Sentences with phrase «leaving walls white»

Flip tradition and paint your ceiling a bright color while leaving your walls white.

So I would leave the walls white but then add accents of blues, golds, and coral / red.

To create the look of chair rail moulding and base boards, I would simply leave the wall white in those areas.

I generally never leave a wall white, so we went with «Blackened» by Farrow and Ball for the main wall colour throughout, and «Dimpse» in our bedroom and office.

The room has gas lines and such on the walls and I figured that I should just leave the walls white because it would be a pain to pain properly.

Not exact matches

The unfinished cement floor is cut through with a couple of white walls, slapped up in a hurry when management realized the open - concept design hadn't left space for meetings.

It would be fair to say that the writing has been on the wall for Giovani Dos Santos for some time, with the Mexican midfielder making no secret of the fact that he wants to leave White Hart Lane as soon as possible.

Former President Barack Obama is coming to Wall Street less than a year after leaving the White House, following a path that's well trod and well paid.

A female white - spotted frog responds to the mating call by entering into the bamboo section to lay her eggs on the inner walls of the section, leaving after the male frog has fertilised the eggs.

We left the original carpeting and wall color when we bought the house — I went with a black - and - white theme for all of the decor to pop against the pretty teal carpet.

White open shelving visually disappears into your white wall leaving the kitchen feeling open and spacWhite open shelving visually disappears into your white wall leaving the kitchen feeling open and spacwhite wall leaving the kitchen feeling open and spacious.

The space is quite empty and the walls are mainly white which leaves space to admire the few artworks in the room.

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A stunning freestanding tub accented by a vintage style polished nickel tub filler sat under a window dressed in an off - white linen roman shade framed by shiplap walls illuminated by a Worlds Away Gold Leafed and Antique Mirror Inset Pendant hung above gray marble bathroom floors.

We created an airy open feel by raising the ceiling, leaving the beams exposed, and creating a crisp foundation with white walls and light floors.

White and grey bathroom features walls painted pale grey, Benjamin Moore Moonshine, an oval freestanding tub by Bain Ultra and a silver leaf accent table placed in front of windows dressed in gray curtains layered over white sheers alongside a calcutta marble arabesque tiled fWhite and grey bathroom features walls painted pale grey, Benjamin Moore Moonshine, an oval freestanding tub by Bain Ultra and a silver leaf accent table placed in front of windows dressed in gray curtains layered over white sheers alongside a calcutta marble arabesque tiled fwhite sheers alongside a calcutta marble arabesque tiled floor.

Those white walls just leave it feeling so stark!

Black soapstone floor tiles contrast a white single washstand accented with satin nickel knobs and a black marble countertop holding a sink with a polished nickel faucet kit beneath a silver leaf mirror hung from a cream brick wall lit by a Country Industrial Small pendant.

A gold bench finished with a blue and white cushion sits on a cream rug at the foot of a bed, as a fiddle leaf plant is positioned on under windows flanking a blue art piece hung from a gray wall.

Beautiful master bathroom features a stained wood double vanity with brass pulls flanking stacked shelves topped with a white countertop framing his and her sinks paired with gooseneck faucets under curved brass vanity mirrors illuminated by 4 light brass linear wall sconces atop tan herringbone tiled floor with seamless glass shower to the left and bathtub to the right.

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The chic design features clean lines with a white base and colorful leaves, perfect for adding interest and texture to accent walls or larger spaces.

I think I am going to leave it in yellow, I think if I painted the furniture white it would blend into the wall.

Luxurious transitional bathroom is fitted with gold leaf mirrors mounted over wall mount polished nickel faucets mounted above a white floating dual washstand accented with iron fleur de lis knobs and two deep white vessel sinks.

Though Ana enters the ceremony in a lace dress and says her vows in front of a wall of white roses, she leaves her wedding in an off - white pantsuit.

Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

I will try to reconstruct the scene: White walls covered in old MILK: IT DOES A BODY GOOD posters, left over from the last guidance counselor because Mrs. Townsend has been so busy since she started five years ago, she hasn't had the chance to replace them.

There was a lounging section (black leather sofa, two black leather chairs, glass coffee table) to his right, an executive desk (oval, cherry, black leather reclining chair for the executive, two green leather armchairs for visitors) in the center, and a wall unit (cherry, glass doors, white folders in neat rows) to his left, in front of which Clark Edwards, in a dark suit, was standing and feeding sheets of paper into a pullout shredder.

The ceiling and walls of the main hall, comprised of undulating wood panels covered in gold leaf, offset the stark white of nearly everything up to this point, a compelling jolt to the considered asceticism.

Like the great room, the bedrooms use teak trim, white walls and bedding and small touches of leaf - print upholstery to create a refined tropical style.

The reconstruction included re-coating of the walls with white plaster leaving them stark and undecorated while the original stonework shows through in only a few places.

At the Second Courtyard, go to the area where the the two bomb launchers are at and look for a white wall on the left that extends down beyond the floor.

Before you leave after getting Power Moon 11, go back up to the white moving platform on the back wall.

If you look at the first building on the left and at the line that separates the bottom part of the wall (orange stones) from the white plastered part of the wall, it's just about on the eyeline of the photographer.

Instead of diamonds and hearts there are soft and voluminous snow - white peaches, peaking out from a wall of crisp green leaves, gently rendered to achieve a level of sameness on the surface of the painting.

This exhibition includes rare examples of ZERO period works including Licht - Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on panel.

With this piece, Yi - Fan Chen picks up where Barbara Kruger and Bruce Nauman left off — Authoritative, white raised Latin letters form scrambled words into nonsense phrases mounted on the installation wall.

All that's left is a black - and - white wall of striped columns, leading back to the entrance, as if one walked into a jewel box and is forced to leave through a prison gate

Black - and - white hanging scrolls line the gallery walls; paper fans and album leaves fill cases in the center.

He left the last large gallery in the Hirshhorn's circling sequence empty but for one element: a floor - to - ceiling white scrim that stretches the length of one wall and gives the illusion of straightening its curve.

A little later, The Nominal Three (to William of Ockham)(1963) consists of six vertical fluorescent tubes on a wall, one to the left, two in the center, three on the right, all emitting white light.

Objects are poised perfectly — a black glass neon shape near the ceiling positioned behind and above you, something you might not notice straightaway but which you catch sight of as you leave a room; or the hard, white - and - black, upright protrusions from the wall that, though architectural, designed, and frozen - seeming, have such a human and tactile presence, glowing and breathing from behind.

Ockham, a British medieval philosopher, was the original proponent of less - is - more, and that's what Flavin, who died in 1996, gave us: six vertical fluorescent tubes on a wall, one to the left, two in the center, three on the right, all emitting immaculate white light.

Palermo emphasized the flexible partitions of the Kunstverein in oxblood red paint while leaving the outside wall white and drawing the topographic layout of the partitions onto the main wall.

These can be seen on the far wall in blue, on the left in white and on the right in orange.

In his decision to work directly on the wall, the artist's hand is clearly visible, via handwritten text in English, French and Flemish, scribbles of white chalk and uneven brushstrokes leaving drops of black paint that almost hit the floor.

In Rain in the Port of Spain (White Oak), a yellow wall, filling most of the painting, may represent Trinidad's zoo or its prison, while a large lion prowling in the foreground may be an animal from the zoo or the Lion of Judah, emblem of the prison's Rastafarian population, or both — and that sharp perspective down the wall to the left, with the strangely transparent prison guard, references the great Italian surrealist Giorgio de Chirico.

When I imagine them shown together, I see the exhibition clearly: Sarah Cain's Supreme Being, massive and bordered in gold leaf, hangs on a wall that thankfully isn't white.

Using a grainy black and white photograph of the wall Basquiat was given, curators have managed to trace 17 of the works, with five left to find.

From left to right: Vanessa Beecroft, VB35 Performance, 1998, Vibracolor - Print, 1.2 x 1.8 m. Courtesy: Sammlung Fotomuseum Winterthur; Santiago Sierra, Object measuring 600 x 57 x 52 cm constructed to be held horizontally to a wall, 2001, black and white photograph, 2.3 x 1.6 cm.