All travelers experience
some level of culture shock when arriving in a new place — in fact, many travelers will say it's all part of the experience.
Not exact matches
Beyond anxieties over deselection (or the threat
of it), footballers are often at risk
of culture shock, whether in the literal sense
of having to acclimatise to a new and unfamiliar country or in the more metaphorical sense
of having to adapt quickly to life at a new club or a new
level: a Championship player moving to an established Premier League side, a youth - team star breaking into the first - team squad, a veteran making his way down the leagues.
Premiered in Sundance this year, Hosking's film sparked a controversy
of sorts: Variety's Dennis Harvey detected «a sense
of absurdism that stubbornly remains on the peepee / caca
level,» and The Hollywood Reporter (John DeFore) commented, «in addition to being repulsive it's a witless bore»; conversely, IndieWire's Russ Fischer hailed it as «a new event movie for the truly weird at heart» and Jordan Hoffman, in the Guardian, found it «a welcome oasis
of filth, depravity and
shock in a
culture that too often thinks merely being a little weird passes muster.»
After running the cars with the highest
levels of downforce possible for first part
of the year, it was a bit
of a
culture shock to how the car needs to be set up and how it needs to be in order to go fast around 8.3 miles at Le Mans.
In a research paper titled «
Culture Shocks and Consequences: The causal link between the arts and economic growth,» co-authors Peter Pedroni and Stephen Sheppard, economics professors at Williams College in the nearby Williamstown, conclude that arts institutions benefit surrounding communities with both the short - term multiplier effect
of day visitors spending money and long - term improvements to local income
levels.
Alongside this is a personal and insightful introduction by Fryer's long - term advisor Duncan Ward, and an essay by Amanda Harlech, both
of which underline that Fryer's art works on multiple
levels, and that it is conscious
of its uniqueness and validity: «These works arrive at a time when little art has the tonic to
shock and popular
culture has seen to the dismantling
of the avant - garde and the experimental in all it's sub sects... Paul Fryer senses the storm, and unfurls a kite so that we can connect with it.»