Rauschenberg conceived of his White Paintings as pristine surfaces that invited the interplay of light and shadow; however, the highly controlled light
levels in the museum setting limit the opportunity for dramatic changes in lighting.
Not exact matches
Let's first
level set that this place is pretty darn basic
in term of
museums.
Complimenting the Noguchi
Museum's permanently installed lower
levels, selections from the
Museum's Collections, including examples of Noguchi's steel sculptures and a number of collaborative stage
sets, are now on view
in the upstairs galleries.
During this period, Tom Corby will present his international solo exhibition titled Body of Evidence at Kasa Gallery and,
in collaboration with MoCC — the
Museum of Contemporary Cuts — will produce a new
set of artworks for the exhibition titled No Detectable
Level that will analyze the relationship between contemporary financial cuts and the body representing and re-asking basic questions that have been left unanswered.
Set in the fourth -
level side galleries of the Solomon R. Guggenheim
Museum, Josef Albers
in Mexico is a hushed retreat from the noise of its erstwhile neighbor.
Be sure not to miss the many works that have remained
in the city following previous iterations of Skulptur Projekte: Public Toilet Facilities at the Domplatz (2007), a Hans Peter Feldmann - decorated WC; Bruce Nauman's meditative Square Depression (1997/2007), welcoming students to the Natural Science Centre; Rosemarie Trockel's Less Savage than Others (2006/07), a row of square bushes running along the bank of the Aasee; an untitled work by Donald Judd,
in which two large - scale concrete rings
set the decline of a hill against the resting water
level; Hermann de Vries's Sanctuarium (1997), a walled sanctuary and safe haven for wildlife; and Rachel Whiteread's Untitled (Books)(1997), lining the walls of the LWL -
Museum für Kunst und Kultur.