Sentences with phrase «less emotional story»

In general, the effects of immersive journalism were more pronounced with the less emotional story.

Not exact matches

God's power to heal bodies shatters our prejudice that healing prayer is only for the more emotional, less intelligent folks; that the Bible stories of healing are merely «symbolic» and «not really true» and that the way the world is (comfortable as it is for us) is God's will.

Just because your husband doesn't have a serious cuddly read a story time with a follow up emotional heart to heart doesn't mean his time with his kids is any less important.

It is more scattershot in its approach and less emotional than its high - profile predecessor but Rumble still has great stories to tell and causes to champion making it irresistible for popular music lovers.

Nonetheless, despite this being an adaption of Mary Stewart's «The Little Broomstick», it's visual palette makes up for more than enough of a satisfying viewing experience, even if it's story makes less of an emotional impact than one might think.

Despite great shots and several powerful scenes, it remains less than the sum of its parts, a lukewarm story about a worthy subject that ends up packing little emotional impact.

The film has a lesser scope of story than its predecessor, but in its minimal approach, it far surpasses its companion's emotional scope.

Indeed, without giving away where the movie heads after that, it's safe to say that it starts to reveal itself less as a story about righting a wrong and more about reconciliation — one that still blends McDonagh's signature dark humor and sudden swerves into laughs into gasps, yet also taps into an emotional depth that closer to his theater projects than his film work.

However, the story of Anne's emotional journey is handled with such style by all concerned that the result is never less than compelling.

Only one objection comes to mind, Reitman's choice to drop in a sassy and precocious pre-teen, Eleanor (Brighid Fleming); in a part that seems more fitting for Juno, one has to question Reitman's thinking, but lest one apple spoil the bunch, an emotional and heart throbbing story awaits none the less.

«Mr. Pip,» a lower profile adaptation of a less famous book, doesn't carry the same risks as «The Lovely Bones» did, but this gimmicky story set during Papua New Guinea's civil war is similarly overblown, reaching for emotional effect in a fatally hamfisted fashion.

The expected nature of these beats makes the film less surprising, and thus makes the story less engaging — and that leaves less room for its final emotional beats to hit home.

It's clear right from the get - go that Christopher Cain is in absolutely no hurry to tell this story, as the director has infused The Stone Boy with an almost achingly deliberate pace that does prove effective at establishing the film's very specific locale, admittedly - yet there's little doubt that the laid - back atmosphere, when combined with the uniformly subdued performances and the less - than - eventful nature of Gina Berriault's script, effectively ensures that the viewer's efforts at forming any kind of emotional attachment to the characters fall flat virtually from start to finish.

I'm guessing that in the film's longer version, the love story feels less forced — maybe even not at all — and the intended emotional connection between the lovers and between them and the audience registers more strongly.

on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing

The artist's ethereal remix of I'm Not Calling You A Liar, already one of the less bombastic tracks on her Brit Award - winning debut album Lungs, is the perfect compliment to the sequel's more personal, emotional story.

Though the tale is epic and the cinemas are excellent, the story is missing the emotional core that drove the previous games - even if their stories made less sense.

It has to be a story, one that's captivating and emotional, making you care more about your character and less about the crate with scarves that you can win after the match.