Sentences with phrase «lesser critic awards»

But I hope these lesser critic awards realize that nobody is even going to bother reporting them if they all pick one film, eccentric choices are the one way they will receive (and merit) coverage and discussion.

But these poor lesser critic awards can't reconcile their goals of being relevant and safe at the same time.

Not exact matches

The TCA Awards are handed out each year by the Television Critics Association (consisting of print / web TV critics and journalists), while the newer (and somewhat less prestigious) Critics Choice Television Awards are handed out by a separate group consisting of broadcast journCritics Association (consisting of print / web TV critics and journalists), while the newer (and somewhat less prestigious) Critics Choice Television Awards are handed out by a separate group consisting of broadcast journcritics and journalists), while the newer (and somewhat less prestigious) Critics Choice Television Awards are handed out by a separate group consisting of broadcast journCritics Choice Television Awards are handed out by a separate group consisting of broadcast journalists.

I assumed you had severe, technical issues or forgot to update which of course sounds bizarre... I was missing Franco and Robbies Critics Choice wins (AS PRESTIGIOUS AND RELEVANT AWARDS THEY COULD RECIEVE, MORE OR LESS)... Then of course, I notice you do not include the comedy category... The category you of course recognize at the Golden Globes.

Olivia Munn arrived at the Critics Choice Awards in Los Angeles in a stunning red dress by Prada, but once she was inside hosting the evening she had changed into something still as beautiful but slightly less dressy.

Tonight, less than 24 hours after the Oscar nominations were announced - and the whole world got to react to the various snubs - The Critics» Choice Movie Awards revealed their picks for the best movies, actors, actresses, etc. of the year.

They might not follow critics or critics» awards and don't know why a «horror» movie is even nominated, much less possibly winning.

After the huge success his film has had with the critics awards (winning a half dozen Best Picture prizes) and how Miller himself has performed with them, the Australian born Oscar winner (for Happy Feet, no less) has bulleted past Ridley Scott (The Martian), who was set to claim the «veteran director without a Directing Oscar» label.

After cleaning up with various critics groups and other film - honoring bodies, and going 1 - 2 at the Los Angeles Film Critics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lessecritics groups and other film - honoring bodies, and going 1 - 2 at the Los Angeles Film Critics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lesseCritics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lesser nods.

Other less high - profile awards ceremonies have also offered hope: Gerwig has already won best director at numerous critics» awards, while Dee Rees, the director of the racially charged Mudbound, has also been honoured, though less resoundingly than pundits predicted.

The Atlantic's film critic picks the year's 10 best titles — and doles out some less - conventional awards.

Contrast that with awards bodies that by and large disregard the Oscar race: the higher - end critics» awards, major festival trophies and, to a lesser extent, the Independent Spirits.

I know, it's been less than a month since industry awards revealed that The Social Network was probably never our Best Picture frontrunner, but even then the only honor Geoffrey Rush has wrestled from an unkempt Bale's twitchy fingers, not counting SAG's ensemble award, was a prize from the Central Ohio Film Critics Association.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.