John Boswell of Yale, the noted gay apologist, hails the present volume as an» electrifying account» of urban homosexuality prior to «gay
liberation as a social movement.»
It is precisely the emergence of gay
liberation as a social movement determined to restructure society's laws and mores that has made homosexuality a subject of such intense controversy in our time.
Not exact matches
As a white female, it would be inappropriate and ignorant for me to use my voice speak out against minority
social movements like the Black Lives Matter movement, the Gay Liberation movement, or Latino Social move
social movements like the Black Lives Matter
movement, the Gay
Liberation movement, or Latino
Social move
Social movements.
Philosophically,
liberation theologies are sometimes portrayed
as more or less naive popular
movements drawing upon now outdated 19th century notions of divergent vintages: Marxist (Third World),
social gospel (First World), suffragette (Feminist), black nationalism (Black), agrarian pastoralism (Environmentalist), or romantic pacifism (Nuclear Pacifist).
They are regarded from within the
movement as the next sexual minority in line for
liberation and
social acceptance.
Currently the most influential version, of course, is associated with
movements shaped by
liberation theologies: We come to understand God
as we are a part of a community that is united by a common history of oppression and struggles for
liberation by radically changing the arrangements of economic and
social power that have made the oppression systemic in our society.
Yet its alienation from other radical
movements, especially black
liberation, and its recourse to a kind of «separatist» ideology — that talks about the oppression of women
as more basic than any other form of oppression in a way that makes women a separate cause unrelated to other kinds of oppression — may be working its own kind of subtle
social encapsulation.
What we need, according to Richard Kahn, Sam Fassbinder and Anthony Nocella, is a critical intervention by visionary educational leaders who are willing to going together with
social movements, in order to transfigure the relationship between the school and the society
as part of a larger struggle for
liberation.
Inspired by the civil rights and women's
liberation movements as well
as her own philosophical studies, Piper created performances designed to catalyze the viewer's
social awareness.
From Bourgeois's formative struggle with the «father figures» of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art
movement of the 1970s, to her subsequent emergence
as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the «woman artist» and the politics of sexual and
social liberation,
as a dialogue with psychoanalysis.