Sentences with phrase «leaves scenes feeling»

This sometimes leaves scenes feeling unfinished, but the point is that real life isn't as tidy as it is in the movies.

This technique causes 20th Century Women to play like an endless stream of beautiful moments, while leaving every scene feeling important to the character's lives and deeply personal.

Not exact matches

Ann Curry, another former «Today» cohost who left the show after just about one year «felt that the boys» club atmosphere behind the scenes at Today undermined her from the start, and she told friends that her final months were a form of professional torture,» according to Brian Stelter's 2014 book «Top of the Morning: Inside the Cutthroat World of Morning TV.»

Moody's impact was felt in all the Protestant denominations and left a permanent legacy in the American scene.

As tempting as it may be, leaving without saying goodbye may make kids feel abandoned, whereas a long farewell scene might only serve to reinforce a child's sense that preschool is a bad place.

I didn't want to create a scene in front of them so when he came out to open the door to my own car, I whispered in his ear, «I didn't leave on perfect timing, I needed a cigarette from bat shit and you hurt my feelings» I won't go into the rest of the day.

Leave the scene if you can, adds Gail Saltz, MD, a Health contributing editor and clinical associate professor of psychiatry at Weill Cornell Medical College in New York City: «It's OK to say, «I notice myself feeling pretty topped out.

Golden leaves raining down and tall skyscrapers peeking through bare branches... it felt like a scene from a movie!

Singles groups are a great alternative to the hollow bar and club hopping scene that leaves many feeling empty and unfulfilled.

While the game's behind - the - scenes management aspects and various game modes are pretty good, the actual on - ice experience leaves a lot to be desired, especially with regards to the game's actual feel.

Johansson gets a marvelous, simple phone call scene where she tells her mother, «I feel everything — space, time... the rotation of the Earth, the heat leaving my body.»

It feels like every script - reader in the Italian - Swiss - German - Albanian - Kosovo coproduction cut out a line of dialogue in each scene, leaving behind an irritating silence and an enigmatic puzzle for the audience to second - guess.

Then again, you'd figure the film could have demonstrated that in ways that would feel more historically authentic, as in the scene at the start of the film in which, with her husband off at war, Marion is left to try to defend the barn from raiders.

Producer Nate Moore revealed in an interview that they almost showcased this new arm in the Black Panther post-credit scene, but Bucky felt more «human» without the arm in that scene, so they left him without a new arm, for the time being anyway.

But as time forges on and the impeccably detailed story grows more and more dense, the scenes feel oddly weighted, not only drawing attention away from this story about soul, but leaving us wondering if there isn't a little internal «can you top this» going on.

In the movie's early scenes, the queasy feeling that these two don't even like each other is so palpable it leaves a residue of sourness that extends through the rest of the film.

While The Discovery plays in many ways like a more effective version of the concept - choked Brit Marling / Zal Batmanglij movies, the cult scenes feel underdeveloped next to their film The Sound of My Voice, an intriguing but ragged thread left dangling as The Discovery turns towards more concrete, backstory - driven explanations for its characters» obsessions.

JG: In my one scene in the movie I felt Jon and Andrew left me to interpret Nurse Mary as I saw her.

I've seen too many action scenes were the camera work and editing is far too fast and muddled leaving you with a jerky feeling.

But what helps every emotional scene stay afloat is the score by Son Lux; reflective, longing with sad guitar drones that feel like cherished memories scattered like autumnal leaves in the wind — we'd argue the score is the movie's unsung MVP.

Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.

Filmed on 35 mm and left in its grittiest state — the colors have a relatively untreated feel, like a»70s Dirty Harry film — Too Late is an L.A. noir shot in five continuous take scenes.

Yet whereas the movie is most impressive during its final scene, its random conclusion leaves us feeling like there's a whole half of the film missing.

While the practical locations (largely shot in the area of Jodhpur in Rajasthan) are stunning, and the use of extras over computer - generated enhancements welcomed, the film is slightly let down by scenes where its actors are imposed into old Movietone reels, which you can't help but feel were best left out altogether.

There are so many set pieces that seem like they might be the final one that when the movie finally does end, it almost feels like you're being faked out, and there'll be one more scene left to wrap things up.

This image released by STX Films shows Rory Scovel, left, and Amy Schumer in a scene from «I Feel Pretty.»

It does feel a little choppy — like maybe half an hour was left on the cutting room floor — and I wondered more than once if the scene order had been rejigged.

Jonny Greenwood's score compounds the nightmarish feel of the scene, a cacophony of guitars layered over one another plays as he leaves the scene.

Comedians Abby Elliott and Taran Killam appear briefly, implying jokes for grown - ups left on the cutting - room floor, and Whoopi Goldberg also feels underused in her couple of scenes as Fox's boss.

While Kylo and Rey clearly share the same understanding about her parents, after she searches her feelings and knows it to be true, there's enough ambiguity in the scene to leave room for doubt.

It feels like a video game as the kids run from one chase scene to another fetching objects — get the key, find the locker, get the Bible, break the code — advancing every time to the next level with little sense of a story moving forward, and leaving a gimmicky aftertaste given all the real - life squalor onscreen.

That's followed by a 12 - minute making - of featurette, five deleted scenes (each presented with the optional accompaniment of the commentary crew), a fun and brief piece called «The B Team» that spends some time with three cast members (Juliette Lewis, David Koechner, and Kick Gurry) who felt left out after they joined the filming a few days late, a blooper reel, and a music video for «Put Your Head on My Shoulder» by Blue Mother Tupelo.

There is little conversation and feelings are left in unexplored territory, yet their longing for connectedness achieves release in a tender, yet strangely emotionless sex scene.

The scenes in Argentina show him with his second wife, Aleida (Catalina Sandino Moreno), and children, but do not engage in why he left them, how his wife really feels, how he feels about them.

What's more, like the shower scene in Psycho, the bathroom incidents in this script may leave water - wary bathers feeling even more hesitant about leaving a ring or two in the bottom of their tubs.

His wife shared his political ideas but must have had deep feelings about a man who would leave his children to lead a revolutionary war in another country; but we don't hear them, and in a way it's a relief to be spared the conventional scenes of recrimination.

Gazzo's grizzled look and voice dominate his scenes and leave you feeling uneasy about what's really going on with him.

So when it came time to shoot one of several dramatic scenes in their new movie, «This Is Where I Leave You,» they felt far from sure - footed.

It's not only in performances that the film feels stuck between genres; discounting a handful of choice scenes, by the film's end we're left with many unexplored emotional avenues that serve only to reinforce the film's stuntedness in that regard.3

Shot in the stripped - down, naturalistic hand - held manner that gives von Trier's films their immediacy, but also leaves you with the feeling that he's making up scenes as he goes along, «The House That Jack Built» presents a murder junkie of cold - eyed lunacy and raging indifference whom the movie doesn't necessarily want you to understand.

And when the cameras left her at the end of the final scene, I wept for her, feeling as though I had abandoned her to fend for herself.

This is an emotionally wrenching scene that will leave moviegoers feeling as if they have just been punched in the stomach.

We also feel the fragility of relationships during this movie's very low points, with a couple of hard scenes that leave bruises.

It seems like a mashup of concepts we've already seen, but it doesn't make them less entertaining, but this trailer has done what I feel all trailers seem to do anymore and that is give us so many scenes of the film within the two and a half minutes that it leaves nothing to mystery.

Even the sex, during one scene, leaves the viewer feeling exposed and vulnerable, the sheer hate and anger behind it making it almost a scene of mutual rape.

In an introduction that laid out the mission for The Porch, Felts (left) said that they wanted the city to be known as much for its writing as it is for its culinary, culture and music scenes.

Well for those of you who picked up a HTC Flyer and feel left out from the Honeycomb scene, you're in luck.

With the buzzing bars and dining options of the city centre so close by, it's easy to venture out of the hotel for a change of scene, though with the Bella Vista's two excellent restaurants, fun - filled evening entertainment and on - site disco, you may not feel the need to leave at all.

In this one scene, which should be a dramatic and hear - rending moment, the shoddy animation, lack of detail and background music as well as the crap sound effects leaves the whole thing feeling like a badly done pantomime rather than stunning cinematic moment.

Their roles in the movie could have been taken out just to help streamline things, leaving them to appear only in the final scene where Marvel veterans would have instantly recognized them, and newcomers would have felt intrigued by the new team.