Full -
length video installation by Kenneth Lo.
Not exact matches
Cate Blanchett doesn't play 13 characters so much as embody 13 different ideas and approaches to 20th century art in Manifesto, German
video artist Julian Rosefeldt's feature -
length version of his eponymous, multi-screen
installation from 2015.
Among other works, the exhibition includes a 24» high x 114» long photograph on raw wood that spans the
length of MASS MoCA's tallest gallery and an immersive
installation of animated
video on twelve separate 24» high screens.
This exhibition follows the artists from their early
video installations and websites to later large - scale sculptural work and feature -
length films, screened daily in a gallery cinema.
Drawings, artist notebooks, paintings, engravings, photographs,
video -
installations, and full -
length video works are respectfully laid out in roughly chronological order, and a bilingual (English / Spanish) catalog lovingly assembled by curator Valerie Smith rounds out the succinct wall text that introduces Downey's obsession with invisible forces, giving context to each section of works.
Each
installation features a unique
video painting by the artist approximately fifteen to ninety seconds in
length.
Lucky Loosers Tanja Muravskaja, 2009,
length varies; belongs to the author;
video installation on screen
His body of remix artworks includes published cult novels, pioneering works of Internet art, digital
video and surround sound museum
installations, large - scale
video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature -
length «foreign films» shot with different image - capturing devices in various locations throughout the world.
«Resonance» is a multi-media exhibition featuring drawings,
installations, photographs, prints, sculptures,
videos, and one full -
length film by 19 artists.
Ranging from
video performances to feature
length dramas, from documentaries to art films each respond to different aspects of Konrad Smoleński
Installation «One Mind In A Million Heads» such as the body in relation to the environment, sound as material, or the structural configurations that can be found in both architecture and film.
Rogers, 2013 HD
video installation (color, mono sound, continuous play, asynchronous loop) 2 HD
video sources, 2 HD
video projectors, 2 speakers Pencil Lift: 3 minutes 57 seconds Mr. Rogers: 46 seconds (full
length of loop: 30 minutes, 1 second) SW 13350
Some standouts included Davy and Kristin McGuire's whimsical holographic
video sculpture from their Fairies series (Muriel Guépin Gallery); Chris Dorosz's Stasis 97 (Riot), an intriguing series of figures painted on a sculptural
installation of acrylic rods, structured so the grouping conveyed a sense of three - dimensionality and movement (Scott Richards Contemporary Art); Lalla Essaydi's Les Femmes du Maroc: Harem Beauty # 1, a large chromogenic print triptych of a recumbent «harem beauty» in a full -
length gown, rendered exotic with ink inscribed text over the surface of the figure (Jenkins Johnson Gallery); and Lava Thomas's Cloudscape Portrait 9401, a luminous laminated pigment print (Rena Bransten Projects).
«Columbus, Ohio - based artists Dani Leventhal and Sheilah Wilson have embarked on an artistic relationship that is formally and emotionally adjacent to their domestic lives, a quotidian zone they share with their young daughter Rose... Although their joint body of work includes a performance based on the reading of love letters, Shameless Light (2016), and a new
video installation, A Hand in Two Ways (Fisted)(2017), created for the Columbus Museum of Art, the major artwork to thus far emerge from the duo is their medium -
length video Strangely Ordinary This Devotion.»
The first medium - specific exhibition of its kind at MoCADA, this selection of new works will include short looped sound and
video installations, as well as weekly screenings of feature
length work within the main gallery space.
The show offers the chance to see pieces by less familiar artists as well as early or underknown works by key figures, such as Mike Kelley's first
installation, Untitled (from The Little Girl's Room), 1980, consisting of objects and images obliquely suggesting a young girl's bedroom, and Eleanor Antin's cardboard airplane with cutout figures that served as the set for her feature -
length video The Nurse and the Hijackers (1977).
His current book -
length projects include How Art Can Be Thought, an examination of art pedagogy and a lexicon of terms used within the art critique; and Ark of Martyrs, a rhyming «rewrite» and accompanying
video installations of Joseph Conrad's Heart of Darkness.