Sentences with phrase «left edge of the frame»

Deakins is given the keys to the kingdom here and every moment of Jesse James looks like mythology pulled through a cinematic loom, often leaving the edges of the frame lanolin - indistinct as they trail off into history.

The XA2 Ultra failed to capture the green of the umbrellas and the pastel tones of the chairs, while the plants toward the left edge of the frame were completely underexposed.

Not exact matches

the decorative wall mirror's thin black edges and gilded gold leaf corners add a touch of glamour to the thin profile of a natural wood frame.

The «Protractor» series of the late 1960s saw him paint hard - edged rainbows of color on asymmetrically combined, broadly curved canvases, forever leaving behind the rectangular frame.

In her restaged documents, the artist calls upon the promise of photography to re-assert specific histories, but simultaneously subverts our expectations of the photograph — subtly disrupting the view, picturing multiple frames in one, or leaving the edges of the photographs visible.

Acrylic abstract signed and plenty of edge left for a variety of framing options.

Significantly, Grosse leaves one area at the edge of the entrance wall unpainted, exposing the original layer of the architecture and simultaneously allowing the painting to frame itself.

For both Framed Painting: Boat and Framed Painting: Two Girls, Fuchs again renders each work respectfully, including the gold - leaf scrolls on the traditional frame for the painting of the young women and the severe edges of the grey frame for the maritime scene.

Robert Ryman was a great one for leaving the orange edges and corners of his canvases briefly exposed, and Jasper Johns likes to echo the frame, but pianissimo, pianissimo.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

In this way, he concentrates the effects of the colours at the centre while also allowing the red of the frame and the almost Pointillist dots on the upper and left edges to add another layer of information to the picture, serving to convey a sense of emotional vibration relating to the scene and to the artist's own memories.

Flowers are blown by an unseen force, as plants collide both with each other and the edges of the frame, breaking apart into seeds, twigs, leaves, and petals.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

Significant chunks of the gallery's walls have been gouged out by Swiss - born Urs Fischer, leaving jagged edges of plaster and metal that frame his elaborate installation, «Untitled» like mechanical teeth.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 57Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 57frame L. 545 x 385 mm., S. 759 x 571 mm.

Lot 199 Jasper Johns 1 1975 Intaglio on Barcham Green paper # 74 of 100 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated in graphite lower right edge of sheet; edition lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

There is a minor printer's crease in the upper left quadrant; this work is hinged in four spots along upper edge; this work has full margins; overall, a fine impression in basic good condition; this work has been examined out of frame.

Well, if look at the front side of any smartphone, you might see that the edges — top, bottom, right and left — take up a lot of space in frame of the device.

The way Samsung has blended the curved glass into the metal frame, for instance, leaves less of a ridge around the edges of the handset.

The outer frame is crafted from alloy of aluminum and magnesium — aluminum makes it light weight and magnesium is responsible for the strong frame.The smartphone has an Alert Slider key on the left edge that integrates with Android's notification settings.

The body of the device also has this nice metallic Blue color that kind looks almost like a cobalt blue, and there are chamferred edges on the left and right sides of the frame.

Again, French, it is crafted in gold gilt, featuring a beautifully ornate crest comprising flowers, leaves and scrolls, with beading on the inside of the original glass plate and an unusual wave edged moulding on the outside of the frame.

Cut strips of metallic wallpaper to cover the sections of the frame between the drawers, leaving 1 cm either side to fold over the edges.