Sentences with phrase «less interest in art»

Low scorers are more down - to - earth, less interested in art and more practical in nature.
Unlike the ideas of the famous critic Clement Greenberg, Kaprow was less interested in the art object and more in the process of creation.

Not exact matches

It is interesting to notice in this connection the appearances in the tradition of the divine pronouncement upon Jesus, «This is my beloved son,» or «Thou art my beloved son — which is a quotation, more or less exact, from the second Psalm.
Eddie pursued an acting career in his twenties but has since stopped «aspiring» to create art and, in the process, has become «less interesting» to himself.
Researchers say people who are more intelligent and who showed an interest in the arts and sciences during high school are less likely to fall victim to automation.
«We found that regardless of social background, people with higher levels of intelligence, higher levels of maturity and extraversion, higher interests in arts and sciences... tended to select (or be selected) into less computerizable jobs 11 and 50 years later,» they wrote.
While hardly a radical, 18 - year - old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi.
By the same token, Anderson's much discussed penchant for virtuosic camera maneuvers and creating holistic, heroic movie - movies is perhaps revealed by Inherent Vice to be somewhat less impressive than his intuitive facility with actors — don't forget he molded art from lumps of clay like Mark Wahlberg and Adam Sandler — which suggests that his abiding interest might just be in homo sapiens as well.
I really am interested in how a former undersecretary of education has come to the point that he is so determined to attack teacher tenure, teacher unions and «restrictive work rules» for teachers — especially during a time when public schools have been systematically defunded, forced to jump through hoops (Race to the Top) in order to get what remains of federal funding for education, like some kind of bizarre Hunger Games ritual for kids and teachers, and as curriculums have been narrowed to the point where only middle class and wealthier communities have schools that offer subjects like music, art, and physical education — much less recess time, school nurses or psychologists, or guidance counselors.
Palace Residence & Villa Siem Reap is a three star hotel that is only five minutes from the Siem Reap Art Centre and Angkor National Museum.Guest staying at the hotel not only benefit from the easy access to the airport, but the Angkor Night Market, Lucky Mall Super Market, Angkor Golf Resort, and Cambodian Cultural Village are all less than five minutes from the hotel by car.Other nearby places of interest include the Royal Garden, Pub Street, the Siem Reap Royal Residence, and Angkor Shopping Centre.The rooms all come with a wide variety of in - room amenities.A selection of the available amenities at Palace Residence & Villa Siem Reap include vanity kits, hairdryer, iron and ironing board, cable television, sofa, working desk, tea and coffee making facilities, complimentary slippers and bathrobes, IDD phone, minibar, and wireless Internet access.
This first - generation American seemed less interested in pushing the boundaries of art and taste than in exploiting every new opportunity for expressing and valorizing his restless, rootless self in an ever - changing world.
Paul Mellon was less interested in British art after about 1850 (and nowadays his funds may not be applied to purchases after that date), but he did buy in the field.
Gottlieb developed an early interest in art, but was less enthralled by school and dropped out when he was seventeen in order to travel to Europe.
But these are his most significant years, and Prima Materia does tell a story, one less involved with the alchemical interests the show's title suggests, or the ethnographic influences implied by the accompanying selection of objects (Hopi kachina dolls, Yup» ik masks), and more concerning the effect on an established practitioner of the turn from abstract Surrealism to Abstract Expressionism in postwar American art.
It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.
Recognizing recent legacies of process - based art that highlight myriad ways in which the means might be seen as more significant than the end, Don't blame anyone is also interested in highlighting the role of the ordinary and the pointless as deep - seated, if less recognized, elements of process itself.
«Less «tourists» and more people who are specifically interested in art and not in trends.
He continues, «Not only is this rediscovery timely — with a renewed interest nationally and internationally in Gutai and other lesser - known Japanese art — but the exhibition's focus on contemporary response and avant - garde performance is a natural extension of SFAI's boundary - pushing, renegade culture.»
But the more I am meant to pick up the references in Warren's art - Giacometti, Degas» Little Dancer Aged 14, Otto Dix - the less interested I become.
For the lack of a community, much less an institutional gathering place, for those interested in self - taught art, a group of Chicago gallerists and collectors founded Intuit in 1991.
Some would say their interest in Art Basel Miami Beach is, uh, less than zero, but that could change when they find out that author Bret Easton Ellis will be in town as part of the fair's «Conversations and Salon» series.
In less than five years Chinese from the mainland and the diaspora have gone from a limited interest in local contemporary art and a speculative attitude to a deeper involvement in collecting, bolstered by significant acquisitions in art from the WesIn less than five years Chinese from the mainland and the diaspora have gone from a limited interest in local contemporary art and a speculative attitude to a deeper involvement in collecting, bolstered by significant acquisitions in art from the Wesin local contemporary art and a speculative attitude to a deeper involvement in collecting, bolstered by significant acquisitions in art from the Wesin collecting, bolstered by significant acquisitions in art from the Wesin art from the West.
The mediasphere is a major theme in contemporary art, so Carl Auge's interest in representing invisible, ubiquitous «heat, sound, light or shock waves» is less surprising than the somber emotion that pervades these oil paintings.
The less magnificent tiled basement houses the younger galleries and project spaces in a refreshing reminder of how interesting displays and approaches can still exist within the art fair economy.
Featuring more than 34 objects by 17 artists, Post-Op: «The Responsive Eye» Fifty Years After focuses primarily on the artists and their interests in visual perception and less on the cultural phenomenon of Op Art per se.
After training at the Slade School of Art in London, he found that he was less interested in the artwork itself than in the boundaries between it and the world - hence some of his best - known pieces, such as No 79 (small blob of Blu - Tack squidged on wall), No 88 (sheet of A4 paper scrunched into ball) and his sign on the facade of Tate Britain that read: The Whole World + The Work = The Whole World.
Deirdre Robson has said that «The arts were gradually thought of less in terms of being part of the «female» realm and more as an interest suitable for a hardheaded and successful businessman.»
The unique and varied inland landscape has been a popular, if less visible, subject since the 19th century, and many examples of this interest are found in the Bates College Museum of Art's permanent collection.
It tends to relate to the wider world or art historical references, we are less interested in materiality and process, that is the thrust of our collection.
For those less interested in Op Art, we offer a wide variety of other schools of modern art, such as Pop, Abstract Expressionism, Surrealism and work that can't easily be classified under any specific art movemeArt, we offer a wide variety of other schools of modern art, such as Pop, Abstract Expressionism, Surrealism and work that can't easily be classified under any specific art movemeart, such as Pop, Abstract Expressionism, Surrealism and work that can't easily be classified under any specific art movemeart movement.
Much of this is to do with the artist himself: far less interested in the economics of his art than in creative freedom, Hockney has long avoided market distractions by keeping a tight grip on supply and pricing.
Judgments about good and bad might in the end be less interest ing than unravelling our encounters with art, going on this repeated journey.
Less interested in the raucousness of «low» art than their figurative peers, however, these quietist formalists instead abstract from mundane artifacts that, while not intended as aesthetic objects, nevertheless evince a strange beauty.
«Nothing less than a condensed museum of art, not to be missed by anyone with the slightest interest in painting»
For arts and crafts products for sale, land is less of a determining factor since the market has shown interest in modern Indigenous art made off country that reclaims and reinterprets Aboriginal culture, as well as «traditional» art made through customary practice on country.
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