Sentences with word «leporello»

NORTH ADAMS, MASSACHUSETTS — In her first ever solo U.S. museum show, internationally acclaimed Arab - American artist Etel Adnan tests the limits of expression in an exhibition of leporellos, written texts, and recent works including never - before - seen paintings.
In response to the exhibition of paintings and leporellos by Etel Adnan, this workshop explores how artistic forms invite thought on an experiential, perceptive and imaginative level.
These works appear alongside a series of delicate leporellos where the transcriptions of her poems are recorded on unfolding urban landscapes, fusing Adnan's parallel practice as artist and writer.
Not one to rest on her laurels, Adnan has responded to the newfound attention by continuing to expand her approach, creating a series of folding leporellos as well as public projects in addition to her much - loved landscapes — a lesson in dedication and sustained inventiveness emerging artists a third of her age would do well to note.
A selection of Adnan's colourful oil paintings and delicate leporellos are amongst the works to be explored.
fabric, aged gold metallic paper, metal, battery, telephone coin, horns, terracota, bells, chain, bronze, wood, two leporello books, one notebook 28 cm x 29 cm x 29 cm (box closed) dimensions variable (box open) Courtesy of the artist and Galerie Nathalie Obadia, Paris - Brussels photo: Isabel Brey, Ghent
In 2014 she won of the first round of Mocca Awards of Excellence for the printed Narwhal leporello.
We were also interested in the fascinating connection Alex Katz has had to poetry since the «50s, working with John Ashbury and Frank O'Hara, so that's why we paired him with Etel Adnan, who is not only a great poet but also a wonderful painter who puts a sort of energy and magnetism into her little paintings and leporello notebooks.
She makes these paintings she calls leporellos where the painting and writing come together as accordion fold books.
Two - sided leporello presenting the artist's four exhibitions from her Fraustellungen series: Enthusiastinnen (2012), Pessimistinnen (2013), Stoikerinnen (2014) and finally Sexistinnen, presented at Art Basel Statements 2015.
This epic project translates Wilner's experiences riding the New York subway into leporello - bound books containing images and text, executed entirely while he is in transit.
Exhibition catalogue in the form of a box made of light grey - brown cardboard, cover sprayed by Richter with grey anti-rust paint, with an untitled text by Johannes Cladders on a separate card insert, cardboard leporello with 12 illustrations, black offset print.
Inspired by Japanese leporellos, Adnan also paints landscapes on to foldable screens that can be «extended in space like free - standing drawings».
Adnanʼs leporellos, or folding books, offer a compelling fusion of written texts and painted or drawn images.
SOLD Surrounded Islands 1980 - 83 2003 7 - part leporello digital pigment print 12.5 h X 69w in.
fabric, aged gold metallic paper, metal, battery, telephone coin, horns, terracota, bells, chain, bronze, wood, two leporello books, one notebook 28 cm x 29 cm x 29 cm (box closed) dimensions...
Alongside her untitled Mount Tamalpais paintings, her painterly studies of Bay Area environs, and a number of leporellos (accordion - pleated books), it included selected translations of her mid-1970s Al Safa writings, which sought to enrich understandings of her oeuvre within the context of Lebanon's fraught cultural history.
This is what happens for instance with a leporello by her Cologne - based artist friend Kai Althoff, which was draped around and woven into the structure of her sculpture Pope (2006)-- shown in her recent exhibition of four stelae at her Berlin gallery Neugerriemschneider.
Over the course of the 1960s, Adnan moved away from purely abstract forms and, in 1964, discovered «leporellos», accordion-folded sketchbooks in which she could mix drawing with writing and poetry.
One could see her accordion books, or leporellos, with their folding paper as an unfolding narrative — and her smokestacks as America, her new - found land.
Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.
In 2012 Adnan's oil paintings and leporellos (books filled with her illustrations and writing which unfold like accordions) were a big hit at Documenta in Kassel, Germany.
Adnan's leporellos, or folding books, offer a compelling fusion of written texts and painted or drawn images.
The Forsyth Street space is devoted to Ms. Adnan's scroll - like books, which she calls «leporellos
Capital Decor was published by Kodoji Press in 2011 as a leporello fold and a vinyl disc.
Robertson recently released a leporello bound, scaled reproduction of a 100 foot photograph that was on view at the ICP with London - based publisher Self Publish, Be Happy.
The books are mostly in variants of a leporello format, one that structurally conveys the elements of motion over time.
That show, curated by Ingrid Shaffner, explores a selection of small sculptures, leporellos (folded artist's books), and five large paintings that reveal the breadth and scale of Fishman's oeuvre.
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