Sentences with phrase «lesser art form»

Remember that the novel was once considered a vulgar, lesser art form mostly written by (yikes!)

Just because something is distributed independently makes it no less an art form than something released on a mass scale.

Not exact matches

Less obvious, but nevertheless crucial, are the paralysis of architecture, the sterility of visual art, and the near absence of any form of creative expression of newer concrete forms, such as motion picture.

Meanwhile, the style of thought which Whitehead's relativistic cosmology has developed and which «Whiteheadians» call post-modem encounters us, more or less well - formed, even in the works of other renowned thinkers in the arts and humanities (e.g., Talcott Parsons, Niklas Luhmann, Nelson Goodman, Hans Blumenberg, Reinhart Koselleck).

After shutting it down and moving back to Alex's hometown they decided to tackle a more democratic and less stressful culinary art form: sandwiches.

But consider this: Drinking in Tokyo is less an escape than an art form.

Belly dancing is probably slightly less controversial than pole dancing since this really is an established art form (although still sexy!).

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The assembled crowd also learned that county contributions typically account for less than 10 percent of organizations» budgets — a fact likely to surprise those who decry public funding for arts organizations as some sort terrible form of cultural welfare sure to lead directly to a communist revolution.

Seann William Scott reprises his rôle as comic foil from Bulletproof Monk (although his martial arts are decidedly less honed here), his presence calculated to draw in fans of «American Pie» - style gross - out — which is duly delivered in the form of some aggressively randy primates («Establish dominance!»

A maestro of this rare art, Hong Sang - soo was back at the festival this year — with two films, no less — to prove that some forms of déjà vu are more interesting than others.

Inundated with notable celebrities, it's too abstruse for a legion of starfuckers to fathom, much less righteously embrace its rather obvious critique of how completely commodifying an art form eventually results in the dehumanization of not only artists but audiences as well.

True to form, «Neruda» is less about the poet's art (at least initially) than about his politics — in particular the months in 1948 and 1949 when Senator Neruda, an avowed communist, was threatened with arrest and forced to go into hiding and exile.

That he has even less time to respond, that the forces are even more brutal, that catch and release has turned from routine to a form of art.

From Lorrie Moore's earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman's 2016 O.J. Simpson documentary, and in between: Moore on the writing of fiction (the work of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.)... on the continuing unequal state of race in America... on the shock of the shocking GOP... on the dangers (and cruel truths) of celebrity marriages and love affairs... on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer)... on the (d) evolving environment... on terrorism, the historical imagination, and the world's newest form of novelist... on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others)... and on the high art of being Helen Gurley Brown... and much, much more.

And I was pointing out that popular art forms come and go — classical music was once pop (Franz Liszt elicited reactions akin to those to the Beatles), and that the literary forms of today might one day be less important.

The days of the literary type shaking their head reprovingly at such a «lesser» art form are waning fast.

There's a fair number of people who enjoy their time behind a controller, but consider it to be a lesser form of art (The Last of Us says hello, by the way).

«Lesser» forms of image art — genre, landscape, still - life — did.»

The making of art involves a self - consistent language of form, more or less dependent upon, or free from, given temporally - defined conventions, schemata or systems of notation, which have to be learned or worked out, either through teaching, apprenticeship or a long period of individual experimentation.

I explained that, in order to appreciate art that is more or less abstract, one must have the eye that enjoys abstract forms, and this is a joy that is instinctual yet can be fostered.

But whereas that exhibition consolidated an emergent artistic practice, Other Primary Structures consolidates a highly problematic form of global art history, one that is no less hegemonic than the narrative from which it supposedly departs.

Basquiat considered drawing a key means of expression in its own right and no less significant an art form than painting; his works on paper are notable for their remarkable range, incorporating oilstick, crayon, acrylic, pen, pencil and watercolour.

Richard Serra's large - scale steel sculptures have made him a crucial figure in contemporary art, but his work also takes another striking, lesser - known form: drawing.

Less than two hours from D.C., Baltimore, and Alexandria, Chestertown RiverArts — which formed last year when two longtime arts organizations merged — is already a major draw for art lovers, and Studio Tour 2013 offers a sublime introduction to the Eastern Shore.

The less than reliable curatorial voice from Powhida's future proposes an authoritative account of our present and near future through institutional forms — wall texts, videos, an exhibition catalogue, as well as fictional works of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.

The doc is no less an infomercial today — for Abramovic and for Sean Kelly Gallery — and also a product placement for the Museum of Modern Art, where Abramovic's exhibition last spring invited visitors to pass through a tight gate formed by two of her nude acolytes or to sit across a table from a silent stern Abramovic for 15 minutes.

VILLAIN: An enigmatic figure clearly employing some form of black magic, Marina Abramovic has a rap sheet full of mischief, including hypnotizing an entire city just by looking at them and getting into a performance - art brawl with Jay - Z (though the less said about that, the better).

I will start with the less important form of Video art: Video Installation.

«The less you are able to live out reality, even though you are forced to go through it, the more you can experience it in the form of a genre or symbols, that is to say, in art.»

In the language of art, we have certain kinds of mark - making and forms that we trust because they are less flexible as far as interpretation is concerned.

They have all the inspiration of a sixth form art project, and less of the individuality.

These lives of art works and objects, and the trans - national, trans - cultural and trans - historical conditions they interconnect is an important leitmotif in an exhibition dedicated to unfolding less anthropocentric, less Eurocentric and more ecologically minded forms of agency and intelligence.

With the development of art academies around Europe that propagated hierarchy of genres, still life slowly fall behind and was less practiced than other genre forms.

Scope is a definite must, but for collectors of urban, street and less conventional art forms - even more.

Pop Art lost some of its credibility during the 1970s, as the art world shifted focus from art objects to installations, performances, and other less tangible art forArt lost some of its credibility during the 1970s, as the art world shifted focus from art objects to installations, performances, and other less tangible art forart world shifted focus from art objects to installations, performances, and other less tangible art forart objects to installations, performances, and other less tangible art forart forms.

There is a general consensus that the reinvention of the miniature as a contemporary art form is commendable but its influence on non-Wasli painting artists, who employ photography, installation and sculptural art, is no less amazing.

Taking over two floors of the Museum's Zaha Hadid - designed building, Moving Time: Video Art at 50, 1965 - 2015 traces the impact various artists have had on the art form — from its birth in the 1960s with artists Andy Warhol and Nam June Paik, to the performative work of influential women artists such as Joan Jonas, to the lesser - known works of international emerging artists continuing to push the medium forward todArt at 50, 1965 - 2015 traces the impact various artists have had on the art form — from its birth in the 1960s with artists Andy Warhol and Nam June Paik, to the performative work of influential women artists such as Joan Jonas, to the lesser - known works of international emerging artists continuing to push the medium forward todart form — from its birth in the 1960s with artists Andy Warhol and Nam June Paik, to the performative work of influential women artists such as Joan Jonas, to the lesser - known works of international emerging artists continuing to push the medium forward today.

Globally, it's less in the form of ambitious mega-projects like the Guggenheim Abu Dhabi (now scheduled for completion in 2017) and more through networks and networking, like the Guggenheim's UBS MAP Global Art Initiative, whose next focus is Latin America, and the Met's recent accord with India.

help with essay.I've come to know that i have certain preferences for specific types of art forms, and notice that I tend towards certain styles over others, and while I still get the occasional dud, I feel less like I've just «wasted a day» cooped up in a boring gallery, which is a big downer if you have limited time on your holidays like I do.

«It would be a mistake to try to read landscape into [my painting] even less any specific landscape,» Tworkov told Edward B. Henning, Curator of Contemporary Art at the Cleveland Museum of Art in 1962, «For it is a willful part of my painting process to abolish specific references in favor of abstract forms that stir a sense of recognition in me.

By highlighting the often overlooked and undervalued manual labor that women have endured throughout history, the pair emphasizes domestic rituals and craft, redressing how women's work has been considered a lesser form of creativity than the «fine arts».

Bishop calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

The idea of the art collective - a social and creative unit formed as a catalyst for change - emerged in the 1960s partly in response to imperialism and moralism and, to a lesser extent, war and destruction wrought by technology.

In its American form, Pop Art presented less harsh images, adapting sources such as comic strips, commercial products, and publicity photos.

Proliferating across art forms, from performance and music to film, video, photography, painting and sculpture, the artists embraced semantics, historicism, new feminism, celebrity, and market competition, while also establishing a strong DIY culture, speaking out through instigating magazines, events and criticism, to the point that an inevitable backlash began, with people wanting something less hermetic that would directly address impending crises such as AIDS and Reaganomics.

Garin's financial disclosure form for the race only shows less than $ 30,000 in income from work as an Uber and Lyft driver, and as an art teacher.

This volatile mix heralded a new form of Pop art in which, as one 1999 painting wryly proclaims, «the fundamental issues of abstraction seem to have remained more or less constant.»

Influenced by the curvilinear forms of Art Nouveau, as well as by the Expressionist sculpture of Wilhelm Lehmbruck (1881 - 1919), Mueller's expressionism was more lyrical and less anguished than other Brucke painters, and his compositions were typically more balanced with simplified forms and colour schemes.

Touching down on her annual themes of Terrain, Reference, History, Identity, Form («a palate cleanser»), Alchemy, Flesh, Storage, etc., Schaffner offered up ICA shows both iconic (Andy Warhol, 1965; Agnes Martin, 1973; Robert Mapplethorpe, 1989) and lesser known (Allan McCollum, 1991; Pepon Osorio, 2004; Amish Quilts, 1976), illuminating the dynamic range of ICA's history and how deeply the institution has participated in shaping the landscape of art across the last half century.