Sentences with phrase «level design they»

Sure, it has its problems — the stages end a little too quickly, the story doesn't quite reach its potential, they could have taken more risks with the level design — and let's be honest, you already know if you're going to hate this.

Each of these leans into the paper side of Paper Mario in new ways and varies the level design, though they ultimately don't add much beyond an imaginative new way to get from point A to point B.

Developer Intelligent Systems made the smart choice of switching up the level design in the second act to focus more on problem solving rather than simple battling and linear progression.

A few things save it, however, from being a «bad» game.The level design is iffy, the gameplay...

The one game that broke the vicious Sonic Cycle was Sonic Colors, thanks to the introduction of Wisp power - ups, a new voice cast (save for the charming and incomparable Mike Pollock as Doctor Eggman), candy - eyed graphics, and gorgeous level design.

, but the inventive level design and flashy presentation has kept me coming back for more.

Still, a brawler doesn't absolutely require memorable level design like Double Dragon in order to work.

The boss battles are probably the weakest link in the level design.

Jeez, it really feels like they wanted you to hate the level design.

However, to make up for this, the sequel does offer better level design and more unique objectives to complete.

Things are sort of moved around a bit between the levels in a lazy sort of way, but there hasn't been this much repetition in level design since the Atari 2600 days.

It has variations to its gamplay, which is nice, as well as descent level design.

However, that's not to say that there isn't a lot of detail in the level design, as some of the game's later levels look great and feature areas from the main games like the Paris Opera and St. Petersburg.

What is worth experiencing, though, is the level design.

The level design is amazing, keeping the game interesting at every turn.

Short, linear level design.

The level design looks equally impressive, with areas themed after circuit boards, casinos, and Rainbow Road.

Unsurprisingly excellent.Great level design, visuals, sound and powers.Enemies are tougher with decent A.I.There are a lot of nooks and crannies to explore, expanding the game if you wish.If anything could have been better, it would have been a mission that only Corvo could play, and that only Emily could play inserted around mission 5 or 6 to make the game just a bit more of a compelling replay experience besides a low / high chaos run.Changing the voice of the Outsider was very jarring and a mistake.Overall it's a great addition to the franchise, albeit with several huge errors on the part of the devs.

The linear level design, constant glitches, and unsatisfying, repetitive battles make this a game you should simply pass on.

If they can figure out a way of simplifying the use of quarks and get more creative with their level design, we could have a really solid sequel.

It's nowhere near as much fun as the previous games in the series, and it's hampered by bad level design and boring gameplay.

The over complicated controls and bland level design ultimately eat away at the rest of the achievements.

The level design is the best in the entire genre and the AI is very intelligent.

It's right around the midway point that the level design opens up and offers advantageous avenues for your vehicle form.

Built upon an original and interesting idea, Storm is a nice experience for puzzle game lovers, but some inconsistencies in level design and flaws in the controls and physics prevent it from reaching its full potential.

Between the vomit - cam, the absurd level design, the serious lack of content and the simplistic gameplay, it's clear to see that the developers have created something that should never have left the drawing board.

Buggy, Horrid animations, pointless first person walking around, bad level design, laggy / unoptimised, the list goes on... Do nt buy it if your on the fence, torrent it and see for yourself the utter fail that is X: Rebirth.

Game mechanic, level design - i liked it, but what i didn't like is that the game didn't allow me to start a new level (41 or 42) because i didn't get enough experience points on previous levels, and besides i did them not so bad, the first ones are even perfect completed but even this is not enough for this game.

Moreover, despite the trappings of expansive level design, you're constantly railroaded and herded throughout the story.

The unique colour wheel gameplay mechanic makes for an interesting twist on the classic 2D platformer too, while Hue's clever level design constantly keeps you on your toes.

After all, it has so much going for it, from the impressive cast of enemy fodder to the nostalgic defined visuals and the well - paced level design.

Schrödinger's Cat and the Raiders of the Lost Quark's heart is certainly in the right place; for the most part it offers a weird and solid platforming experience in an original format only to become bogged down by bland level design and often unnecessarily complex gameplay mechanics.

The level design doesn't help with this problem either.

What we have to do now is just make sure that we layer in the encounter design and the level design from open worlds that fits that sort of combat paradigm that we've pulled over from Killzone.»

Full stealth is encouraged more by the level design, the levels are more interesting, and it's a little more open - ended than the first game was (though still quite linear).

Most of players will get bored by the level design since there are only 10 but the plot is not the reason Capcom developed this game;

Missions are much longer this time around, and the level design is at times stunning, and always engaging and rewarding.

Marvelous game, superb level design, awesome gameplay.

McMillen takes full advantage of this kind of level design by having some insane challenges that will test players» mettle and will often require some absurdly high skill and intuition.

Even the relative paucity of available game modes can be overcome by clever level design.

There's plenty to wax poetic on, from the music to the level design, but I wanted to draw your eye to one thing in particular: the innumerable tiny details that make the game world so lively.

Though at times it can feel even more punishing than the main game, the thoughtful level design, fun boss battles, and a more horror - inspired tone make The Ringed City a worthy add - on and will give any Dark Souls 3 fan a reason to jump back into the madness.

Fortunately, with level design as top notch as this, it's rarely a chore to go back and try again.

The end levels feel quite padded, with the same «destroy this object» task being assigned three or four times in a row, with nearly the exact same level design for each iteration.

In a genre that tends to deliver the same type of copy and paste level design, Sniper Ghost Warrior 3 is a breath of fresh air and the benchmark by which future open - world and stealth games should be judged by in this regard.

Controls are tight and responsive, complemented by pitch perfect level design which never borders on monotony or frustration.

This forceful mission design is paired perfectly with masterfully crafted and varied level design that consistently delivers different missions that require different approaches.

Combined with the stellar and varied level design, this Eurasian adventure consistently delivers great missions throughout its lengthy campaign.

The games themselves featured changes in pace, varied level design and all of it in a package unique to Kojima and Konami.

The level design was some of the most creative ever seen in any game of any genre, the gameplay additions (such as Dixie and Cranky) were terrific and meaningful, and the soundtrack (composed by the legendary David Wise) is one of the finest in gaming history.