Not exact matches
That, in turn, has a chilling effect
on other commenters, ultimately resulting in
less open
dialogue on an issue.
Lately I've been interested in what sort of difference could be made if «
dialogue» became
less focused
on understanding why someone believes what they do (in light of the way I belief) and more about understanding the way those beliefs are held in the context of the experiences that helped birth them.
Physics - lite @ CN77 & Andrew Andrew's Quote «It's not all that pointless, see while you would never be convinced that your bronze age mythological beliefs about the creation of the universe are wrong, since I can rebut (with peer reviewed journal articles no
less) any claim you make, in rather stunning detail, those who are not so well versed
on the subject who read the
dialogue could be swayed to the side of science.
The same Directory also speaks of the spiritual climate in which alone there can be a successful ecumenical reception: «The life of faith and the prayer of faith, no
less than reflection
on the doctrine of faith, enter «into this process of reception, by which the whole Church, under the inspiration of the Holy Spirit... makes her own the fruits of a
dialogue, in a process of listening, of testing, of judging and of living.»
This is an important trend, and we need more and not
less experimentation
on these matters of the ministry, for we are well into the opening phase of the breakdown of organized religion in American life, well beyond the time when ecumenical
dialogues or denominational mergers can be expected to arrest the breakdown.
My thesis is that the many visions of perfection are more or
less the same or at least analogical, and therefore if each Faith keeps its ethics of law dynamic within the framework of and in tension with its own transcendent vision of perfection, the different religious and secular Faiths can have a fruitful
dialogue at depth
on the nature of human alienation which makes love impossible and for updating our various approaches to personal and public law with greater realism with insights from each other.
In an address to Catholic school leaders
on 28 January this year, which appeared in the news section of the CES website in mid-March, Oona Stannard said the agency believes «in the importance of being seen and heard through
dialogue rather than remote pronouncements that may have
less impact».
Was there a common understanding of Christian witness that united both mission and
dialogue, or was the World Council working
on two unconnected agendas, each more or
less indifferent to the other?
We do not need
less dialogue, we need more, centring
on the question of how we should best prepare for extreme flooding in the future»; they propose that, in future, flood mitigation measures should be based
on four pillars to keep damage levels as low as possible and to distribute the burden fairly:
«This research contributes to the current
dialogue on religion by demonstrating that even brief religious belief reminders not accompanied by any explicit beliefs or injunctions tend to promote more magnanimous,
less hostile choices in threatening circumstances.»
New Scientist clearly does not espouse Bjørn Lomborg's Viewfinder soundbite when he calls for «a more reasoned, more constructive, and
less frightening
dialogue»
on global warming (27 June, p 25).
Everyone
on the moon is literally gay, the
dialogue is so poorly written I cringed through half of it, the enemies seem much
less imaginative
Everyone
on the moon is literally gay, the
dialogue is so poorly written I cringed through half of it, the enemies seem much
less imaginative than Borderlands 2's, and there are a tremendous amount of bugs and glitches that take away what little enjoyment that I had from playing this game.
It's an exceedingly thin premise that's employed to sometimes striking yet often underwhelming effect by Kubrick, with the picture suffering from a decidedly amateurish feel that's compounded by
less - than - accomplished performances and an ongoing emphasis
on overwrought, unconvincing
dialogue and narrative.
(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a
less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual
dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and
on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.
The actual problems with this game -
less concentration
on dialogue, some maddening and unintuitive puzzles («THAT was the solution?»)
The accompanying audio, in not - dissimilar 7.1 DTS - HD and 5.1 Dolby Digital EX configurations, mainly adds low - end to the original mono mix (also
on board) and broadens its dynamic range so that the dubbed
dialogue, for example, sounds
less squelched.
But
dialogue and setting in this movie are finally
less important than certain facts about its production: according to the movie's press materials, both Chan and director Stanley Tong «finished the film
on crutches,» and two stuntwomen as well as actress Francoise Yip broke their legs during the motorcycle tricks.
The film does lose steam in the home stretch with Niccol serving up some
dialogue that is too
on - the - button (such as a line where Viktor lays bare all his reasons for creating Simone) and some mechanical plot twists that are
less than surprising.
The
dialogue and acting here are of above - average quality, though the actual story itself and directorial execution — though obviously done
on a shoestring budget — are a bit
less than stellar, suffering from a certain obviousness.
Less dependent
on the rhythm and flow of sharp
dialogue volleys, more reliant
on the energy of action over words.
The interesting aspect of work
on The Young Pope is that, despite the limited production times, we managed to come out of the constrictions of the TV series: fast editing and elaborate camera movements alternate with scenes in which the importance of the
dialogues allows a longer and
less action - filled framing.
But this is no
less true in the bureaucracy (politicians look out for votes) or market (investors look out for profits): These are all compromised spaces, which must have shared voice and
dialogue to serve as checks and balances, and to build
on the best that each offers.
Lesser mortals clearly need more time to practice, and eventually we did learn to late - apex most corners, to step
on the gas early, to anticipate the
dialogue between rear - wheel - drive dominance and front - wheel - drive support, to brake
Novellas are like screenplays — My shorter stories are more like screenplays with a focus
on dialogue and major plots movements,
less on back story and lengthy internal monologue.
Whether I could build and sustain characters and a plot that did not depend
on underlying data was another story, and whether I could have the characters and story emerge principally through
dialogue (as opposed to an auctorial voice) was a significant challenge that, as it turned out, was
less difficult than I anticipated.
on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule
on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak
on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone
on Copyblogger The Secrets Behind Buried
Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff
on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson
on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road
Less Taken (With Your Characters), guest post by Kristen Callihan
on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen
on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson
on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson
on Pub Rants Give Characters Interesting Anecdotes by Mooderino
on Moody Writing
You might ask a reader or editor to focus
on the plot or character development while putting
less weight
on the
dialogue.
Sgt. John Carver not only adds new lines of
dialogue and missions, but a feeling of
less isolation as you take
on Necromorphs with a partner.
However,
on the opposite side of the fence, with so much spoken
dialogue in the game, the text
less thoughts of each character in their story mode are downright boring.
Something more
on the lines of a chess - like mini game or
dialogue choices that could fail missions instead of knowing you will succeed every time would make it
less of a chore.
In addition to presenting recent and
lesser known older works, the exhibition aims to raise a
dialogue on what constitutes a painting and the forms it may take.
But Lavadour's increasingly worldly
dialogue would be a more direct, rigorous one if he relied
less on multiple - paneled paintings, which seem dangerously close to looking like a strategy.
Our Intensive Learning Sessions now feature two unique styles including the workshop, a shorter,
less formal session focused
on a single topic or question, and the seminar, a longer, more in - depth learning experience
on topics not fully explored in Executive
Dialogue Sessions.
No
less ironically, Media Matters for America want you to believe that «The media
dialogue on global warming is infected with conservative misinformation».
Hallett, a 47 - year - old, Florida - based clinical account rep for a medical device company, posted a poll
on the main Peloton Facebook page
on the morning March 28th: «Who would like a class with more music and
less dialogue?
Skilled
dialogue is
less about knowledge of diverse cultures and more about the process of relationship building based
on respect, reciprocity, and responsiveness.