Sentences with phrase «life as an artist today»

From The Press Release: «Crucial wisdom from leading artists and writers — an unprecedented insight into 21st - century knowledge production and life as an artist today.»

«Crucial wisdom from leading artists and writers — an unprecedented insight into 21st - century knowledge production and life as an artist today.»

Not exact matches

If you have a question for Makoto about faith, art, or the challenges of living as an artist in today's world, leave it in the comment section.

The newly described species (artist's representation shown), which lived between 220 million and 230 million years ago, was one of the largest in a group of amphibians known as metoposaurs and is the first known in this region from well - preserved fossils, the researchers report online today in the Journal of Vertebrate Paleontology.

These magazines celebrates the creative life and the creative act, the artist as well as the art, by showcasing the best work — in all media and in all styles — of the best artists working today.

According to a post that went live today on its site, Obsidian Entertainment is looking for an UI artist to work on an as of yet unnamed project.

In today's economy, it can be extremely difficult to make a living as an artist!

Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and life today.

A critic of institutions and a believer that the artist should act as what he termed an «incidental person» — one who operates in a non-art context, inserting oneself into political and social life — Latham created an oeuvre that paved the way for much socially engaged and politically charged art practice that we see today.

In an interview for the Rolling Stone magazine, the American artist explains that whether our life ends tomorrow or five decades from today, there will always be some things left undone, some unrealized ideas sitting in the back of the mind itching to be shown to the world; he never really feared facing it, as it never really mattered to him: he was doing what he wanted to do until his last day.

Buck, Luisa, «The Satellite Fair Comes of Age,» The Art Newspaper, Dec. 2005 Workman, Michael, «Border Patrol,» New City Chicago, 2005 Fontana, Lilia, «About Collections and Collectors,» Arte al Dia, 2004 Babcock, Mark, «Delinquent Boys,» Glasstire, Oct. 2004 Moreno, Gean, «If You Believe Hard Enough,» Art US, Oct. 2004 Martin, Marisol, «Art Chicago,» Art Nexus, Oct. 2004 Sommereys, Omar, «Electric Kool - Aid Overload,» The Street, April 2004 Suarez de Jesus, Carlos, «Art Capsules,» The New Times, March 2004 Turner, Elisa, «Way Outside the Galleries,» The Miami Herald, Feb. 2004 Sirgado, Miguel, «Edge Zones,» El Nuevo Herald, Feb. 2004 Feinstein, Roni, «Expanding Horizons,» Art in America, Dec. 2003 Sirgado, M., «Muestras Paralelas de Downtown a Wynwood,» El Nuevo Herald, Dec. 2003 Hernandez, Amber, «Dark Days,» The Miami Hurricane, Dec. 2003 Triff, Alfredo, «Mortality Rules,» The New Times, Dec. 2003 Bayer, Brian, «South Florida Today,» PBS, Sept. 2003 Ocaňa, Damarys, «Cheeky Showing,» The Street, Aug. 2003 Turner, Elisa, «Galleries Put Focus On Home Grown Art,» The Miami Herald, Aug. 2003 Turner, E., «City Focus: Miami - A Dramatic Reinvention,» ARTnews, Feb. 2003 Ales, Reynaldo, «Arte y Aparte,» Travel and Leisure, Jan. 2003 Cotzee, Mark, Where Art is Happening, 2002 Ocaňa, Damarys, «Art Guide 2002,» The Street, Oct. 2002 Sultry, Lynn, «Newly Juried Artists,» Art on the Road, Summer 2000 Turner, Elisa, «As Reality Art, Tent Survives Camp Of Live - in Artist,» The Miami Herald, Sept. 2001

Richter (b. 1932, Dresden, Germany, and lives in Cologne, Germany) is often lauded as the greatest artist working today with a prolific career spanning six decades.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.

«Today, he is regarded as one of Brazil's greatest living artists.»

In conjunction with Robert Irwin: Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), writer Lawrence Weschler reflects on the life and work of the artist he has described as one of the «most interestingly and fruitfully contradictory figures on the art scene today.»

Considered today as one of Britain's most prestigious and talented living artists, Auerbach's paintings, drawings and prints pulsate with energy, transporting the viewer into a world in which obsessive observation is paramount to success.

At several places in the building, the Hamburger Bahnhof currently exhibits an artist whose work and life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an artist who today is considered one of the most significant of his generation.

As a part of an artist - owned gallery community, Viridian artists are conscious of not only how expensive space is today both for showing and working, but also, how important it is for artists to live and work in a competitive and supportive environment.

She told me that she felt that, for artists today, «It doesn't matter where we live, as we are all sitting somewhere in a white box making stuff.»

Over the past half century, Gerhard Richter (born 1932) has built up a stylistically heterogeneous and conceptually complex body of painting, photography, sculpture and artist's books that firmly establishes his status as the most important living artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works.

It has today been announced that Sacrilege, the life - sized inflatable bouncy castle replica of Stonehenge by Turner Prize - winning artist Jeremy Deller, will finally make its way into Queen Elizabeth Olympic Park as part of Open East Festival — a weekend of music, food and theatre to celebrate the anniversary of London 2012 on 27 & 28 July 2013.

As Irving Sandler rather argues, the lack of real «polemics» in art today — not merely in painting, but in contemporary art in general — makes it harder on today's artists» careers compared to artists who lived in times when artists publicly thrashed out their «positions» on art and aligned themselves with art movements.

A legendary American artist widely considered the finest painter living today (take that, Gerhard), Jasper Johns also «ranks with Dürer, Rembrandt, Goya, Munch, and Picasso as one of the greatest printmakers of any era,» in the words of the Metropolitan Museum of Art.

What has «the west» meant to artists, writers, explorers, and how has that translated into what we see in the work of Clyfford Still, in the work of modern artists, the Abstract Expressionists, and maybe, in our own lives, as westerners today?

Selectively and imaginatively revisiting old master techniques and concepts, artists today are again exploring the figurative tradition as a viable way of approaching contemporary life.

As the «Louisiana of Berlin» our aim is to make visible the innovative thinking of eminent artists living and working in Berlin today.

Everything falls faster than an anvil expands this reading to look at contemporaries from this period, as well as artists working today; who take the things of everyday life, the clichés of popular culture, and twist them into the other - worldy.

The curator Jeffrey Deitch once described Trecartin as «one of the first artists whose work looks and feels like life today.»

2017 was the year that we saw Marshall receive the recognition he deserves as one of the greatest living artists in America today.

Artists Working From Life is the first publication that explores the meaning of working from life today, featuring artists such as Jeremy Deller, Anthony Gormley, Chantal Joffe, Jonathan Yeo, Yinka Shonibare and Gillian WArtists Working From Life is the first publication that explores the meaning of working from life today, featuring artists such as Jeremy Deller, Anthony Gormley, Chantal Joffe, Jonathan Yeo, Yinka Shonibare and Gillian WearLife is the first publication that explores the meaning of working from life today, featuring artists such as Jeremy Deller, Anthony Gormley, Chantal Joffe, Jonathan Yeo, Yinka Shonibare and Gillian Wearlife today, featuring artists such as Jeremy Deller, Anthony Gormley, Chantal Joffe, Jonathan Yeo, Yinka Shonibare and Gillian Wartists such as Jeremy Deller, Anthony Gormley, Chantal Joffe, Jonathan Yeo, Yinka Shonibare and Gillian Wearing.

The Frick Collection celebrates this British artist, lionized today for his explosive swirls of abstract color and light, with a selection of his luminous studies of European ports: harbors for the pursuits of everyday life that he renders as quotidian snippets in the infinite scheme of things.

The deep and remarkable history it explores serves as a foundation for the thriving creative community of artists living and working here today,» remarks Hammer director Ann Philbin.

The artist was eight years old when the Cultural Revolution began, and the tumultuous narrative of his nation's recent past remains an integral part of his life today not merely as «historical fact,» but as a «psychological state.»

«Even though the artists are looking back at that post-WWII moment, when the magazines were starting, there is a very real, living feeling as well, connected to making art today with materials that aren't of this physical moment.»

I framed them as polar opposites within which artists operate today — this dichotomy is the background of our lives as creative people.

Today, Gerhard Richter, Julian Schnabel and Richard Long often come here to create, as does the artist (and Sent native) Not Vital, who describes the lasting influence of the Engadin on his work: «The height of my sculptures, often placed on poles, is related to living in the mountains, because you look up to them.»

Viewed through the glass, from underneath, the piece evinces the look and feel of some of today's most pathbreaking still life photography, the composition - bending, drag - and - drop, chopped - and - screwed work of artists like Lucas Blalock or even Michele Abeles (if only a nude model or two could be propped up there as a tableau vivant).

The Diaspora Pavilion is conceived as a challenge to the prevalence of national pavilions within the structure of an international biennale and takes its form from the coming - together of nineteen artists whose practices in many ways expand, complicate and even destabilise diaspora as term, whilst highlighting the continued relevance that diaspora as a lived reality holds today.

Traveled to: Musée de l'Elysée, Lausanne; Victoria and Albert Museum, London; Hamburger Kunsthalle; Museo de Arte Contemporáneo de Caracas, Venezuela, 1988 — 1989 Three Decades; The Oliver Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988 — February 5, 1989 (Catalogue) Identity: Representations of the Self, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, December 14, 1988 — February 10, 1989 (Catalogue) Gianfranco Gorgoni: Altered Images, The Penson Gallery, New York, November 15 — December 10, 1988 (Catalogue) Drawing on the East End: 1940 — 1988, The Parrish Art Museum, Southampton, New York, September 18 — November 13, 1988 (Catalogue) The Instant Likeness: Polaroid Portraits, National Portrait Gallery, Washington, D.C., August 27 — December 4, 1988 Aldo Crommelynck, Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, August 3 — November 7, 1988 (Catalogue) Fifty - Second National Midyear Exhibition, The Butler Institute of American Art, Youngstown, Ohio, June 26 — August 21, 1988 (Catalogue) Life Like, Lorence Monk Gallery, New York, June 4 — 25, 1988 1988, The World of Art Today, Milwaukee Art Museum, May 6 — August 28, 1988 (Catalogue) Self As Subject, Katonah Gallery, New York, January 24 — March 6, 1988

Few artists living today, in fact, have had as long and distinguished a career.

He's the closest thing we have to a legendary dealer today - so much so that artist Urs Fischer and art dealer Gavin Brown mounted an extraordinary exhibition at Tony Shafrazi Gallery this past summer that served as a visual and intellectual biography of a man who has lived a life that is literally fabulous.

Pooling together the work of 27 international artists and collectives born in the 80s and 90s, the exhibition — running in Poland's Museum of Modern Art in Warsaw (MOMAW) and naturally spilling out onto the web as well as a live events programme — supports a deftly constructed insight into some of the most dynamic and influential practitioners working today.

Over the past half - century, Gerhard Richter (born 1932) has built up a stylistically heterogeneous and conceptually complex body of painting, photography, sculpture and artist's books that firmly establishes his status as the most important living artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works.

Picture being an artist today: Highlights range from glimpses of home and studio life with kids to «homie» art life, from new and old paintings to such obscure aesthetic treasures as Leila's Hair Museum in Independence, Missouri.

There are several things noteworthy about performance artist Spartacus Chetwynd: she renamed herself after the gladiator partly to annoy people, she claims to live and work in a south - London nudist colony, she once reinvented Jabba the Hutt as a smooth - talking ladies» man and as of today she is one of four people shortlisted for this year's Turner prize.

Today is the occasion to bear in mind Yayoi Kusama (22/3/1929 --RRB-, a precursor of Pop Art, Minimalist and Feminist Art Movements, Yayoi Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the Avant - Garde.

Drawing inspiration from such sources as local architecture, amateur photographs, and state fair banners, their work runs the aesthetic spectrum from sleek to handcrafted, underscoring the diverse manifestations of the vernacular within our lived environment and its impact on artists working today.

Published to accompany a major exhibition at Tate Britain in London, All Too Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the complex intangible realities of life in paint today.

By bringing together a group of 19 UK - based, ethnically diverse artists, the pavilion speaks eloquently of the infinite complexities of the very idea of nationality, whilst highlighting the continued relevance that diaspora as a lived reality holds today.

«As the Dallas Museum of Art continues to expand its robust program of contemporary art and exhibitions, we are particularly attuned to incorporating the voices of living artists and representing the diversity of achievements and perspectives in today's artistic practice,» said Maxwell L. Anderson, the DMA's Eugene McDermott Director.