Emma Watson and Miles Teller were originally primed for the film's leads, Mia and Seb, eventually played by Stone and her co-star Ryan Gosling; inevitably, their departure from the project and its subsequent success
left viewers wondering what went wrong for the pair.
Before Midnight picks up nine years after the Paris reunion of Jesse (Ethan Hawke) and Celine (July Delpy)
left viewers wondering if Jesse missed his flight.
It also
leaves viewers wondering who or what they can trust on screen.
There's not much of a story at all, as Jim and his family just keep getting bounced from one situation to another, some of which
leave the viewer wondering what the point was.
Wes Anderson, of RUSHMORE and THE ROYAL TENNENBAUMS fame, again works in a rarified atmosphere with his unique auteur's voice that will
leave some viewers wondering what all the fuss is about and other flinging hosannas to heaven.
That's not to say there are no chuckles at all to be had in Gun Shy — a chase sequence involving a rolling suitcase and a bit about Turk's pronunciation of the word «tortoise» come to mind — but there are far too many scenes that are bound to
leave viewers wondering if they somehow missed the punchline (don't fret, hypothetical viewers — you didn't).
The tribute to Bond was still good and Bassie was electric but the show should have brought all of the available Bonds onstage instead of scraping the whole idea and
leaving viewers wondering about it.
Everything is touched lightly upon, then the film moves on to something else,
leaving viewers wondering.
Liotta has some affecting moments as Fred; Paul Reubens steals his scenes as Jung's flamboyant friend and cohort Derek Foreal; and Spanish actor Jordi Molla will
leave viewers wondering where he came from with his charismatic turn as Diego, the man who introduces Jung to cocaine.
«Controfigura»
leaves the viewer wondering where the film starts and ends, or whether it ever ends at all.
Nonetheless, the exhibition
left this viewer wondering if Sherman has anything left to say that hasn't already been said.
Not exact matches
Just maybe the best made - for - TV convention is the one where
viewers are
left wondering how the hell it's all going to end.
Whereas
viewers of the day may have
wondered how Daniels could have fallen for the womanizing Lawton (Sidney Blackmer, who, looks-wise, was definitely a comedown from Scott), modern audiences tend to hope she'll dump her stuffy boyfriend, whom she's
left back home while she goes on an ocean voyage.
The performance of David Duchovny struck this
viewer as pretty wooden and
left one
wondering how he went from interested skeptic to heart - felt believer.
is one of the best series on TV right now, i must say that the writers make the
viewers stay tuned, intriguing and
wondering during all of the episode, making the
viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do,
leaving you more intrigued that you were at the beginning of the episode.
is one of the best series on TV right now, i must say that the writers make the
viewers stay tuned, intriguing and
wondering during all of the episode, making the
viewer want to watch the show week after week, making the series is successful as it is, is brilliant than the writers decide to put at the end of each episode a clip about what «A» plan to do,
leaving you more intrigued that
In many regards, The Catch certainly achieves its goals, but when the lives of every person on - screen revolve around one character and
viewers are
left wondering how a private investigation firm can afford a huge futuristic office with an enormous staff, it takes away from some of the fantasy.
The double - episode premiere drags like it has all the time in the world,
leaving a
viewer time to
wonder if he or she has much room
left for another show with swords, beheadings and rapey pillagings.
But while Barry Jenkins and his team jumped around on the Dolby Theatre stage, many
viewers were
left wondering what exactly Moonlight was.
What benefits Marshland greatly, are the two excellent central performances from Javier Gutiérrez and Raúl Alévaro whose very different ideologies lead to a suspicion of each other which lends the film another level of intrigue where, as a
viewer, you're
left constantly
wondering what the next piece of the puzzle will reveal.
It's untidy, it's unusual, and it may
leave many
viewers, especially those unversed in foreign cinema,
wondering what they just watched.
The previous films in the DC Comics Extended Universe series (Man of Steel, Batman v Superman, and Suicide Squad) have
left both critics and comic - book fans increasingly disappointed in the franchise's output; as a result,
Wonder Woman, which is receiving its release ahead of the first Justice League movie (set to premiere this November), has been saddled with the burden of recovering DC's tainted reputation in the eyes of
viewers, while also representing the first major female - fronted superhero flick in more than a decade.
None of the characters are particularly likeable, and that situation does not improve — they never redeem themselves and at the end
viewers are
left wondering if they have learned anything at all about themselves through their experiences.
Billed as a comedy, the movie will
leave most
viewers wondering wherefore art the laughs.
Its constant play
leaves viewers frantically
wondering when the scare will happen.
In the inconclusive ending, the
viewer is still
left wondering about his feelings for his wife, preventing the message the movie is trying to make from coming across clearly.
The presentation ended with the audience frantically searching for promised bonus codes in envelopes under their seats, however the
viewer was
left wondering whatever these codes might contain.
I always like to
leave some space for the
viewer's imagination; I hope the
viewer experiences discovery, surprise, and
wonder through my work.»
One
wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca
leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and
viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.
Consequently, the
viewer is
left pondering the course of the world of the past few years,
wondering how it managed to change so profoundly and seamlessly.
Obscured behind an opaque, inky mass of black enamel, the
viewer is
left wondering whether the gesture is continuous or, like so much of Wool's work, a carefully crafted illusion.
«Staring at the details will
leave viewers with a sense of
wonder and fright,» explains Bergrin.
Though symbolically suggestive, these objects remain ambiguous,
leaving the
viewer to
wonder at the artist's intention.
There is a distinctive grid, irregular and rounded, that appears when you tilt a canvas with a dripping swath of paint on it along one axis and then across it... The other form taken is the hidden pour, in which the force of the falling paint removes evidence of the human hand from the application,
leaving the
viewer to
wonder how the shapes got there.»
You can see the meticulous planning that obviously goes on behind the scenes, ensuring that you - the
viewer - are
left scratching your head and
wondering what their meaning is all about.
Then, the work begins to appear as if it could float off its plinths,
leaving viewers to
wonder about their initial impression.
Darlene Charneco's «Nail Meditations» are as visually akin to archeological sites as they are to a computer's motherboard,
leaving the
viewer to
wonder whether they reference the past, the future or both.
His idea is that
viewers focus on the art itself,
leaving no room for
wondering what the subject is really like.
As a result, the
viewer is
left wondering what role the internet had in creating these art works.
The precision and ingenious application still
leaves the
viewer with awestruck
wonder at the grand vision that only he can execute.
Yet, without any text indicators, the
viewer is
left wondering if it was Pettibon's worldview and perspective that expanded, or simply his source library, with the advent of the internet.