Sentences with phrase «lecture performance by»

Not exact matches

Sunday, August 9, 2015 Coda: Musical breakfast 9:00 am Continental breakfast buffet (optional) 9:35 am - 10:05 am Pre-concert lecture: «Sounding Freedom» presented by George Harne President, Northeast Catholic College; PhD Musicology, Princeton 10:20 am - 10:50 am Piano trio performance by Faculty of the Manhattan String Orchestra Please refer to music program below 11:00 am End of the 2015 Intellectual Retreat

Professor Karl Barth of the University of Basel lectured for forty minutes — in conjunction with the performance of a «Salzburg Divertissement» by the brilliant Geneva student orchestra — on the astonishing «freedom» of Mozart.

Doors open at 6:45 p.m. Lecture will be preceded by a brief musical performance by students from The Colburn School.

Your time here goes by quickly, so amidst the crunch of studying and completing projects, make time to enjoy the lectures and performances at Harvard.

Arts Access, where schools provide students exposure to the arts through field trips, school or classroom visits, performance (s), «informance» (s), and / or lecture demonstrations by artists or artist groups;

The group helped present «9 Evenings,» the series of technologically abetted performance events by Experiments in Arts and Technology (E.A.T.) in 1966 at the 69th Regiment Armory in Manhattan; theater and dance at Judson Memorial Church; lectures by Marshall McLuhan and Buckminster Fuller; concerts by David Tudor and La Monte Young; and scores more.

An event dedicated to exploring silence, featuring a new performance by Ginger Brooks Takahasi followed by a performative lecture by Pauline Boudry and Renate Lorenz

Flagship AS hosts 3 exhibitions a year by local and international artists, as well as lectures & performances.

And in between (literally), at Kai Matsumiya, is a kind of palette cleanser in the display of Rainer Ganahl's wonderfully random photographs of art world lectures being given by such luminaries as the art historian Linda Nochlin and the performance artist Andrea Fraser.

The performance will be accompanied by a lecture by David Elliott, curator, publicist and co-author with Xu of a 2014 monograph.

The New Museum reviews its history in this thick if slightly too tall book, from its founding in 1977 by Marcia Tucker to the white Sanaa - designed building on the Bowery it moved to in 2007, growing up if not old while maintaining its run of provocative exhibitions, performances and lectures.

This series will present a performance lecture by Joan Jonas with Jason Moran (May 27) at DB Clarke Theatre, performances at the Phi Centre by Taisha Paggett (May 25), Tanya Lukin Linklater (June 21) and Simone Forti (June 22), as well as two evenings of film and video screenings (May 24 and June 20) at the Phi Centre in addition to an afternoon of conversations (May 26) at Hexagram UQAM / Concordia University.

In the crisp cool air, we crowded around an outdoor campfire before filling the Raumerweiterungshalle for a conceptual lecture, video work and music performance by a group of four individuals who, as non-artists, staked their claim in the Project Space Festival, pushing the limits of the project space as an exclusive «artist's» zone.

Members enjoy unlimited free entry to world - class exhibitions and a continuous calendar of lectures by renowned artists and critics, as well as film screenings, concerts and cutting - edge performances.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performancLectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performanclectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

This series will present a performance lecture by Joan Jonas with Jason Moran (May 27) at DB Clarke Theatre, performances at the Phi Centre by taisha paggett (June 20), Tanya Lukin Linklater (June 21) and Simone Forti (June 22), as well as two evenings of film and video screenings (May 24 and August 26) at the Phi Centre in addition to an afternoon of conversations (May 26) at Hexagram UQAM / Concordia University.

Presented at the Performa Hub and curated by Garage curator Yulia Aksenova in collaboration with RoseLee Goldberg, the exhibition also originally included a lecture by renowned Russian art critic Alexandra Obukhova and a performance by Andrey Kuzkin.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aPerformance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

At this event, WiseSurguy - Sophiliazo will give a lecture about collaborative art followed by a collaborative workshop resulting in a performance!

An exciting interdisciplinary programme with keynotes by Prof. Matthew J. Smith (University of the West Indies), an expert in Haitian twentieth - century history and the anthropologist and performance artist Prof. Gina A. Ulysse (Wesleyan University), a public lecture by Prof. Lubaina Himid MBE (University of Central Lancashire) on her artistic engagement with Toussaint Louverture, a presentation by Leah Gordon, photographer, filmmaker and co-founder of Haiti's Ghetto Biennale, and more leading international scholars.

During the run of the show, a series of scheduled events will take place as part of [Working Title] and will include an off - site project by Cuss Group called Video Party, a performance after the opening by The Frown and The Brother Moves On and an opening address and lecture by distinguished theorist Achille Mbembe, who will speak on «The Postcolony Revisited».

A vibrant intellectual and creative nexus, the Hammer is fueled by dynamic exhibitions and programs — including lectures, symposia, film series, readings, and musical performances — that spark meaningful encounters with art and ideas.

Known for her paintings, costume designs, installations, and solo performances, Suzanne Bocanegra has more recently ventured into the world of theater with her «Artist Lectures,» 2011 — 16, a series of three meandering, memoiristic essays that are performed by professional actors.

Commissioned performances feature prominently in the exhibition, with the premiere of a three - part musical by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music organized by Simone Leigh and staged inside her installation, monthly performances by Justin Vivian Bond, and a series of performance - lectures on masculinities by Gregg Bordowitz.

Expect a robust series of events surrounding the opening, including a lecture on gentrification (Renzo Martens and the Institute for Human Activities), a dedication of a tombstone in the Minneapolis Sculpture Garden (singer Jamie Stewart of Xiu Xiu and Danh Vo), a conversation between two of contemporary art's preeminent artists who write (Liam Gillick and Hito Steyerl), and a performance by Nástio Mosquito.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Hosted at the Benaki Museum (Pireos St. Annexe) over a period of seven weeks, As One will consist of the Abramović Method, newly commissioned performance pieces by Greek artists, and an extensive public program of lectures, workshops, discussions -LSB-...]

The show is complemented by a extensive supporting program such as lectures, readings, and a dance performance.

The lecture will be recorded, transcribed, and turned into a performance at another lecture occasion by using an exact transcript including all «hmms», «arrrhs», «ummms», questions, and interruptions.»

Stairs into My Eyes, The Finley, Los Angeles, curated by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012 Lectures and Salad, (performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated by James MacDevitt (cat.)

In addition to mounting five institutional - quality exhibitions in its first year, Mr. Moskowitz has coordinated over twenty events including artist interviews, lectures, curatorial walkthroughs, dance and musical performances, and a classical concert series sponsored by Steinway & Sons.

The Transliterative Tease is the first of four Slavs and Tatars performance - lectures organized by the University of Houston Cynthia Woods Mitchell Center for the Arts as part of the INTERSECTIONS initiative, which aims to increase knowledge about Muslim cultures through the arts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH students.

Programming will include a lecture by the artists, a round - table discussion on street art and the use of spray paint, and musical performances (Mouth's Cradle by SU students Kevin Hegedus and Brandon Linn, and street dancing).

To a soundtrack by musician Arto Lindsay, Mark Beasley lectures about «Looting», a 2010 performance by Regina José Galindo.

PREVIEW: Saturday 23 April 2011, from 19:00 hrs - Lectures and performances by Marina Abramovic, Ilse Ghekiere, Stephen Thompson, Mårten Spångberg and Krööt Juurak and other guests - Screening of the film «Enjoy Poverty» by Renzo Martens

Commissioned performances will feature prominently in the exhibition, with the premiere of a three - part musical by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music organized by Simone Leigh and staged inside her installation, and a series of performance - lectures on masculinities by Gregg Bordowitz.

The new Norton Simon Theater was the final element of the renovation, designed by Gensler & Associates, and is used for lectures, film, dance performances and concerts.

«Surrender to the Diagram» is a movement - based performance - lecture developed by Ritchie in collaboration with students from the UH School of Art and College of Architecture and Design within the framework of the seminar «Diagrammatic Visualization in Art and Theory» led by art history professor Dr. Natilee Harren.

What follows is written on the basis of typescripts kindly lent to me by Frank Stella and can not therefore give an account either of the lectures as performances or of the way in which the ever - crowded audience responded to them.

Richland College presents a performance and lecture by Tony Orrico on artistic production in relation to the body and time from 2 - 3 p.m. on Friday, September 27, 2013 in Richland College's Brazos Gallery.

The Mitchell Center, in collaboration with Blaffer Art Museum «s exhibition Mirrors for Princes, presents a performance - lecture series by Slavs and Tatars.

Working in collaboration with Lehyt, an artist of a later generation, the performance - lecture transposes Zurita's texts onto the present through a live reading and the creation of a new wall drawing by Lehyt made in response to them.

At the Studio Museum, Adjaye's concept is defined by innovative design features and improved space planning, including: a light - filled core that soars upward for four stories intended to echo the volume of a church sanctuary; a 199 - seat «inverted stoop» that invites the public into a lively multi-use space for lectures, performances and other public programs; and a variety of graciously proportioned spaces for presenting featured exhibitions as well as works from the museum's permanent collection.

Designed by the renowned Ghanaian - British architect David Adjaye, the Arena will hosts a multi-disciplinary program of live events, lectures, concerts, performances and screenings, as well as a public discussion forum.

The exhibition takes at least four or five days to see, and that's before you've taken in any of its public programme of lectures, seminars, screenings, performances, hypnotisms, etc., or begun reading its 100 commissioned essays — by luminaries including Franco «Bifo» Berardi, Judith Butler, Susan Buck - Morss, Boris Groys, Donna Haraway, Suely Rolnik and Michael Taussig — gathered in the hernia - inducing, tree - gorging catalogue The Book of Books.

Exhibition Events for Dario Robleto: The Prelives of the Blues Friday, March 23, 2012 from 5:30 — 8:30 pm: Opening reception for Dario Robleto: The Prelives of the Blues with live performance by blues musician Mark Stone Friday, June 1, 2012 at 6 pm: Public Lecture by Dario Robleto

Check out a music show, art show, performance, screening, lecture or other arts - related event organized by a wide range of local and visiting artists, curators, musicians, and organizations.

What follows is a curious line - up of «surprise» events in the festival's opening week: a performative lecture on the current sound installation by Eva Kietzmann and Petra Kübert for uqbar; an evening of visuals and performances titled Preview Tableau Vivant at Grimmuseum; and the new (edible) works from multi-disciplinary artist and chef, Søren Aagaard, for Kinderhook & Caracas.

The lecture will take place at 5 pm in Bloch Learning and Performance Hall (200A), followed by an opening reception for the exhibition at 6 pm at the gallery.

The conference kicks off this Friday with a preview of the museum's Judy Chicago exhibition and is followed by two days of talks, with artists, writers, and filmmakers joining forces with local leaders, activists, elected officials, and the public to explore art and politics in a series of lectures, panel discussions, and performances.