Not exact matches
Another U.S. company,
First Solar, claims it can make its variety of thin -
film solar cells for
less than $ 1 per watt.
The scariest thing to be found in this pointless horror
film is that its director, Rob Schmidt, has
less prowess as a genre filmmaker in his third
film than Eli Roth did in his
first.
seems
less like a sequel to
than a parody of the
first 48 Hrs., especially when Nick Nolte, repeating his role from the earlier
film, begins commenting on the cliched absurdity of the goings on.
The
first spoken word is almost a half hour into the
film, and there's
less than 40 minutes of dialogue in the entire
film.
Rope, Alfred Hitchcock's
first color
film, was adapted from Patrick Hamilton's stage play Rope's End by no
less than Hume Cronyn.
Director Stanley Kubrick, working from a script cowritten with Calder Willingham and Jim Thompson, kicks Paths of Glory off with an admittedly
less -
than - engrossing stretch, as the movie boasts (or suffers from) a somewhat talky
first act that doesn't contain much in the way of compelling elements - although, by that same token, it's clear that the
film benefits substantially from Kubrick's stellar directorial choices and a host of above - average performances.
It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's
less -
than - consistent vibe paving the way for a second half that could hardly be
less interesting or anti-climactic - which does, in the end, confirm the
film's place as a fairly ineffective
first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.
The main contradiction to all of this praise, of course, is that the events that occurred in the
first film (like killing off the entire team in the opening mission) lead to the
less -
than - impressive sequel.
loosely based on the whitman texas tower case; peter bogdanovich's
first film, shot in
less than 3 weeks, produced by roger corman and released in 1968 shortly after the mlk and rfk assassinations
It's difficult to think of a director
less - suited to take on the intricate, minutiae - obsessed writing of Peter Morgan
than Howard — a director who, even in his finest
films, has always been interested in the big picture
first, with characters serving history rather
than the other way round.
When it was
first suggested that the theatrical release of the unique, twin - experience of «The Disappearance of Eleanor Rigby: His and Her» might require a distillation of two complementing
films into a more traditional single narrative release, Jessica Chastain was
less than pleased.
While Freddy's Revenge isn't really in keeping with the
first film in the nature of Freddy, whose powers seem to now come with the house, it still has an interesting premise and at least takes a direction that makes it
less of a rehash of the
first film than other slasher
film sequels have been.
Indeed, the
first time the
film's weekend box office was
less than its opening weekend was January 26th — a full month after the movie
first hit theaters.
Directed by Dan Trachtenberg (his
first feature), announced via a trailer in January, and out
less than two months later, it bears scant similarity to the
first film — gone is the found - footage shaky - cam device.
Glastonbury (15) Running time: 135 min *** Julian Temple's loving documentary may at
first appear to be aimed at the sort of music fan who prefers Glasto streamed live to their TV.But this collection of archive and commissioned footage from 36 years of England's greatest music festival is likely to appeal more to diehard fans
than non-festival-goers, since it revels in precisely the eccentricities that makes the armchair people dive for cover.Most of this
film is a structureless, rambling celebration of Glastonbury's boozy, hedonistic, liberated, political and frequently bonkers character rather
than of the actual music: great if you were at the party, presumably
less great if you weren't.
That this seems to come from nowhere is the big surprise — the disappointingly generic
first two thirds of the
film suggest this outcome is
less than likely.
3: «Get Out» or Luca Guadagnino's achingly tender «Call Me by Your Name» will emerge as a popular
first choice among Oscar voters, and a
film that was made for considerably
less than $ 10 million will win Best Picture for the second year in a row, confirming that «Moonlight» changed the game in more ways
than one and forever altered our idea of what constitutes an «Oscar Movie.»
The
film's aggro 5.1 soundmix is offered in a choice of DTS and Dolby Digital; bass is tighter and effects
less localized with the former, and for some reason the second half of Behind Enemy Lines packs a stronger LFE wallop
than the
first in Dolby Digital.
We never get a clue as to what Kick - Ass himself wants to do — he's even
less sure of himself
than in the
first film, and more wantonly rude toward his father — and the former Red Mist pouts and postures like a petulant little child, an impression not countered by Mint - Plasse's flailing about like a man drowning in syrup.
Tokyo Sonata, at
first glance, plays
less like the work of Kurosawa
than like that of Taiwanese filmmaker Hou Hsiao - hsien, but as the story of downsized executive Ryuhei (Teruyuki Kagawa) unfolds, following roughly the same blueprint as Laurent Cantet's Time Out as Ryuhei conceals his unemployment from his wife and two sons, it comes clear that Kurosawa's brilliant, refined take on mass hysteria in his horror
films has been translated intact.
Though
less surprising
than the
first film, «Guardians of the Galaxy Vol.
In fact, PA3 opened bigger and though it had the series» weakest legs to date, it still ended up with a domestic gross close to the
first film and a franchise - high worldwide take of $ 203 M. And while the production budget again rose, it was still kept to just $ 5 million, well under the competition and far
less than the marketing costs of such a high - profile wide release.
- The original title of the movie was «Tomorrow Never Comes» - Anthony Hopkins was cast as Elliott Carver and joined the production, but dropped out after three days because
filming was disorganized and chaotic and there was no completed shooting script -
First Bond
film since Diamonds Are Forever to have a running time of
less than two hours.
The
first film for both Jennifer Aniston and Trimark, the video of it has sold
less than 100,000 copies.
Even though the
film is due in
less than three months, we're just now getting our
first look at Cate Blanchett and Robert Redford in the true story of the «Rathergate» period of CBS News when Dan Rather was unceremoniously on his way out after a 2004 report about George W. Bush's ability to avoid service during the Vietnam War...
It's not so interesting so as to warrant a viewing by those who aren't fans of the movie in the
first place, but I did find it significantly
less tiring
than the actual
film.
William Wyler was
first signed to direct but when he seemed
less than enthusiastic about making the
film he was replaced by Wiser minds.
Focusing on the leak of the Pentagon Papers in 1971, The Post is a stunning
film that plays like a crackerjack suspense thriller but is about nothing
less than the survival of the
First Amendment and the right of a free press.
by Walter Chaw Food - obsessed Japanese girl band Cibo Matto plays quietly behind a weird commercial of pastel San Diego Chickens sky - diving within the
first five minutes of The First $ 20 Million Is Always the Hardest, offering a benighted hope that the film won't suck that is so ephemeral that its inevitable death is less cruel than perv
first five minutes of The
First $ 20 Million Is Always the Hardest, offering a benighted hope that the film won't suck that is so ephemeral that its inevitable death is less cruel than perv
First $ 20 Million Is Always the Hardest, offering a benighted hope that the
film won't suck that is so ephemeral that its inevitable death is
less cruel
than perverse.
But rights complications (owing to both the title and the use of clips from «
First Blood «-RRB- held up the release for over a year, and while the
film was a hit in its native U.K. and elsewhere (taking $ 10 million worldwide), it made
less than $ 2 million in the U.S after opening head to head with «Iron Man.»
Given that I would be laughed out of the
first two groups — exposed as
less than a neophyte, you may assume that my discussion of this
film will not be steeped in scientific or astrophysical theorem.
Their
films beyond the
first Matrix
film is
less than stellar beyond beautiful visual splendor, but their
films don't become memorable for the right reasons.
Evans» latest go in front of the cameras is Gifted, a
film that grossed in its entirety slightly
less than what Captain America: Civil War made in its
first five hours of Thursday night showings.
An obscure actor named Sean Connery, former body builder and soccer player, gets the lead in the
first film adaptation of Ian Fleming's spy novel series, made for
less than $ 1 million.
Both seasons of Sleeper Cell were originally aired in an unusual fashion, by
filming the entire season ahead of time and then airing the episodes on consecutive nights, such that each brand new season was aired for the
first time over a period of
less than two weeks.
Played by Ryan Reynolds, (a fan's dream actor to play the role), his
first appearance, like the
film, was
less than successful.
It's fair to say this
film is
less dense
than it
first appears, the opposite of its sister
film The Big Lebowski (a
film superficially silly but deeply profound).
Director Francois Truffaut's
first film is a tender (and somewhat
less sentimental
than some of his later
films) look at growing up in Paris — it's a coming of age
film, but a very sweet one.
Maybe I'm just nostalgic because Red Dawn was the
first film I'd ever seen set in my home state of Colorado (Calumet — which is a real town, but deserted)-- albeit shot in New Mexico, but whatever — and that the image of a bunch of «necks tooling around in old Fords with bristling gun racks was
less fantasy
than cozy, front - porch documentary.
Nine may have gotten lower marks,
lesser returns, and far fewer awards
than Rob Marshall's
first musical
film, but I found it to be considerably more appealing
than Chicago.
The streaming service acquired the
film from Paramount Pictures
less than two weeks ago, and the
first footage of the secret Cloverfield movie only made its debut last night during the Super Bowl.
As well, the
first half of the
film is stronger
than the second, as a cross-desert car race feels more like Smokey & The Bandit and
less in line with the story that was so well plotted in the set - up
Early on, the humour of the Guardians is more enjoyable
than their
first solo
film because their scenes are
less cluttered by subplots.
In fact, Deadpool 2 is so much more a complete vision of a Deadpool movie that the
first film retroactively feels somewhat
lesser in comparison, like a proof of concept experiment (with little confidence behind it) or extended test footage reel... Ultimately, it pays off with a Deadpool sequel that is bigger and better
than the
first film.
Returning for this sequel is Kristen Wiig as Lucy (a different character
than Wiig voiced in the
first film), sounding more or
less like a boisterous version of the actress's natural persona, and coming on board is Benjamin Bratt (Snitch, The Great Raid), completely not like himself with an over-the-top Mexican accent for Eduardo, Antonio's father.
We got our
first glimpse of Terrence Malick's latest
film Knight of Cups back in December with the release of the
first trailer [watch it here], and with the Berlin premiere
less than a week away a lengthy new synopsis has arrived online...
Still, it's good to see Jason Reitman tackling such tonal range in his still - young filmography — though I could have stood a little more of the loose, spiky texture that characterized his still - undervalued direction of «Juno,» a
film less cannily written and cleverly assembled
than «Up in the Air,» but one that moved me more directly on
first viewing.
With
less than six months until Black Panther hits movie theaters, Yahoo! has unveiled a
first look at the
film's upcoming toy line, including a sneak peek at villain Erik Killmonger's previously teased Black Panther suit.
Taking a leaf from Inception, and another from The Prestige (or Batman Begins), he pieces together a universe that's nothing
less than gobsmacking; your jaw will be left hanging by the
first set piece and it won't come off the floor for the rest of the
film.
A24 purchased the
film, which stars Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne, ahead of the festival, and judging by its
first trailer, a conscious effort is being made to position Ari Aster's feature - length directorial debut as
less miminalist in the horror department
than both The Witch and It Comes at Night.