Sentences with phrase «lectures by painter»

Standing out as a producer of the music mixes also, on this project he collaborated with MeLo - X, using the clips from lectures by painter Kerry James Marshall who speaks about the importance of the black figure in art.
Kyle Chayka reports on a lecture by painter Jack Whitten on the occasion of his exhibition Jack Whitten: Erasures, on view at the SCAD Museum, Savannah, Georgia, through March 31, 2013.
And he never visited lectures by painters; he would visit the lectures of conceptual artists like Joseph Kosuth, for example.

Not exact matches

In conjunction with his Visiting Artists and Scholars lecture at the San Francisco Art Institute, catch a selection of short films by Bay Area - based painter and musician Mike Henderson.
Edited and annotated by painter Mira Schor, the 500 - page book includes letters, lectures, journal entries, and published essays from the 1930s to the 1980s in which Tworkov intersperses unpretentious philosophical inquiry with progress reports from the studio.
Lengthy video of a Workshop and Lecture given by the painter John Leavey titled «The Perfect Squint: The Teaching Legacy of Edwin Dickinson» John Leavey studied with Edwin Dickinson at the Art Students League in 1955 - 1961.
These events will include lectures, demonstrations, and workshops by traditional artists such as ceramicists, musicians, brush painters, and poets as well as contemporary artists.
Other Festival events include artist demonstrations, lectures, preview parties, and a workshop by event juror and nationally acclaimed plein air painter, Nancy Tankersley.
There is human mystery and purpose here, and a snippet of an overheard lecture by the curator in the galleries indicated that in some the painter alludes to earlier work.
A lecture by British born realist painter and author Rackstraw Downes, preceded by a potluck supper in the front of the theater.
The Art & Culture Lecture Series presents illustrated artist talks by established, emerging and mid-career sculptors, painters and mixed - media artists, discussing their studio practice, influences and artistic journeys.
Lecture and Book Signing by Nell Irvin Painter / Tuesday, October 27, 5 pm Melvin Edwards: Three Words — Conceptual, Formal, and Abstract
He has lectured at Princeton University, the University of California, Berkeley, and at Baskin Arts on the University of California, Santa Cruz campus where he taught the Outdoor Painters Project a painting program initiated by the bay area painter Terry St John.
Featuring an introduction by SCAD alumnus Masud Olufani (M.F.A., sculpture, 2013), the lecture explores the brief but poignant history of Black Mountain College, the impactful summer Jacob Lawrence spent teaching there in 1946, and Lawrence's significant encounter with German - American abstract painter and Bauhaus pedagogue Josef Albers, then rector and head of the college's art program.
McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.
Mark your calendars for the first lecture Thursday, October 12 at 7:15 pm Perceptual Painting, Past and Present by Matt Klos, Maryland painter, professor and gallery owner.
Sadly he died in 1931, but his ideas were continued not only by students of the Bauhaus design school (where he had lectured), but also by the Abstraction - Creation group - led by the Belgian artist Georges Vantongerloo (1886 - 1965) and the French painters Jean Helion (1904 - 87) and Auguste Herbin (1882 - 1960).
INTERSECTIONS VISITING ARTIST BARBARA TAKENAGA Lecture: An Overview of Works by Barbara Takenaga Tuesday, October 6 ART Auditorium, ART Building 6:00 - 7:30 pm Barbara Takenaga is an abstract painter who lives and works in New York City.
Friday, February 14, 4:30 p.m., opening celebration with photographer Jacqueline Hayden Friday, March 7, 4:30 p.m., gallery talk by photographer Michael Starkman, Class of 1974 Friday, March 28, 4:30 p.m., slide lecture and gallery talk by painter and printmaker Robert Priseman Friday, April 4, 4:30 p.m., gallery talk by printmaker Katja Oxman Friday, June 6, 4:30 p.m., gallery talk by photographer Sandra Matthews
6:00 p.m. Keynote Talk by Edouard Duval - Carrié (painter, sculptor, and installation artist) in the Pomona College Studio Art Hall, Lecture Theater
The same may be said for Geoffrey Dorfman's book on Milton Resnick and the New York School, although it is a compilation of interviews, transcriptions of the artists» lectures and panel discussions, and an intimate remembrance by the artist's wife, the painter Pat Pasloff.
Anne Madden: Painter and Muse, the widely - praised documentary film produced by Mind the Gap Films in 2006 and shown as part of RTE Television's prestigious Arts Lives series, will be screened in the Lecture Room at IMMA at 11.00 am and 4.00 pm from 27 June to 10 July (excluding Mondays).
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