However, the hem is uneven, and
the left side of the skirt is several inches longer than the right side.
To
the left side of the skirt towards the bottom are some light age marks and a very tiny tear (hard to see).
Not exact matches
The dress composed
of long
skirt suit with a wide border, the neckline does not go the middle way, but instead, neckline going
left side depicts angrakha where it contains threads or laces aligned till the bottom
of the dress.
* The number
of the beast: V1285 (pattern envelope description) «Lined, mock wrap dress has collar, close - fitting bodice with bands, hook and eye, fitted
skirt, overlay with mock band, belt loops, sleeve bands and invisible
left side zipper.
From natural waist flows gracefully down a
skirt of a high slit at
left side under leg.
(NOTE: if you want to make this a full elastic waist band
skirt you only need to
leave one
side open for the elastic, because I wanted a FLAT front and an elastic back, I
left both
sides of my waist band open 1.5 inches to secure the elastic) for your elastic to go through.
Coming in from the
left side of the collage we find two mini
skirts that put the mini in mini....
STREET SCENE 5 - PIECE COMPLETE BODY KIT, URETHANE, MATTE BLACK — Includes 1 chin spoiler, 1
left side skirt, 1
left rear
skirt, 1 right
side skirt, and 1 right rear
skirt; Made
of tough, yet flexible urethane; Improves the over-all look
of your vehicle; Installs using supplied double -
sided tape and hardware from original
side skirts; Requires preparation and paint prior to installation.
Tall and round - shouldered, with no bosom to speak
of; no matter how Rose hemmed them, Dorothy's
skirts dipped an inch lower on the
left side.
Take, for example, the much - anticipated (on my part) Madame Cézanne in a Red Dress, 1888 - 90 (MET); the asymmetry
of the head is lively, the impromptu sketchiness
of the hands (which like many instances in this show, foretells
of Matisse) does nothing to destroy the solidity
of the arms; but the
left - hand
side of the
skirt (her right) is hopelessly ambiguous, spatially unworkable, and awkwardly thrust into the corner
of the painting.