Sentences with phrase «left visible»

The unit is built of our favorite material, Cross-Laminated Timber (CLT), which is left visible inside.

Nowadays, the vast majority of coal mines are closed, but the mining has left visible legacies like ruined industrial sites and slag heaps.

Once he began executing his black paintings, Pollock abandoned covert strategies and left visible figures, all sorts of faces (including at least one Indian head replete with feathers), ears, limbs, hands, feet, foxes, birds, and other animals generally found outdoors in nature.

Unfinished: Thoughts Left Visible.

Brushwork is also an important aspect of Corse's technique, with the artist's hand intentionally left visible on the canvas.

The exhibition «Unfinished: Thoughts Left Visible» examines a subject that is critical to artistic practice: the question of when a work of art is finished.

The Met Breuer's inaugural show, «Unfinished: Thoughts Left Visible,» lays bare the artistic process.

Campbell duly hired Sheena Wagstaff, the chief curator of Tate Modern and a graduate of the Whitney Independent Study Program, to head the newly renamed department of Modern and Contemporary Art, and two years ago the Met formally rolled out this new initiative with the mega-exhibition, «Unfinished: Thoughts Left Visible» in the Whitney Museum's former Marcel Breuer — designed headquarters on Madison Avenue, which the Met had leased for eight years.

Of various African origins, the fabrics each display a number of manual repairs that have been left visible.

The piece was recently presented at The Met Breuer in «Unfinished: Thoughts Left Visible.»

For the first time Ray has left visible the seams between these blocks, as well as the tool paths normally welded and polished out in the finishing.

Heading up that effort, Sheena Wagstaff led a team of curators who brought together over 190 works of extraordinary art spanning 550 years for its ambitious inaugural exhibition, «Unfinished: Thoughts Left Visible.»

With much of the canvas left in reserve, the face gazing out, incomplete, visceral, and yet spectral in its partial apparition, Freud's 2002 Self - Portrait has only been exhibited once before, in the inaugural Met Breuer show, Unfinished: Thoughts Left Visible, and never before in the UK.

Nowhere is this more evident than in their self - portraits, including Freud's Self - Portrait, executed in 2002, which has only once been exhibited, in the inaugural Met Breuer show, Unfinished: Thoughts Left Visible.

The inaugural season of the MET Breuer will feature a rich program of exhibitions and events, including the thematic exhibition Unfinished: Thoughts Left Visible focused on unfinished works of art, from the Renaissance to the present day; two exhibitions featuring the Indian artist Nasreen Mohamedi and the American photographer Diane Arbus, a retrospective of the contemporary painter Kerry James Marshall, as well as a site - specific installations by Vijay Iyer and a newly commissioned work by Pulitzer Prize - winning composer John Luther Adams.

From March 18 to September 4, Unfinished: Thoughts left visible investigates through 197 works the theme of when an artwork can be defined a «finished» one.

Jutting out a few inches from the wall, along the floor, is a series of foundation stones left visible by the architects who repurposed the building, most likely because constructing a new wall to conceal them would have made the passageway even narrower.

NEW YORK «Unfinished: Thoughts Left Visible.»

As a result, the acts involved in the making of their art are frequently left visible in the final works — pieces often bear the marks of previous accidents and manipulations, such as handwritten inscriptions, pentimenti, or internal armatures.»

His recent exhibition included drawings and subtly modulated umber and sienna paintings of trees, skulls, and mountains, in which underlying grids are left visible.

In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.»

Unfinished: Thoughts Left Visible is a major thematic survey featuring unfinished works of art from the Renaissance to the present day.

She focused on their potential symbolic meanings by creating works that are formally rigorous and imposing in scale and materiality, and her human - scaled works are often handmade; the traces of her processes - welding marks, folds, stains, and scratches - are frequently left visible on the surface.

The Met Breuer in New York City as press and invited guests get a first look today at the expansion of The Metropolitan Museum of Art and its inaugural exhibition «Unfinished: Thoughts Left Visible», which ushers in The Met's new focus on Modern and Contemporary art.

The seismic gap between the two buildings has been left visible through a portal in the wall on the fifth floor.

Eyes are turned today to the new The Met Breuer in New York City as press and invited guests get a first look today at the expansion of The Metropolitan Museum of Art and its inaugural exhibition «Unfinished: Thoughts Left Visible», which ushers in The Met's new focus on Modern and Contemporary art.

«Unfinished: Thoughts Left Visible» examines a subject that is critical to artistic practice: the question of when a work of art is finished.

Using works of art as well as the words of artists and critics as a guide, Unfinished: Thoughts Left Visible strives to answer four questions: When is a work of art finished?

BASIC FACTS: «Unfinished: Thoughts Left Visible» opens on March 18, 2016 and continues through September 4, 2016 at The Met Breuer.

«Unfinished: Thoughts Left Visible» examines a question: When is a work of art finished?

Its second attempt at this broadly appealing exhibition type, «Like Life: Sculpture, Color and the Body (1300 - Now),» is miles better than its predecessor, «Unfinished: Thoughts Left Visible,» which inaugurated the Metropolitan Museum of Art takeover of the Whitney Museum's Marcel Breuer landmark two years ago.

«Unfinished: Thoughts Left Visible» examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.

Each band can breathe, as a line of canvas is left visible between applied colors, an effect perhaps historically exemplified by Matisse's «Red Studio» (1911).

Both the studies and the paintings are typically in one colour — sometimes vivid and saturated, other times diluted to the point of invisibility and sparely applied — with the particular qualities of the paint and brushstrokes left visible to allow for subtle variations in tone and irregularities in line.

Sherry Karver's Thoughts Left Visible reflects on individuals experiencing life in a «sea of sameness».

Another exhibition that has stayed with me is the inaugural exhibition at the new Met Breuer Museum in NYC titled «Unfinished: Thoughts Left Visible.»

Finished in one day, each stroke and line is left visible with no hierarchy between a mark made instinctually and one made with careful precision.

New York: Eykyn Maclean, 2016: 8, illustrated; Unfinished: Thoughts Left Visible (exhibition catalogue).

A beautiful catalogue of the exhibit, Unfinished: Thoughts Left Visible is available.

Among the museum's inaugural exhibitions is «Unfinished: Thoughts Left Visible,» on view through September 4, a sprawling group show filling two floors.

Unfinished: Thoughts Left Visible is an exhibit at the Metropolitan Museum of Art in New York City that runs through September 4, 2016.

The three inaugurating exhibitions include «Unfinished: Thoughts Left Visible,» 140 works from the Renaissance to the present that consider when an artwork is completed; a retrospective of the Indian modernist painter Nasreen Mohamedi (1937 - 1990); and performances by the Met's current artist in residence, Vijay Iyer.

With «Unfinished: Thoughts Left Visible,» opening the museum's presence on Madison Avenue as the Met Breuer, it sees art itself as a work in progress.

An installation view of «Unfinished: Thoughts Left Visible,» at the Met Breuer.

Related reviews look at Edvard Munch and «Unfinished: Thoughts Left Visible» at the Met Breuer.

Janine Antoni will be included in Unfinished: Thoughts Left Visible at the Metropolitan Museum of Art, 18 March — 4 September 2016.

Five Passages exist, the first (marking one million) and final (marking five million) of which are currently on view in the opening exhibition of the Met Breuer, New York, titled Unfinished: Thoughts Left Visible.

«My partner collects Old Masters — I collect more contemporary, but at a certain point, you can collect both,» Cooper said, while standing in front of the Mengs, which many at the fair recognized from its prominent inclusion in the Met Breur's inaugural show, «Unfinished: Thoughts Left Visible» — the Duquesa's face is blank, smeared off, giving the work a chilling postmodern feel.

That's all I can tell you for now,» he said, gently closing his torso, which sealed with terrifying smoothness and left no visible seam.

Their abs were so strong, they left a visible imprint on their armor.