Sentences with phrase «left sheet edge»

soft horizontal crease in the upper left corner, a very small nick at the lower left sheet edge, otherwise in very good condition, framed S. 29 3/16 x 20 3/4 in.

S.» and numbered 1/75 (there were also 24 artist's proofs), published by Multiples Inc., New York, the full sheet, pale time staining along the left sheet edge, otherwise in very good condition, framed S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

Not exact matches

Using damp hands, spread a thin layer of the «rice» evenly over the nori sheet, leaving a 11⁄4 — inch - / 3cm - wide border along the edge farthest from you.

If you're like me and use high sided baking sheets, the secret is when spreading the batter, leave a gap between the batter and the edge of the baking sheet so that as it bakes, the expanding cake doesn't touch and glue to the sides of the pan.

1 (9 - inch) unbaked pie shell (if you want to make the autumn leaves pie crust edge, you need a SECOND sheet of piecrust pastry)

If desired, line the pan with a long sheet of parchment paper cut to fit the pan, leaving some hanging over the edges of the pan.

** Autumn leaf piecrust edge: cut as many leaves as you can get out of a sheet of pie pastry using WILTON MINI HARVEST COOKIE CUTTERS.

Set on a parchment paper - lined baking sheet and spread on ricotta, leaving 2 inches free around the edges.

Remove the sheet pan from the oven and sprinkle the shredded Mozzarella cheese across the surface, leaving a rim around the edges for the crust.

Wet the tips of your fingers (you may wish to have a bowl of cool water nearby for this purpose) and press / spread the quinoa into a thin layer — working towards the edges of the sheet, leaving about an inch of sheet remaining on the edge farthest from you.

1) Mix flour, butter and icing sugar in a bowl using two knives to cut the butter until the mixture resembles fine breadcrumbs 2) Add in the egg yolks and vanilla extracts and mix well, then add iced water until the dough starts to come together 3) Shape the dough into a ball on a cool, flat, floured surface 4) Flatten dough into a disc and then wrap in plastic wrap, and chill in the refrigerator for at least 30 minutes 5) Meanwhile, peel, core and slice the apples into as thin slices as possible 6) Mix sugar and ground cinnamon powder with sliced apples and let it rest for a while 7) Pre-heat oven to 180 deg cel 8) Once dough has chilled, roll pastry dough on a sheet of parchment paper until it has expanded to the size of the tart mold (I used a rough mold the size of a large pizza) 9) Leaving at least an inch of dough free, arrange apple slices by overlapping them slightly in the shape of a circle, starting from the outermost part of the circle, until you reach the inside 10) Fold the edges of dough over the filling and then sprinkle the dough with a bit of sugar 11) Bake for about 40 - 45 minutes, or until the crust is golden brown and the apples are soft 12) Serve warm, with a side of whipped cream or ice cream (optional)

Carefully scoop out the insides, leaving a thin shell around the edges, then return the shells, open side up, to the baking sheet.

I then poured it all onto a puff pastry sheet, leaving room for the edges and toped it with a little cheese we also had leftover.

I've covered the dough loosely with parchment to slow the outside edges from burning... rotated the baking sheet... broken the dough at the score marks and mixed them up, turned them over... even turned the oven off when the chips are near done and leave them to «dehydrate» more.

On some sheets, by leaving the edge white, a Polaroid - like format comes about, like a passe - partout.

Along the extreme left edge of the sheet, the artist lays down a dense band of black ink.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

OLDENBURG: - Full sheet with «Rives» watermark - Right and left edges with deckling.

- Outer left edge of sheet in margin is lighter in color than rest of left margin.

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

Jack Tworkov, «TL # 3,» Lithograph, 1977, signed, dated, titled and numbered from the edition of 10, printed at Tamarind Institute, with blindstamp in the lower - left sheet corner (and also that of the collaborating master printer), on Arches paper, printed to the edge of the sheet, sheet size: 26 x 26 inches.

Condition: Unmounted, minor rippling along the left and right edges of the sheet, fading to signature.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

Lot 199 Jasper Johns 1 1975 Intaglio on Barcham Green paper # 74 of 100 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated in graphite lower right edge of sheet; edition lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raissheet; edition lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisSheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raissheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisSheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Initialed and dated in pencil lower right margin beneath image; printer blind stamp lower right edge of sheet; edition lower left margin of sheet; retains a John Berggruen Gallery label verso

The thin, unframed Lumasite sheets are nailed directly to the wall (with the bottom edge deliberately left slightly warped in «Manual»), so something of the wall's own white reflects back through the plastic surface, entering into the play of milky densities Ryman varies in each piece.

Signed and dated in graphite lower right edge of sheet; inscribed «Madrid» lower left; retains Hackett Mill, Hackett Freedman Gallery, and Manny Silverman Gallery labels verso

Over the course of several years, turbulent water overflow from a large melt lake carved this 60 - foot - deep (18.3 meter - deep) canyon in Greenland's Ice Sheet (note people near left edge for scale).

6 Starting with the left side of the sheet, measure 6» from the top folded edge and 4» from the finished edge.