Not exact matches
Nicolas Pesce's debut feature The Eyes
Of My Mother views its deeply disturbed heroine through the lens of hardy, immigrant - born midcentury stoicism, and Pesce chose a similarly controlled - yet - disturbing film for our marathon: The Night Of The Hunter, Charles Laughton's classic thriller starring Robert Mitchum as a killer who disguises himself as a preache
Of My Mother views its deeply disturbed heroine through the
lens of hardy, immigrant - born midcentury stoicism, and Pesce chose a similarly controlled - yet - disturbing film for our marathon: The Night Of The Hunter, Charles Laughton's classic thriller starring Robert Mitchum as a killer who disguises himself as a preache
of hardy, immigrant - born midcentury stoicism, and Pesce chose a similarly controlled - yet - disturbing film for our marathon: The Night
Of The Hunter, Charles Laughton's classic thriller starring Robert Mitchum as a killer who disguises himself as a preache
Of The Hunter, Charles Laughton's classic
thriller starring Robert Mitchum as a killer who disguises himself as a preacher.
It is — through Greengrass's distinctive
lens — simultaneously a pulse - pounding
thriller and a complex portrait
of the myriad effects
of globalization.
The Marvel Cinematic Universe was once accused
of dishing up the same rinse - and - repeat origin story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia
thrillers), the franchise has been finding more solid footing in its endeavor to remix all
of popular film history through the
lens of superheroes.
A nerve - frying suspense
thriller seen exclusively through the
lenses of smartphones and laptops, Searching is a technical marvel with a beating heart at its core.
It is — through Greengrass's distinctive
lens — simultaneously a pulse - pounding
thriller and a complex portrait
of the myr... Read On
Filmmaker Alex Garland's adaptation
of Jeff Vandermeer's surreal novel still stands as one
of the best films
of the year, deftly exploring intensely human themes through the
lens of a gorgeously crafted sci - fi
thriller.
Now, after biding his time with trashy
thrillers («Double Jeopardy») and hippie comedies («Peace, Love, & Misunderstanding), he's back with something
of a spiritual sequel to his Oscar - winning dramedy, filtering the skeleton
of that questionable dramedy through the
lens of a classic YA paperback.
A couple travels to Venice in the wake
of the loss
of their young daughter in Nicolas Roeg's «Don't Look Now» (1973), which examines mourning through the
lens of a supernatural
thriller.