Sentences with phrase «left with a tale»

So we're left with a tale of two economies.

There are stories I could share about some games that have been released this decade, but I'll leave you with these tales for now...

Not exact matches

White Tale, coupled with other Clariant shareholders who came out against the deal, left the Swiss company doubtful of mustering the two - thirds support necessary for the merger to go through.

And so the tale of a Green Knight with his chopped - off head still holding a knight of the Round Table to promises made is no less true than the tale of a man crammed with secrets who spontaneously combusts and leaves behind only a black, tallowy mark on the floorboards, and his story in turn is no less true than the tale of a Texas sharecropper's wife who has had a miscarriage only ten days before but just this morning was walking behind the mule and guiding the jerking plow.

Most of us are politely quiet and secretly roll our eyes when someone says that god speaks to them or that they have been touched by god etc., yet when someone mentions any of the other things we are quick to point out that they are wackos... perhaps it is time for us to speak up and say there is no such thing as god and it is time to clear our heads and get on with moving the human species forward and leaving fairy tales and silly beliefs behind.

If you'll just halt your progress now to hear the tale» I swear it by my sighing heart» your eyes will fill with tears before you leave.

Leave aside the risible suggestion that Cornel West's agitprop might be taken for world - class philosophy, what's wrong with this is the hysterical self - dramatization laced with paranoia that refuses to let the strangeness of the Arendt - Heidegger tale remain strange.

While the House of Valentino is known for their showstopping awards season gowns and lipstick red dresses, it's also known for sending sweet, girly frocks down the runway that leave many a girl sighing with desire — Fairy Tales & Fantasies.

I just don't know what's wrong with Arsenal fans.Sure I get it as humans we all have our preferences but things start to look funny when we begin to bash and criticize a player like he's useless.I just don't get why Arsenal fans do nt want Vardy.Oh is it because he's not world class, he's English, He's not a big name, he's a fairy tale, you feel all he does is run, he's not got a better history in footballing until now or you feel Giroud is better or what?I really pity Arsenal fans honestly.I would've taken Jamie Vardy in a heartbeat.Sure he's not the best option out there.But I'll say this and say it again it's not a world class striker that wins you a league but rather just increases your chances of winning the league.If you've watched Arsenal clearly from the time since Henry left you realized that it's more of not being able to find a clinical striker.Eduardo was not a already a finished product when he started his career here yet he was clinical and was on world class form until injury.What Arsenal need now is a world class finisher if they can't get a world class striker.

After hounding me with tales of Ballybunion and Irish caddies and Guinness stout and how far right you have to aim a sand wedge shot in a 50 - mile - an - hour, right - to - left wind, he finally talked me into going, which led to another first.

A tale of two penalty decisions, both going against Arsenal with different decisions from similar situations will have left the boss angry and the Gunners without the win or even the point our gritty (up to that point) performance was close to earning.

The tale that left the greatest impression on forward Shane Battier wasn't the one about Philadelphia Warriors star Paul Arizin getting hit in the head with a pass on a fast break some 45 years ago, or the one about the eight broken noses suffered by John Brown, an obscure player with Hubie's Atlanta Hawks in the late 1970s.

there is some suggestion that wenger is backtracking on his fervent stance regarding what players would be staying at the club for the remainder of the season... some might deduce that this is all part of a much bigger, more elaborate plan... by shifting the blame wenger is attempting to, not so slyly, flip the narrative... by doing so he hopes to evoke empathy from his most ardent supporters, while attempting to rally any fence - sitters, whose faith was waning unless a more legitimate agent of blame emerges... unfortunately, and incredibly insulting to the fans, when wenger attempts to spin a tale and / or tries to eat his own words, he doesn't seem to play it all the way through in his head, so invariably gaping holes emerge... say we believed his version of the truth, would that not make him either an incredibly well - paid custodian of destruction or a spineless jellyfish because what manager worth his weight in salt would stay at a club that didn't give him final say after 20 years of supposed «success»... no matter the answer, neither bodes well for us... how ironic, in a way, since many pundits claim this team has lacked a «spine» for some years now... so whether we win, lose or draw on Sunday is frankly immaterial, as the problems will remain, and although it will be easier to digest if we left the Pool with 3 points, it might just be the worst result for the betterment of this club... a fact that both breaks my heart and baffles the mind

I am obsessed with history and the tales people leave behind and love learning things from caveman drawings and the stories they tell.

The 6,000 - word piece, by Chris Smith, opens with a scene set at an early March meeting where the governor apparently wowed a crowd of «left - leaning lunchers» with tales of his «New Democratic brand» and his on - time budgets, something Mr. Smith described as «a vivid illustration of the genius and expediency of the Andrew Cuomo method.»

The figures paint a tale of two states, with some areas left out of the economic recovery, and even reporting job losses.

Science spoke with director Ridley Scott; Andy Weir, whose debut novel provided the tale; and Jim Green, NASA's director of planetary science and an adviser on the film, to find out how they made movie magic while staying largely faithful to the science — leaving out a raging dust storm and a few other moments of implausibility.

This week, after my would - be-date woke me on Sunday with a phone call and a tale of a family emergency (his third cancellation in three weeks) I was left with four hours to find a date for Edible Cinema.

So now that you are involved (I mean your friend is involved) with «Mr. I wan na have my cake and eat it to», what are the tell tale signs that he is never going to leave his wife.

But those of us charmed by the original «Shrek» (and, to a lesser extent, the second one) and its ability to mix fairy - tale sweetness with some hilariously grown - up cleverness — much of which sailed happily above the heads of the kiddies — will leave disappointed.

The new fairy tale installment starts with the King of Far, Far Away (John Cleese) falling ill (i.e. - dying) and in turn leaving Shrek and Fiona to be next in line to rule the kingdom.

Though when he originally concieved an adaptation of the timeless tale of Pinocchio Benigni envisioned the film as starring himself with famed director Federico Fellini at the helm, the director's death left Benigni the director of what would be one of the most expensive films in Italian film history.

Miyazaki's movies left a mark on the last three decades that's almost impossible to overstate — you can see the influence of Miyazaki's Princess Mononoke in Game of Thrones and the Lord of the Rings trilogy, and his My Neighbor Totoro has raised an entire generation of budding anime aficionados — and with 2013's The Wind Rises and The Tale of the Princess Kaguya, both he and fellow visionary Isao Takahata finished their Ghibli careers at the peak of their powers.

A mere fortnight after Jumanji: Welcome to the Jungle left British cinemas, here comes Dwayne Johnson again with a similarly hushed and introspective tale about the love between a man and his giant albino gorilla.

The film leaves an acrid taste with the viewer who sits through its long and winding tale of tortured courtship.

The third season picks up right where the the other two left off, with more suspenseful tales «exploring themes of contemporary techno paranoia.»

Tracking parallel and criss - crossing stories from either side of the tracks in a Rust Belt mining town, «Little Accidents» begins with a cave - in that kills ten local men, leaving only Amos (Boyd Holbrook, who does impressive work here too) alive to tell the tale (or not) to the investigation committee.

Related Reviews: Written and Directed by Jim Jarmusch: Down by Law • Dead Man • Only Lovers Left Alive 2004: The Life Aquatic with Steve Zissou • Spider - Man 2 • Around the World in 80 Days • Anchorman: The Legend of Ron Burgundy New to Disc: Space Jam • Café Society Anthology Films: New York Stories • Wild Tales • Four Rooms • New York, I Love You

This tale of sin and redemption, skirting around the Production Code, shot in 3D Technicolor with a few musical numbers for Rita tossed in, left me a little flat.

Appearing on screen until his final days in Christopher Nolan's mind - bending Inception and Ben Affleck's Boston bank - robbing tale The Town (playing a key figure in both), he leaves his fans with just one more feature — the upcoming comedy film Killing Bono — to look forward to.

Smartly weaving in the traditional origin tale with a revenge piece, Deadpool explains his previous life as mercenary Wade Wilson and why he left his fiance, Vanessa (a terrific Morena Baccarin, Gotham), to take part in an experimental procedure led by Ajax (Ed Skrein) in hopes of curing his terminal cancer diagnosis.

Only Lovers Left Alive is a well thought - out film, a unique twist on the old tale, filled with dry humor, exquisite visuals, and wonderful performances.

There's enough to this tale of aging with dementia to hold your interest, but not enough to leave you satisfied.

Following intrepid young rookie Mae Holland (Emma Watson) as she finds herself inducted into the hive headquarters of Apple - like tech conglomerate The Circle (with a Google-esque dual housing / work facility that its workers, known as Circlers, never seem to leave), Ponsoldt's film begins by charting an incredibly familiar and shallow trajectory that we've seen in plenty of tales of tech terror like 1984 and Eagle Eye.

The producers of this film must have thought that a quick change in scenery and a new face would help enliven the tale, but in the end, director Ridley Scott is left with little more than a story that feels remarkably like «Under the Tuscan Sun;» with Russell Crowe, of course, replacing Diane Lane in the lead role.

Kenneth Branagh retells the old story with most of the fairy - tale magic left intact but with the addition of a back - story and realistic motives.

A really lovely tale staring two great leads that you fall in love with almost immediately, however, as Ananda states in her review, anyone more concerned with space - time continuums or time travel paradoxes should just bypass this film, as it really is just another Richard Curtis movie and thus all sense of reality should be left at the door.

The guys who brought us Resolution have a twisted tale to tell... Justin Benson and Aaron Moorhead left quite an impression on the world of horror with their indie hit Resolution, and now they're back with Spring, a romantic tale of horror that hides a monstrous secret.

Only Lovers Left Alive is a well thought - out film, a unique twist on the old tale, filled with dry humor, exquisite -LSB-...]

But leave it to a new film (12 Years a Slave), by the British Steve McQueen — a tale of slavery in the United States with no trace of kitsch, featuring robust performances from actors unfamiliar to the multiplex — to bust all assumptions.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystiTALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystitale of love, loss, memory and the mystical.

Instead, Lovelace's post-Deep Throat years found her leaving the world of porn, struggling with drug addiction, and ultimately allying with anti-porn crusaders like Andrea Dworkin and Catherine MacKinnon, fortifying their claims against the adult industry with tales of her own mistreatment and abuse.

Along with a sensual scene between Vlad and his wife, and a parade of low cut dresses that don't leave much to the imagination, this ancient tale explores the lengths a father will go to in order to protect those he loves.

So leave it to the ornery Desplechin to take the stuffing out of the holiday movie with A Christmas Tale, which greets the season with the deep family dysfunction that most films are anxious to salve in time for Midnight Mass..

Once left alone with their charge, they leave Glass to die in agony and figure on returning to base to pick up their extra pay with a fine tale about giving him a Christian burial.

A crime tale that leaves the screwball comedy bruised and bloody with a retro reinvention of sorts.

Michael Winterbottom did something similar with his long - gestating 2012 movie Everyday, interestingly another absent - father tale, this one of a family left behind when the dad goes to prison.

In Brad's review, he raves, «Super Dark Times is tragedy in its purest of forms, removing the safety blanket from suburbia, tormenting the town with a morbid tale that will leave scars on each and every person who lives there.»

And at last night's AAFCA Awards, Peele regaled the audience with a tale of viewing his film with Chance the Rapper, who was left fairly shook from the experience.

They are: Joel Coen and Ethan Coen, represented by their»60s folkie pastiche «Inside Llewyn Davis»; James Gray, a steady Cannes presence, directing a period piece starring Joaquin Phoenix and Marion Cotillard, «The Immigrant»; Jim Jarmusch, bringing to the seaside resort mecca a tale of vampire love and marriage, «Only Lovers Left Alive»; Alexander Payne, whose latest is «Nebraska»; and Steven Soderbergh, with his Liberace biopic «Behind the Candelabra.»