket - Lint founder Stuart Miles told BBC that the HomePod left a white mark on his kitchen worktop after just being on there for 20 minutes.

Not exact matches

Now that President Donald Trump's original chief economic advisor Gary Cohn has left the White House, markets are taking the president's rhetoric more seriously, according to billionaire investor Mark Cuban.

«It is life changing for veterans and their families when they leave the service,» said Mark Taylor, outreach coordinator for Team Red, White and Blue.

-LRB-...) The paper was written by Jim Parrott, a former housing advisor in the Obama White House who is now a senior fellow at the Urban Institute, a left - leaning think tank, and Mark Zandi, chief economist of Moody's Analytics.

COPYRIGHT, SERVICE MARKS and TRADEMARKS NOTICE: Meadowfoam, Papalo, Pipiche, Pumpkin, Squash, Sweetgrass, White Sage and all Pepper fruit and leaf images on this web site are Copyright © 2001, 2002, 2003, 2006, 2008, 2011 by Sue and Craig Dremann, all rights reserved.

I love sudocream, especially the care and protect and it doesn't leave the same scary white marks everywhere — win win!

As the birds possess a marked preference for the northwest lagoon, Barbuda's seemingly endless white and pink sand beaches are left to the peaceful wanderings of those lucky enough to sojourn here.

And, Crystal does this without leaving a trace, which means NO WHITE MARKS, no stickiness, no staining, no flakes and no crumbling!

After having a 9.2 Lb baby I was left with a stretched out stomach and tons of white stretch marks.

Prolific stellar nurseries, marked by gray and white clouds surrounding red stars, are located at the top left and top right of the image.

As much as I love everything and anything white, white shoes can be tricky because the faintest backsplash from a puddle will leave a hard - to - clean mark.

Do you have any issues with the Blank NYC jacket leaving black marks on your white tops?

On the other hand, when I wanted to make a smooth white look over brown wood it needed many layers nevertheless the brush left long marks on the wood and it was ugly.

Spinning the original comic depiction of the character on its head, the image features Domino — who in the illustrated version sports a pale complexion with a black mark over her left eye — as a black woman with a white mark over her eye, in what appears to be vitiligo, as well as her natural hair.

But now that he has set his mark on Hollywood history as surely as his handprints have been immortalised in cement outside the Chinese Theatre in LA (extreme left of the entrance, between Danny Glover, Walter Matthau, Michael Keaton, Susan Sarandon and Oskar Werner, if you're curious) he has license, if he wants it, to change, to experiment, maybe even to subvert his image — to give audiences black and white more opportunities to say (as he told The Telegraph in 2013), «we haven't seen Denzel like that.»

A meeting was held on January 8, 2007 at the White House to mark the 5th anniversary of the No Child Left Behind Act, and to kick - off Bush Administration discussons with Congress regarding reauthorization of the act.

This marked the beginning of a tradition: all future Alfa Romeo race cars would feature the four - leaf clover on a white triangle — with the missing corner symbolizing the loss of Sivocci.

This marked the beginning of a tradition: all future Alfa Romeo race cars would bear the four - leaf clover on a white triangle — with the missing point symbolizing the loss of Sivocci.

The Grand Sports had blue metallic paint with a white stripe and red «hash marks» on the left - front fender with an LT4 engine under the hood.

Inside, the Canada Commission cars boast a black Alcantara interior with a red Alcantara headliner and steering wheel with a white 12 - o'clock mark, along with more of that maple leaf motif.

I bring this up as one might wonder if the early authors of this Standard might be telling us something about the effects of excessive white markings and the problems this might create if left unattended in a breeding program.

The virus also causes a marked decrease in white blood cells, leaving affected cats susceptible to a secondary bacterial infection.

After finding the location — a whitewashed, early - 20th - century mansion in the Vila Mariana neighborhood — Mr. Perez asked the architect Felipe Hess to design the seven dorm rooms, two private rooms and multiple common spaces (including a «glass room» with wraparound windows and a low slate roof, where guests are invited to leave their mark in chalk) with a black - and - white color scheme.

The stark black and white design stands out enough but when blood and other fluids are brought Into the mix, they truly leave a mark upon one's psyche.

General fixes • Significant improvements to the Squad Join interface • Removed FIND ME A SQUAD option • Allow players to join empty Squads alone, thus having 1/4 Squad members • Change order of options to LEAVE SQUAD, INV A FRIEND, SWITCH TEAM • Disable Privacy flag when 1 man Squad • Reset Privacy flag from Private to Public when Squad drops to 1 player • All occupied Squads will now show up colored blue on the Squad selection screen • Players who choose not to join Squads will also show up as Blue in the «Not in a Squad» line • Squads that are currently empty will display as white — if you wish to join an empty Squad, you can choose the first one marked with white text • Added round duration and ticket summary at end of round screen • Fixed sound for when climbing ladders • Fixed and issue with some weapons» sounds in first person view • Fixed a swim sound loop error • You should no longer be able to damage a friendly vehicle when sitting in an open position • Grenades now drop to ground if you get killed while attempting to throw it • Spawn protection now should work in Conquest so you no longer should spawn too close to enemies • You should no longer spawn too close to enemies in TDM and SQDM • Fix for missing input restriction during intro movie, causing players to potentially fall and die while watching movie if moving controller (or having a controller with a bad stick zone) • Combat areas on Kharg Island in Rush mode tweaked in order to disallow defenders to access the carrier ship after first base is taken and being able to enter the AA gun • Fixed a problem with revived players not being able to get suppressed • Fixed a problem with the camera when being revived in co-op • Spotting VO now plays when spotting from MAV / EOD bot • Fixed several issues regarding the kill card, including showing wrong weapons used for the kill • Fixed that sometimes you would be stuck on a black screen when kicked from server • Fixed so when a team captures two flags at the same time, the UI does not show wrong owner of the flag • Fixed a problem where the capture progress bar was shown as friendly when the enemy was capturing • Fixed a problem with the bipod deploy sound • Fixed a problem that you could be spawned in with no weapons after being killed while using the EOD bot • Fixed problems with health bars not displaying health properly when using EOD bots • Fixed a problem with flickering name tags • Fixed a problem where you could damage friendly helicopters • Fixed a problem where you could get stuck in the co-op menu when attempting to join the session twice • You should now be able to spot explosives • You should no longer spawn in home base if your selected spawn point is disabled while waiting to spawn (e.g. if your teammate dies right before you are about to spawn) • Damage from bullets will now continue to cause damage even after the firing user is dead • Fixed several client crashes • Fixed a problem where players could get stuck in the join queue • Fixed the repair icon on the minimal • Fixed a problem with changing camera on certain vehicles • Fixed a problem with the grenade indicator when in guided missile mode • Fixed a problem where the machine could hard lock when joining a public coop game • Fixed a problem where the headset attached icon would not show up in the UI • Fixed a problem with the falling antenna on Caspian Border.

* Derwent studio pencils * Colourless blending or burnishing pencil * Navy blue Windsor Universal paper * Fine pencil eraser with brush tip * White carbon trace down paper: this is so I can transfer my drawing to the paper surface (you may also use a white pencil to sketch with, but be aware of not pressing too hard and creating indentations in the paper surface, or by leaving eraser marks on the surface if needing to correct your structWhite carbon trace down paper: this is so I can transfer my drawing to the paper surface (you may also use a white pencil to sketch with, but be aware of not pressing too hard and creating indentations in the paper surface, or by leaving eraser marks on the surface if needing to correct your structwhite pencil to sketch with, but be aware of not pressing too hard and creating indentations in the paper surface, or by leaving eraser marks on the surface if needing to correct your structure).

Barré created spare, minimal figures which left much of the canvas open; when he began using spray paint in 1963 as a reflection of his appreciation of graffiti in the Paris metro, he employed a particular matte black to create white surfaces marked by traces or stripes.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print on a trajectory of performative works based on the notion of capturing an indexical trace, reaching back to Pollock's drip paintings, moving up through Rauschenberg's blueprints, and on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil drips and tire marks on a public plaza in Paris.21

erwin wurm leaves a physical mark on deformed domestic objects triple seat (fauteuil white), 2015 polyester, wood, acrylic paint 15 kgs 60 x 87 x 96 cm (23,62 x 34,25 x 37,8 in) ed.

Zwirner's elegant third floor office was the perfect space, so out went his desk, chair, computer, files, phones, the lot, leaving an empty square white room and the marks on the floor boards where he tends to tip his chair or pace up and down when thinking.

A photograph of John Coltrane in the exhibition acts as a stark reminder that even white American modernism was inspired by African American music — Jackson Pollock was inspired by jazz music to splatter paint for the first time, with each mark left on the canvas being representative of an uncontrollable and immediate force.

Her first marks, in red and other bright primaries, leave plenty of white space, like poured paint for Helen Frankenthaler or, in some series, Morris Louis.

Man Ray at Gagosian Beverly Hills, by Jonathan Griffin Tomma Abts at Galerie Buchholz, Berlin, by Mark Prince Tino Sehgal at Tretyakov Gallery and Schusev State Museum of Architecture, Moscow, by Oliver Basciano Sophie Calle at Musée de la Chasse et de la Nature, Paris, by Violaine Boutet de Monvel How It's Made at Carl Kostyál, Stockholm, by Stefanie Hessler The Electric Comma at V - A-C Foundation, Venice, by Barbara Casavecchia Ajay Kurian at Sies & Höke, Düssedorf, by Moritz Scheper Evelyn Taocheng Wang at Galerie Fons Welters, Amsterdam, by Dominic van den Boogerd Otobong Nkanga at Temple Bar Gallery, Dublin, by Luke Clancy Gaylen Gerber at Galerie Emanuel Layr, Rome, by Mike Watson Yan Pei - Ming at Massimo De Carlo, London, by Matthew McLean Larry Achiampong at Copperfield Gallery, London, by Richard Hylton Aaron Angell at Gallery of Modern Art, Glasgow, by James Clegg Rachel Whiteread at Tate Britain, London, by Louise Darblay Andreas Gursky at Hayward Gallery, London, by Fi Churchman The Land We Live In — The Land We Left Behind at Hauser & Wirth, Somerset, by Gabriel Coxhead Kathleen White at Marton Gallery, New York, by Cat Kron Liz Magor at Andrew Kreps Gallery, New York, by Sam Korman Dreams of Solentiname at 80WSE, New York, by Jeppe Ugelvig Survival Research Laboratories at Marlborough Contemporary, New York, by Aaron Horst John Bock at The Contemporary Austin, by Caroline Elbaor

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iWhite Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite color 32 1/4 x 32 1/4 x 2 3/4 inches

Second, in the next gallery, is Twombly's «The Four Seasons: Spring, Summer, Autumn and Winter,» from 1993 - 94, four tall white canvases each of whose marks, colors and scrawled words leave little doubt as to the time of year.

As experienced jazzmen taunted their unique power over the fermata − «a pause of unspecified length on a note or rest», Sam Francis confronted white space on his unique terms, tugging at the space, leaving his mark of movement and pure expression.

Shortly after leaving Shanghai, Tobey began painting little fields of white calligraphic marks on colored backgrounds.

Wearing's statue of Fawcett arrives two years into a new global tradition of Women's Marches — these marked by the pink of the pussy hat rather then the berry red, leaf green and white of the suffragists.

Yet another includes marks that evoke the stains left by a coffee mug or a paint can on a white surface.

The record captures nearly every season in that time period, Goldstein said, with white layers of a mineral called aragonite marking summer evaporations, when the minerals were left behind as water vanished.

I'll leave this one, not to Mark Twain (to whom it's often wrongly misattributed), but to its true originator, William Allen White: «Never use the word «very.»

Now that President Donald Trump's chief economic advisor Gary Cohn has left the White House, the stock market is taking the president's rhetoric more seriously, according to billionaire investor Mark Cuban.

Editor's Note (2/15/18): Similar to the Apple HomePod, the Sonos One can leave damaging white marks on certain wood furniture.