Sentences with phrase «lengthy sequence»

Where the film excels, however, is director William Wyler's measured tone, which accepts the story's focus — of gradual changes and carnage on the home front — and uses lengthy sequences emphasizing actor reactions.

The only part of this DVD release is the bonus features — two deleted scenes [though they are lengthy sequences].

As there are lengthy sequences where we focus on just one or two stories and are then expected to just reinsert ourselves into a forgettable romance.

These events are just brief pauses before the movie gets to a montage of the players training or the team getting back to winning, lengthy sequences on the field against tougher opponents (The other schools in their conference refuse to play them, assuming that the team is somehow cheating), and Bob's limited supply of clichéd sayings about character - building.

NetherRealm delivers dumb fun in this story, which unfolds through lengthy sequences filled with epic fights, witty banter, and layer upon layer of fan service.

There's a lengthy sequence in a private club where Mike used to dance, as the guy's try to get alternate transportation and convince Rome (Jada Pinkett Smith) to take over as the group's emcee, that goes on well past its usefulness.

Director and screenwriter Peter Berg sets a high standard for his own film to meet by beginning with a lengthy sequence of what appears to be documentary footage of Navy SEALs undergoing rigorous training.

, the latest adventure featuring the British spy who needs no introduction, re-introduces James Bond with another lengthy sequence of mass destruction.

Spectre, the latest adventure featuring the British spy who needs no introduction, re-introduces James Bond with another lengthy sequence of mass destruction.

The only things that change are the location and the method of murder, but the end result is always the same (The buildup is usually the same, too): There's a lengthy sequence of suspense, followed by the inevitable, bloody payoff.

Signs outside multiplexes showing Crooklyn (1994), for example, warned patrons about one lengthy sequence that Spike Lee shot anamorphically and then chose not to unsqueeze, creating deliberately distorted images that really did look as if they must be a mistake.

The lengthy sequence is tense and exciting, with audience empathy shifting from second to second between the spirited rebels and their terrified targets.