Not exact matches
Sunday, August 9, 2015 Coda: Musical breakfast 9:00 am Continental breakfast buffet (optional) 9:35 am - 10:05 am Pre-concert
lecture: «Sounding Freedom» presented
by George Harne President, Northeast Catholic College; PhD Musicology, Princeton 10:20 am - 10:50 am Piano trio
performance by Faculty of the Manhattan String Orchestra Please refer to music program below 11:00 am End of the 2015 Intellectual Retreat
Professor Karl Barth of the University of Basel
lectured for forty minutes — in conjunction with the
performance of a «Salzburg Divertissement»
by the brilliant Geneva student orchestra — on the astonishing «freedom» of Mozart.
Doors open at 6:45 p.m.
Lecture will be preceded
by a brief musical
performance by students from The Colburn School.
Your time here goes
by quickly, so amidst the crunch of studying and completing projects, make time to enjoy the
lectures and
performances at Harvard.
Arts Access, where schools provide students exposure to the arts through field trips, school or classroom visits,
performance (s), «informance» (s), and / or
lecture demonstrations
by artists or artist groups;
The group helped present «9 Evenings,» the series of technologically abetted
performance events
by Experiments in Arts and Technology (E.A.T.) in 1966 at the 69th Regiment Armory in Manhattan; theater and dance at Judson Memorial Church;
lectures by Marshall McLuhan and Buckminster Fuller; concerts
by David Tudor and La Monte Young; and scores more.
An event dedicated to exploring silence, featuring a new
performance by Ginger Brooks Takahasi followed
by a performative
lecture by Pauline Boudry and Renate Lorenz
Flagship AS hosts 3 exhibitions a year
by local and international artists, as well as
lectures &
performances.
And in between (literally), at Kai Matsumiya, is a kind of palette cleanser in the display of Rainer Ganahl's wonderfully random photographs of art world
lectures being given
by such luminaries as the art historian Linda Nochlin and the
performance artist Andrea Fraser.
The
performance will be accompanied
by a
lecture by David Elliott, curator, publicist and co-author with Xu of a 2014 monograph.
The New Museum reviews its history in this thick if slightly too tall book, from its founding in 1977
by Marcia Tucker to the white Sanaa - designed building on the Bowery it moved to in 2007, growing up if not old while maintaining its run of provocative exhibitions,
performances and
lectures.
This series will present a
performance lecture by Joan Jonas with Jason Moran (May 27) at DB Clarke Theatre,
performances at the Phi Centre
by Taisha Paggett (May 25), Tanya Lukin Linklater (June 21) and Simone Forti (June 22), as well as two evenings of film and video screenings (May 24 and June 20) at the Phi Centre in addition to an afternoon of conversations (May 26) at Hexagram UQAM / Concordia University.
In the crisp cool air, we crowded around an outdoor campfire before filling the Raumerweiterungshalle for a conceptual
lecture, video work and music
performance by a group of four individuals who, as non-artists, staked their claim in the Project Space Festival, pushing the limits of the project space as an exclusive «artist's» zone.
Members enjoy unlimited free entry to world - class exhibitions and a continuous calendar of
lectures by renowned artists and critics, as well as film screenings, concerts and cutting - edge
performances.
Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of
performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music
by then - emerging composers Morton Feldman and Earle Brown; «Six
Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performanc
Lectures» (1966), a series of
lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performanc
lectures given
by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of
performances organized
by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative
performance works.
This series will present a
performance lecture by Joan Jonas with Jason Moran (May 27) at DB Clarke Theatre,
performances at the Phi Centre
by taisha paggett (June 20), Tanya Lukin Linklater (June 21) and Simone Forti (June 22), as well as two evenings of film and video screenings (May 24 and August 26) at the Phi Centre in addition to an afternoon of conversations (May 26) at Hexagram UQAM / Concordia University.
Presented at the Performa Hub and curated
by Garage curator Yulia Aksenova in collaboration with RoseLee Goldberg, the exhibition also originally included a
lecture by renowned Russian art critic Alexandra Obukhova and a
performance by Andrey Kuzkin.
Performa: New Visual Art
Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and
lecture - as -
performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
performance, and provides a vivid tour through the world of contemporary
performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, a
performance, featuring inventive documentation of works
by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.
At this event, WiseSurguy - Sophiliazo will give a
lecture about collaborative art followed
by a collaborative workshop resulting in a
performance!
An exciting interdisciplinary programme with keynotes
by Prof. Matthew J. Smith (University of the West Indies), an expert in Haitian twentieth - century history and the anthropologist and
performance artist Prof. Gina A. Ulysse (Wesleyan University), a public
lecture by Prof. Lubaina Himid MBE (University of Central Lancashire) on her artistic engagement with Toussaint Louverture, a presentation
by Leah Gordon, photographer, filmmaker and co-founder of Haiti's Ghetto Biennale, and more leading international scholars.
During the run of the show, a series of scheduled events will take place as part of [Working Title] and will include an off - site project
by Cuss Group called Video Party, a
performance after the opening
by The Frown and The Brother Moves On and an opening address and
lecture by distinguished theorist Achille Mbembe, who will speak on «The Postcolony Revisited».
A vibrant intellectual and creative nexus, the Hammer is fueled
by dynamic exhibitions and programs — including
lectures, symposia, film series, readings, and musical
performances — that spark meaningful encounters with art and ideas.
Known for her paintings, costume designs, installations, and solo
performances, Suzanne Bocanegra has more recently ventured into the world of theater with her «Artist
Lectures,» 2011 — 16, a series of three meandering, memoiristic essays that are performed
by professional actors.
Commissioned
performances feature prominently in the exhibition, with the premiere of a three - part musical
by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music organized
by Simone Leigh and staged inside her installation, monthly
performances by Justin Vivian Bond, and a series of
performance -
lectures on masculinities
by Gregg Bordowitz.
Expect a robust series of events surrounding the opening, including a
lecture on gentrification (Renzo Martens and the Institute for Human Activities), a dedication of a tombstone in the Minneapolis Sculpture Garden (singer Jamie Stewart of Xiu Xiu and Danh Vo), a conversation between two of contemporary art's preeminent artists who write (Liam Gillick and Hito Steyerl), and a
performance by Nástio Mosquito.
Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught
by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art
Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live
performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)
Hosted at the Benaki Museum (Pireos St. Annexe) over a period of seven weeks, As One will consist of the Abramović Method, newly commissioned
performance pieces
by Greek artists, and an extensive public program of
lectures, workshops, discussions -LSB-...]
The show is complemented
by a extensive supporting program such as
lectures, readings, and a dance
performance.
The
lecture will be recorded, transcribed, and turned into a
performance at another
lecture occasion
by using an exact transcript including all «hmms», «arrrhs», «ummms», questions, and interruptions.»
Stairs into My Eyes, The Finley, Los Angeles, curated
by Dianna Molzan 2013 Boiled Angel, The Woodmill GP, London, England, October 13 — December 8 Soft Off (but I love it when your mouth is a little shut), ltd, Los Angeles, curated with Robin Peckham Abstract Perversion, Five Car Garage, Los Angeles Squirts, Regina Rex, New York Unsolved Mysteries, POST, Los Angeles Sinking with the Ship, Sam Francis Gallery, curated
by Mateo Tannatt, Crossroads School, Los Angeles Made in Space, Night Gallery, Los Angeles, curated
by Laura Owens and Peter Harkawik Made in Space, Gavin Brown's Enterprise, New York, and Venus Over Manhattan, New York 2012
Lectures and Salad, (
performance), Actual Size, Los Angeles Two and Half Hands and a Painting, Pauline (with Kenneth Tam & Mateo Tannatt), Los Angeles POST, Los Angeles Nudes, Calvin Marcus Studio, Los Angeles Absurdo Absolutum II, (screening), Microscope Gallery, New York Cannibalistic Humanoid Underground Dwellers, KChung Radio, Los Angeles 2011 The Cactus Show, Calvin Marcus Studio, Los Angeles Object - Orientation, Cerritos College Art Gallery, Cerritos, CA, curated
by James MacDevitt (cat.)
In addition to mounting five institutional - quality exhibitions in its first year, Mr. Moskowitz has coordinated over twenty events including artist interviews,
lectures, curatorial walkthroughs, dance and musical
performances, and a classical concert series sponsored
by Steinway & Sons.
The Transliterative Tease is the first of four Slavs and Tatars
performance -
lectures organized
by the University of Houston Cynthia Woods Mitchell Center for the Arts as part of the INTERSECTIONS initiative, which aims to increase knowledge about Muslim cultures through the arts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH students.
Programming will include a
lecture by the artists, a round - table discussion on street art and the use of spray paint, and musical
performances (Mouth's Cradle
by SU students Kevin Hegedus and Brandon Linn, and street dancing).
To a soundtrack
by musician Arto Lindsay, Mark Beasley
lectures about «Looting», a 2010
performance by Regina José Galindo.
PREVIEW: Saturday 23 April 2011, from 19:00 hrs -
Lectures and
performances by Marina Abramovic, Ilse Ghekiere, Stephen Thompson, Mårten Spångberg and Krööt Juurak and other guests - Screening of the film «Enjoy Poverty»
by Renzo Martens
Commissioned
performances will feature prominently in the exhibition, with the premiere of a three - part musical
by Morgan Bassichis that returns to the influential 1977 publication The Faggots & Their Friends Between Revolutions, live music organized
by Simone Leigh and staged inside her installation, and a series of
performance -
lectures on masculinities
by Gregg Bordowitz.
The new Norton Simon Theater was the final element of the renovation, designed
by Gensler & Associates, and is used for
lectures, film, dance
performances and concerts.
«Surrender to the Diagram» is a movement - based
performance -
lecture developed
by Ritchie in collaboration with students from the UH School of Art and College of Architecture and Design within the framework of the seminar «Diagrammatic Visualization in Art and Theory» led
by art history professor Dr. Natilee Harren.
What follows is written on the basis of typescripts kindly lent to me
by Frank Stella and can not therefore give an account either of the
lectures as
performances or of the way in which the ever - crowded audience responded to them.
Richland College presents a
performance and
lecture by Tony Orrico on artistic production in relation to the body and time from 2 - 3 p.m. on Friday, September 27, 2013 in Richland College's Brazos Gallery.
The Mitchell Center, in collaboration with Blaffer Art Museum «s exhibition Mirrors for Princes, presents a
performance -
lecture series
by Slavs and Tatars.
Working in collaboration with Lehyt, an artist of a later generation, the
performance -
lecture transposes Zurita's texts onto the present through a live reading and the creation of a new wall drawing
by Lehyt made in response to them.
At the Studio Museum, Adjaye's concept is defined
by innovative design features and improved space planning, including: a light - filled core that soars upward for four stories intended to echo the volume of a church sanctuary; a 199 - seat «inverted stoop» that invites the public into a lively multi-use space for
lectures,
performances and other public programs; and a variety of graciously proportioned spaces for presenting featured exhibitions as well as works from the museum's permanent collection.
Designed
by the renowned Ghanaian - British architect David Adjaye, the Arena will hosts a multi-disciplinary program of live events,
lectures, concerts,
performances and screenings, as well as a public discussion forum.
The exhibition takes at least four or five days to see, and that's before you've taken in any of its public programme of
lectures, seminars, screenings,
performances, hypnotisms, etc., or begun reading its 100 commissioned essays —
by luminaries including Franco «Bifo» Berardi, Judith Butler, Susan Buck - Morss, Boris Groys, Donna Haraway, Suely Rolnik and Michael Taussig — gathered in the hernia - inducing, tree - gorging catalogue The Book of Books.
Exhibition Events for Dario Robleto: The Prelives of the Blues Friday, March 23, 2012 from 5:30 — 8:30 pm: Opening reception for Dario Robleto: The Prelives of the Blues with live
performance by blues musician Mark Stone Friday, June 1, 2012 at 6 pm: Public
Lecture by Dario Robleto
Check out a music show, art show,
performance, screening,
lecture or other arts - related event organized
by a wide range of local and visiting artists, curators, musicians, and organizations.
What follows is a curious line - up of «surprise» events in the festival's opening week: a performative
lecture on the current sound installation
by Eva Kietzmann and Petra Kübert for uqbar; an evening of visuals and
performances titled Preview Tableau Vivant at Grimmuseum; and the new (edible) works from multi-disciplinary artist and chef, Søren Aagaard, for Kinderhook & Caracas.
The
lecture will take place at 5 pm in Bloch Learning and
Performance Hall (200A), followed
by an opening reception for the exhibition at 6 pm at the gallery.
The conference kicks off this Friday with a preview of the museum's Judy Chicago exhibition and is followed
by two days of talks, with artists, writers, and filmmakers joining forces with local leaders, activists, elected officials, and the public to explore art and politics in a series of
lectures, panel discussions, and
performances.