Sentences with phrase «led by professional artists»

All sessions are led by professional artists, skilled at sharing their craft with young people.
Inc. senior writer Christine Lagorio - Chafkin talks about Paint Nite, a $ 55 million company that hosts group painting parties, led by professional artists in local nightclubs across the country.
A tailored field trip that includes a guided tour of the exhibition 30 Americans followed by a hands - on workshop led by a professional artist that reflects selected artwork and themes presented in the exhibition.

Not exact matches

There are 10 educational sessions in three consecutive tracks, each geared toward different levels of expertise and led by artists, agents, attorneys and other professionals in the sector.
Together these two experiments represent an artist - led rebellion against the market and its professional classes — collectors, dealers, curators, academics (and, yes, critics)-- that is best summarized by a Bruce maxim: «An art world built solely to feed the industry isn't an interesting place to live.»
The program was taught by two lead Artist - Teachers, one who focuses on art making, and the other who focuses on professional development and career preparedness.
P&P is an integrated art experience designed to enhance curricula and consists of students coming to Artspace for a one - hour tour and a one - hour art activity led by a professional teaching artist.
Presented with support by the School of the Art Institute of Chicago, / Dialogues offers year - round panel discussions, conversations, and provocative artistic discourse with leading artists, curators, designers, and arts professionals on the current issues that engage them.
Through workshops led by Creative Capital grantees and other arts professionals, PDP teaches artists about self - management, strategic planning, fundraising, verbal communication, promotion and maximizing online capabilities to help them expand their skills and build more sustainable practices.
A global survey of 100 of today's most important artists working with ceramics and clay, including Tal R, Grayson Perry, John Kørner and Christian Holstad, chosen by leading art world professionals.
Professional fees for a master class led by visiting artists, curators, or lecturers are eligible (artistic staff, including resident artists or adjunct and full - time teachers, do not qualify as visiting).
Submissions are evaluated by a jury of three professional peers from leading cultural institutions in Chicago, as well as representatives from the Chicago Artists Coalition, the Coney Family, and OtherPeoplePixels.
Led by Director of Education Mike Nourse, this six - month program is designed for a group of artists who create new works, connect with peers, present to visiting professionals, and culminate with an exhibition.
The project is led by Gina Minielli Gunkel, a professional social documentary photographer (SPQ class of 2016), and Nancy Bruno, a NYC public school teacher and ceramic sculpture artist (Queens College MFA class of 2017).
The Artists at Work office supplements the curricular experience by bringing professionals, alumni, speakers, and members of the business community to campus to present workshops, lead panel discussions, provide tips, and interview on - site with students for employment opportunities.
A global survey of 100 of today's most important artists working with ceramics and clay, chosen by leading art world professionals.
Building on a highly successful inaugural programme in 2015, StudioBook will provide participants with two weeks of concentrated seminars, workshops and one - to - one mentoring sessions, led by established artists, curators and arts professionals.
Epicure features artwork by local artists, curated by some of the DC area's leading art professionals.
Tom, a graduate of University of Brighton's BA (Hons) Photography, will receive a year - long professional development and creative mentoring award, lead by renowned artist Jonathan Parsons and supported by the participating Platform Graduate Awards galleries, and a cash bursary of # 2500 to support creative and professional development.
My professional curiosity is led by artists and objects.
Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.
«Introducing 102 of the «most important visual artists using clay» as chosen by leading art world professionals.
Each installment of OoF includes a new art work by a lead artist, and two contextualizing contributions: one by an art professional, the other by someone from a different profession.
All courses are led by professional and experienced artists.
Studio sessions will take place from 9 a.m. - 1 p.m. and will be followed by lunch and an afternoon program including field trips to museums, commercial art galleries, and artists» studios led by expert docents and professional artists.
The 13 - week program for emerging artists provides professional development opportunities led by a faculty of local artists, gallerists and curators.
We hope that by promoting projects «on our radar» to our community of artists, patrons, arts professionals and other friends, we can forge connections that lead to new support and collaborative opportunities.
Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes: Eduardo Abaroa (artist, Mexico City), Jessica Berlanga Taylor (Chief Curator, Fundación Alumnos47), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tamara Díaz Bringas (researcher and independent curator, Madrid), Sol Henaro (Curator, Museo Universitario Arte Contemporáneo / MUAC, Mexico City), André Mesquita (researcher, São Paulo), Yasmil Raymond (Associate Curator, Department of Painting & Sculpture, The Museum of Modern Art), and Lucía Sanromán (Director of Visual Arts, Yerba Buena Center for the Arts), among others.
Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of international professionals that includes Mark Beasley (Curator, Performa, New York), María del Carmen Carrión (Associate Director of Public Programs & Research, ICI, New York), Deborah Cullen (Director and Chief Curator, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York), Matthew Higgs (Director, White Columns, New York), Sarah Hromack (Director of Digital Media, Whitney Museum of American Art, New York), Jill Magid (artist, New York), Renaud Proch (Executive Director, ICI), Yasmil Raymond (Curator, Dia Art Foundation, New York), and Franklin Sirmans (Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art).
Led by art professionals and Bronx Museum Executive Director, Holly Block, our trips have been praised by the travelers, artists, curators, and critics who participate and inspire engaging dialogue that continues long after they end.
Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.
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