Sentences with phrase «legendary exhibition space»

Reminiscent of Portikus» origins as Frankfurt's legendary exhibition space in a «box», all works in this edition are assembled in a specially designed crate, which itself is the contribution of artist Michael Beutler.

Not exact matches

At his studios, in their different configurations and locations, Wolfgang Tillmans has also hosted various events including music sessions and legendary parties which eventually led to the 2006 opening of an exhibition space called «Between Bridges», run by the artist, first located in the entrance and stairwell of his London studio on Cambridge Heath Road and now relocated to Keithstrasse in Berlin.

Xavier Hufkens is pleased to present an exhibition of the early work by legendary American artist Robert Mapplethorpe in the new gallery space in rue Saint Georges, Brussels.

An exhibition by the legendary Carmen Herrera will inaugurate the space (3 May — 18 June 2016), followed by the first solo exhibition in the United States by acclaimed filmmaker and artist John Akomfrah (1 July — 12 August 2016); a new installation by Ryan Gander (16 September — 15 October 2016); and an exhibition of new work by Ai Weiwei (5 November — 16 December 2016).

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

It was built by legendary modern architect Mies van der Rohe in 1928, but in recent times it is used as an exhibition space concept of changing exhibitions.

This exhibition celebrates Larry Bell, a legendary founder of the California Light and Space movement in the 1960s, and premieres his exiting new walk - through installation entitled Pacific Red, which explores the optical and reflective qualities of red glass.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

His first solo exhibition, Habeas Corpus, was held at the now legendary Gallery Sur in 1982, one of the few contemporary art spaces in Santiago at that time; more recently the MAVI (Museo de Artes Visuales), Santiago, held a retrospective of his work titled Reflejo Involuntario (Involuntary Reflex) in 2017.

Founded in 1972 by Alanna Heiss, the Clocktower Gallery is a legendary alternative art space for exhibitions, performances, long - term and site - specific installations, and artist residencies.

The legendary Pace Gallery will bring a sneak peek of a major exhibition coming soon to its Menlo Park location: «Living Digital Space and Future Parks,» from the Japanese interdisciplinary group teamLab, which works at the intersection of art, technology, and design.

After a decade - long curatorial career where he organized several pop - up exhibitions in New York, Vito Schnabel opened his own full - fledged gallery in the Swiss Alps in 2015, taking over the space previously occupied by the legendary Bruno Bischofsberger in the fashionable ski resort town of St. Moritz.

It was mainly the collaboration with the artists Robert Smithson and Dennis Oppenheim, with whom Matta - Clark collaborated for the legendary Earth - Art exhibition at the Cornell School, which had influenced his work and his approach of physically relating to found materials and found spaces.

Prominently on one wall, beside the exhibition title, a paragraph states: «Sometimes called Finish Fetish or Light and Space, this movement is characterized by works with slick surfaces and atmospheric colors influences by surf culture, custom cars, and the legendary climate of Southern California.»

WISH ATL just opened a gallery space in Atlanta, kicking off with their inaugural exhibition, Martha Cooper: Then & Now, featuring the photography of the legendary documentarian, Martha Cooper.

Highlights included the inclusion of projects by lesser - known members of the group, such as Tatsu Izumi's proto - Relational «Events» exhibition held in July 1963 at the legendary Naiqua Gallery in Shimbashi, where the artist emptied the space, numbered and labeled the permanent fixtures, and then provided a water cooler with powdered orange juice for visitors to drink.

Susan Rothenberg's first solo show in 1975 took place at 112 Greene Street, a legendary alternative space in SoHo, and subsequently had numerous solo exhibitions in the United States and abroad.