Sentences with phrase «lesser paintings by»

Not exact matches

She paints a vivid of picture of women both more privileged and less happy than at any time in history and of men absolved of all responsibility by the sexual revolution but also stunted, trapped in a perpetual adolescence.

A more pictorial and naturalistic but no less conceptualized variation on this approach is the popular painting by William Holman Hunt, The Light of the World (1851 - 1853), in which Christ knocks at the allegorical door of the heart, waiting to enlighten it with his lamp of truth.

If the portrait of American religion painted by poll data is not as strong as once thought, does it necessarily follow that it is less stable?

And you paint such a quaint picture of you as kids — I love the thought of the kids stealing table scraps:) These cookies look spectacular, Valentina — so perfect that they're vegan and a little bit lighter, but by the sound of it, no less delicious..

Countdown Begins on Remodeling, Repairing and Paint Rules «New EPA Regs Aimed at Decreasing Lead Poisoning» In less than a month, all contractors who perform renovations, painting and remodeling that might disturb lead - based paint in houses, child care facilities and schools built before 1978 will be required to meet stricter guidelines under the new regulations established by the Environmental Protection Agency (EPA), Oneida County Health Department officials said today.

And then there's the shift dress by Tory Burch (& less) who's floral print is inspired by the vibrant florals found in impressionist paintings.

By adding some water - it allows the paint to be a little thinner and smoother and it will glide on easier and you will use less paint.

It's clear virtually from the get - go that filmmaker Todd Phillips is looking to transform this true - life tale into a Martin Scorsese - like crime drama, as evidenced by War Dogs» less - than - subtle visuals and almost paint - by - numbers rise - and - fall structure.

Gillespie, working from a script by Steven Rogers, does an effective job of painting a somewhat less - than - flattering portrayal of the protagonist's hard - scrabble existence, with the strength of the film's opening stretch standing in sharp contrast to a middling midsection that grows less and less interesting as time progresses.

J.M.W. Turner cared less for themill than the light, for the colors painted by the sun across the clouds andsky, and the way still waters in the windmill's foreground caught the sun» sreflection.

Belabored and suffering from a hopelessly sluggish pace, Ned Kelly is less of a biopic than it is the portrait of a haughty outlaw, painting Kelly as a renegade, self - serving Robin Hood driven further into brutality by the overzealous persecution of the police.

A bunch of other notables show up, portrayed by performers who bear, at best, passing resemblance to names like Natalie Wood, Nicholas Ray, or Eartha Kitt — but Corbijn's merely trying to paint a likeness, which more or less succeeds as far as these types of exercises go.

Instead, he took inspiration less from Japanese monster films than paintings like Goya's «The Colossus» (which depicts a passing muscular giant, with fists raised, surrounded by clouds) and George Bellows» visceral boxing paintings of hulking combatants.

By then, the objective is less to get to the next laugh than to paint marriage as some absurdly idyllic institution, which doesn't really jibe with the rest of the film.

The Sonic uses a water - based «three - wet» paint process that eliminates the need for a primer bake oven; this reduces the paint shop footprint by 10 %, and uses 50 % less energy per vehicle painted.

never been in any kind of accident, no paint work at all, original paint as new, CLEAN TX TITLE BY MY NAME IN HAND, clear CLEAN CAR FAX, never had any problem before.Car has no issues at all, car looks, drives as new, this great family dream, 8 Air bags, AC front and rear BLOWS ICE, daytime running light, folding seats, cruse control, key less entry, power windows front and rear, power locks, ABSa

Steve Strope of Pure Vision Design is another fan of Mick's Paint and Steve has had no less than 5 cars painted by Mick, with at least other 4 of their stunning works of art on the schedule for the coming year.

These spyshots snapped by our European spy photographers show the X5 M with less disguise on, and you can see that behind the big black wheels, the X5 M is showing off it's big M calipers which are painted blue on this car, paired with large brake discs which are now cross-drilled.

Whether it's searching for red - shouldered hawks at the precipice of a trail, painting broad strokes of the setting sun from an overlook, or meditating on a rocky outcrop discovered by following a lesser - known trail, the experiences we embrace on trails are limitless.

Montreal is well - known for its street art, boasting gorgeous, building - size murals painted by both famous and lesser - known street artists.

Featuring 60 paintings and collages made between 1954 and 2013, the exhibition was monumental in both scope and effect: by showing a less frequently seen side of Katz's work, it prompted the viewer to reconsider the artist's overall project, now well into its sixth decade.

Romanian - born, identical twin brothers Gert & Uwe Tobias show new ceramcis and paintings in Rodolphe Janssen's solo presentation (A5), while alternative approach to painting, no less informed by historical precedents, can be found in the work of Belgian - Syrian Farah Atassi, whose stand François Ghebaly Gallery (D1) is dedicated to.

Younger than this generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.

The reworked surfaces suggest a wry, hard - fought romanticism, less about singular expressions than about the sheer eternal struggle with material paint — an impression confirmed by his titles: «Pie Chart Fanfare,» «Wheel of Misfortune,» «Distraction Machine.»

And the nine works representing Edward Hopper include the well - known «Early Sunday Morning» but also less familiar works, among them a silken view of an outdoor bistro in Paris (1909), some hardscrabble houses in Italian Quarter of Gloucester, Mass. (1912), and a sun - baked farm near Cape Cod (1930 - 33) rendered so straightforwardly that it might almost be an unusually good painting by Andrew Wyeth.

Last but not least, poet Mary Jo Bang — whose book The Eye Like a Strange Balloon includes a number of marvelous poems inspired by Polke paintings — is less interested in the rubber bands than in their «newspaper underpinning.»

That's right: Johns's drawings, prints, and paintings have bypassed the commercial gallery scene and been deemed «museum - ready» by no less an authority than The Behemoth of Fifty - third Street.

Mark di Suvero's sculpture, and to a lesser degree John Chamberlain's (whose sculpture bridges Abstract Expressionism with Hard - Edge painting), and the paintings by Joan Mitchell, Grace Hartigan, Robert Rauschenberg, Cy Twombly, and Alfred Leslie resonate with the qualities of the Second Generation.

On view at the Phillips Collection through May 2012 and organized by Easton as guest curator with the Van Gogh Museum's Edwin Becker, the Indianapolis Museum's Ellen W. Lee and Eliza Rathbone of the Phillips, «Snapshot» presents 70 paintings, prints and drawings by seven Post-Impressionists who were part of the Parisian avant - garde Nabis group — including Pierre Bonnard, Maurice Denis, Felix Vallotton and Vuillard, as well as the lesser - known artists George Hendrik Breitner, Henri Evenepoel and Henri Riviere — alongside over 200 of their photos, all taken on Kodak's first handheld camera, which was invented in 1888.

Laid out according to subject rather than chronology, the effect is that of a forensic case study, tracing a path from the everyday objects she called her «models» to her «portraits» — incisive studies she made across media — to her paintings, where the original subject is less abstracted than obscured by the history of her experimentation and transformations.»

He later adds that by the mid-1940s, Rothko's «allegiance to conventions of spatial order in painting had withered to the point where depth and contours could barely be detected, much less interpreted... Rothko used the fluidity of watercolor to erode distinctions and diminish resolution.

Still, the divisions by curators makes it almost impossible to identify artists, and the ragtag installations look less like art than the remains of an unforgettably awful party — pills, woolens, papier maché ice cream cones, Styrofoam peanuts, used electronics, sci - fi illustrations, softly glowing abstractions, and (my one favorite) treadmills with brightly painted rubber.

His art was far more technically radical — and no less expressive — than the gestural painting pioneered by his contemporaries on both sides of the Atlantic, such as the European proponents of Art Informel and the Abstract Expressionists in America.

The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls (a disjunction heightened by the scale of the paintings, which range from larger - than - life to miniatures of only 10 by 6 inches or less).

And no less than four presidents were painted by William Orpen.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Less an exhaustive survey of contemporary abstract painting than a bringing together of extraordinary works by exceptional artists, Inherent Structure encourages viewers to meditate on the underlying sources and influences of abstraction by providing varied and multiple manifestations of it.

Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.

Varejão reveals the inspirations behind the works as she leafs through paintings by Llyn Foulkes, famous portraits of Native Americans by George Catlin, lesser - known paintings of McKenney and Hall's History of the Indian Tribes of North America, and images of iconic abstract paintings.

Though highly regarded by art historians, Mr. Richter's figurative paintings tend to be less sought after by today's collectors than his more decorative abstracts.

Arranged in snugly painted linear strips, one alongside the next, Number 4 - 32 is distinguished by its wide range of commingled stripes — one of the artist's more complex and varied arrangements — containing no less than ten different colors.

That year his co-star Debbie Harry bought one of his first paintings, Cadillac Moon, for $ 100, less than one millionth of the price reached by one of his works this year.

With over 150 paintings, sculptures and photographs from public and private collections across the world, this ambitious exhibition encompasses masterpieces by the most acclaimed American artists associated with the movement — among them, Willem de Kooning, Arshile Gorky, Phillip Guston, Franz Kline, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Aaron Siskind, David Smith and Clyfford Still, as well as lesser - known but no less vital artists.

Greg Cook in The Phoenix says the show's importance isn't in the paintings themselves, it's in the creative connections between the artists: «The art here is mostly minor stuff, including lesser works by Krasner, Hofmann, Alexander Calder, and Pollock.

Although lesser known than their American counterparts, we are pleased to include a 1968 work on paper by Bob Law and a 1968 painting by Richard Lin: both true exponents of minimilism.

MacIver's heartfelt, meditative depictions of household objects, buildings, and landscapes were seen as less ambitious and largely dismissed by trend - making painting theoreticians of the day.

The exhibition will feature 65 paintings by more than 30 artists, including renowned figures such as Paul Cézanne, Gustave Courbet, Eugène Delacroix, Vincent van Gogh, Henri Matisse, and Edouard Manet, along with less familiar but equally accomplished contemporaries such as Gérard van Spaendonck, Adèle Riché, and Simon Saint - Jean.

History painting and portraits by the celebrated artists of the day sat just above eye level, with smaller pieces below and others by lesser - known artists «skied» above.

«It's a rare opportunity to peer into the practice of the late artist, whose paintings were prefaced by study drawings and watercolors that are lesser - known but equally beautiful.»

Katz's seems to speak as he paints; his answers are economic, perhaps inspired by a «less is more» approach that you can find in his paintings.