The 103 «Glances» exhibited in this show «are more or
less an art equivalent to passing a glance at someone in the street or acknowledging or nodding at them without time to have a full conversation.
Not exact matches
The source material here is a novel by David Ebershoff, which plunks The Danish Girl somewhere between biopic and literary adaptation; among other things, the movie de-queers its 1920s
art world milieu, with Gerda portrayed as more or
less straight here, despite the fact that her real - life
equivalent had a significant sideline drawing lesbian erotica.
Add to this nebulous college entrance environment the challenge presented by the proliferation of four - year high schools, whose numbers skyrocketed from 2,526 in 1890 to 10,213 in 1910, and it is easy to see why the trustees of the Carnegie Foundation felt the need to define college: «An institution to be ranked a college must have at least six (6) professors giving their entire time to college and university work, a course of four full years in liberal
arts and sciences, and should require for admission not
less than the usual four years of academic or high school preparation, or its
equivalent, in addition to the preacademic or grammar school studies.»
The Saatchi Gallery has resorted to the artistic
equivalent of a women - only shortlist in the face of overwhelming evidence that women find it harder to make a name in the
art world and earn
less money — even at the top.
While this year's Turner hurtles to its conclusion tomorrow night, in the far
less hurried atmosphere of London's Courtauld Gallery an exhibition called
Art on the Line harks back to an event that was the
equivalent of the Turner in Turner's day: the Royal Academy exhibition, which was held at Somerset House every year from 1780 to 1836.