Sentences with phrase «left out of museum»

This mystic text was influential to many modern abstract painters but magic is usually left out of museum wall text.

Not exact matches

Some museums have pushed a mission to educate the public about the evolution of the penal system, but there has been criticism that, depending on the institution, the «history» is sanitized, leaving out abuse of prisoners and other unsavory aspects of the criminal justice system.

Sadly, our car trouble quite literally steered us out of the Eric Carle Museum of Picture Book Art before we could go in, but we all left so enamoured with the whole area that we're sure we'll be back there soon.

I'm not sure what your San Francisco plans are (are you visiting places where you can just take the car seats out of the cab and leave them at the front of the Children's Museum while you tour or are planning on hiking Fisherman's Wharf with 3 car seats strapped to your back), but my guess is that with 3 kids these ages, you're not going to «do» San Francisco at the breakneck pace that you would if you were just with hubby.

There are many ways to teach children about the many beautiful cultures out there by dragging them around a museum or teach them a language — but nothing leaves more of an impression than exposing their palates to the diverse tastes of the world.

From outstanding science museums to gorgeous parks that will leave you breathless whatever the season, Birmingham is one of those places that really stands out as a top location for a really romantic date.

In her latest exhibition, Museum Bhavan, Singh set out to recreate the tactile experience of leafing through an old family album.

While museums felt like they had raised money to offer programming that teachers should be jumping at, Curtis says teachers often felt overwhelmed and left out of the decision - making process.

Not to leave out the capital treasures with the National Art Gallery, Houses of Parliament, museums and a trip to see your own national embassy.

2007 Weather Report, Centro Atlantico de Arte Morderno, Las Palmas de Gran Canaria Absent Without Leave, Victoria Miro Gallery, London, UK Unholy Truths, Initial Access, Frank Cohen Collection, Manchester, UK Effigies, Stuart Shave / Modern Art, London, UK Fractured Figure, Curated by Jeffrey Deitch, Deste Foundation, Athens, Greece Beyond the Zero, Peres Projects, Athens, Greece Destroy Athens, The First Athens Biennale, Athens, Greece Get Lost: Artists Map Downtown New York, The New Museum, New York, NY How Much Longer, Belkin Staellite, Vancouver, B.C., Canada Out of Art, Centrepasquart, Kunsthaus Centre D'art, Biel Bienne, Switzerland Sweet Bird of Youth, Curated by Hedi Slimane, Arndt & Partner, Berlin, Germany Chi Peng's Journey to the West, White Space, in association with Alexander Ochs Gallery, Beijing, China New York — States of Mind, Haus der Kulturen der Welt, Berlin, Germany Terence Koh and AA Bronson, Galerie Fredric Giroux, Paris, France Between Two Deaths, Zentrum Für Kunst and Medietechnologie, Karlsruhe, Germany Time Difference, Initial Access, Frank Cohen Collection, Wolverhampton, UK Body Politix, Witte De with Center for Contemporary Art, Rotterdam, Netherlands

Much of the work left out of the Whitney Museum's exhibition should be seen especially in the context of the sixties, even if for only equal time.

«They were kind enough to leave us some,» says Mark Petr, associate curator of the San Jose Museum of Art, who turned out to be a fan and admitted to having Guerrilla Girl posters in his office from time to time.

They include a 2008 installation on the rooftop of the Carnegie Museum of Art in Pittsburgh, PA, in which he spelled out the words «HELP US» in white stones, and Mithra, a three - story «ark» made from stacked shipping containers covered in the battered signage left around the city in the wake of the disaster, made for Prospect.1 New Orleans.

It can attempt a show that ignores the museum's presence, but the arguments over what is said and what is left out have an ugly way of coming back to haunt it.

It does not leave out much, although a museum survey of the same decade will follow soon — «WACK!

I loved the museum most of all, when I came to curator Scott Rothkopf describing re-curating the AIDS section, where Peter Hujar meets David Wojnarowicz all over again, where Mark Morrisroe's pocked body still screams out in bemused anguish, where you are alone with the memories of 1986 in exactly this neighborhood and the one you left on the bus this morning.

With a menu of events and activities that can be tailored to the individual client — whether their priorities are for Corporate Entertaining or Branding opportunities — the Contemporary Art Society has the expertise to deliver a range of effective and bespoke services that will help corporates stand out from the crowd, whilst leaving a permanent and visible legacy for future generations in the museums and galleries of the UK.

Frieze New York's only unforgiving element remains its remote island venue (word is that they are searching out a different one) as it is accessible only by a $ 55 round - trip taxicab, the $ 19 round - trip ferry that leaves from a godforsaken East River pier, or an endless $ 8 round - trip bus - ride from and back to the upper - eastside Guggenheim Museum, which lets you off nowhere near where you want to go next, namely the Hudson River, the pioneering venue for the first New York debut of Art Miami.

«There's a widespread effort all across the country on the part of museums to look for artists that have been left out of the story,» she says, noting that extends to artists of color, queer artists, Latinx artists, and others.

The Santa Monica Museum of Art will be leaving Bergamot Station in Santa Monica and working out of new offices in Century City.

Why are so many artists left out of these histories and how do you get them into the history books, into museum exhibitions and widen the terrain to be more inclusive of not only artists but different aspects of art making that overlap with the times.

Chelsea Jessica Stockholder Stockholder was left out of «Unmonumental,» at the New Museum's inaugural show of assemblage - based sculpture, but the fifty - year - old artist helped pioneer the approach, whose roots reach back through Rauschenberg's «Combines» to Dada.

A Year of Yes also delves into the history of the Brooklyn Museum itself, reexamining the radical, progressive, and largely unheralded contributions so often left out of institutional histories.

All this is to explain why such a platter of luscious treats collected at the New Museum left me bummed out — the comedown after the sugar high.

The places that get left out of the picture are smaller museums like the Fowler here at UCLA.

«The Cat in the Hat» children's author Seuss Theodor Geisel's racist political cartoons have been left out of the new Dr Seuss Museum in Massachusetts, presenting a one - sided version of him

In Eventually they introduced me to the people i immediately recognised as those who would take me out anyway (2015), which was commissioned for the 2015 New Museum Triennial, viewers followed performers as they left the museum itself — tracing choreographed routes to places in the city that were sites of historical or present - day racial teMuseum Triennial, viewers followed performers as they left the museum itself — tracing choreographed routes to places in the city that were sites of historical or present - day racial temuseum itself — tracing choreographed routes to places in the city that were sites of historical or present - day racial tension.

Originally from Portland, Ore., Ellegood, 46, spent seven years honing the idea for «Take It or Leave It,» which she says grew out of casual conversations with Burton (who's now at New York's New Museum of Contemporary Art, which isn't affiliated with the show).

Brooklyn Museum plans exhibition celebrating local Brooklyn artists, leaves out those who have studios just beyond the border of Brooklyn, in Ridgewood, Queens.

Unsuspecting out - of - towners, ushered into the Anderson show and told that it was the SFMOMA's own collection, would leave with an exalted idea of the museum's stature.

For the artist's current solo show at Kunsthalle Zürich, purple silicone copies of the family sculptures originally exhibited at the Sprengel Museum Hannover (The Coming, 2017) were left out in the sunlight to bleach.

Leirner creates her work out of discarded or scavenged mass - produced objects and materials, ranging from obsolete airline ashtrays to devalued currency; used stationery, envelopes, and mailers, to used shopping bags from museum stores and high - end airport boutiques; professional business cards; and all of the left - over components from multiple empty cigarette packs.

Campbell duly hired Sheena Wagstaff, the chief curator of Tate Modern and a graduate of the Whitney Independent Study Program, to head the newly renamed department of Modern and Contemporary Art, and two years ago the Met formally rolled out this new initiative with the mega-exhibition, «Unfinished: Thoughts Left Visible» in the Whitney Museum's former Marcel Breuer — designed headquarters on Madison Avenue, which the Met had leased for eight years.

2016: Kunsthaus Baselland, Basel / Muttenz; Collaborative exhibition with Douglas Gordon, Taro Nasu, Tokyo (JP); 2015: Dvir Gallery, Tel Aviv (IL); Claymation, Museo Carlo Zauli, Faenza (I); All the possible combinations of twelve lights lighting (one at a time), MACRO Foyer, Rome (I); Many Hands Make Light Work (with Rodney Graham), Until Then, Paris (F); Anything by the Smiths, CAN, Neuchâtel; 2014: I ❤ 1984, Lisson Gallery, London (UK); monk > < nannucci (with Maurizio Nanucci), Quartz Studio, Turin (I); I went to school with someone called Jonathon Monk, Casey Kaplan, New York (USA); IMMA Irish Museum of Modern Art project space, Dublin (IE); Jonathan Monk a Riso, Museo d'Arte Contemporanea della Sicilia, Fondazione Sambuca (I); The Reader, Taro Nasu, Tokyo (JP); More Than Four Hundred Million Ways, Meyer Riegger, Karlsruhe (D); Left Foot, Galleri Nicolai Wallner, Copenhagen (DK); 2013: COLOURS SHAPES WORDS (pink, blue, square, circle), CAC Malaga (E); Less Is More Than One Hundred Indian Bicycles (with words from Rirkrit Tiravanija and a Silver Shadow), Kunstraum Dornbirn (AUT); In Between Exhibitions I, II, III, IV, Yvon Lambert, Paris (F); Senza Titolo, Lisson Gallery, Milan (I); Egg, Centre d'édition contemporaine, Genève; 2012: «They came out of nowhere «he said, pointing to nowhere (with Ryan Gander), Taro Nasu Gallery, Tokyo (JP); Who Ate All The Pies?

That 2007 «High Times, Hard Times» show [at the National Academy Museum] was a great revelation to me and a lot of my peers, and got me thinking about the master narratives of art history more, and how much stuff gets left out by strict ideals.

2015 NO MAN»S LAND: Women Artists from the Rubell Family Collection, The Rubell Family Collection, Miami, FL Inside: Out UBS Art Collection, Curated by Jacqueline Lewis, Art Basel, Miami Beach, FL Self - Proliferation, Girls Club, Fort Lauderdale, FL Reality of My Surroundings: The Contemporary Collection, Nasher Museum of Art, Duke University, Durham, NC tête - à - tête curated by Mickalene Thomas, Galerie Nathalie Obadia, Brussels, BE If You Leave Me Can I Come Too?

Furthermore, within the last year, 24 staff members have left the museum (out of a staff pool of under 120), citing a difficult working environment.

To steal the paintings, the thieves cut the actual artwork out of their frames, which have since been left hanging empty in the museum.