Sentences with phrase «life as an artist while»

Curated by Nada Alaradi, the exhibit provides posthumous biographical information with an emphasis on Webster's life as an artist while highlighting works from various periods in his artistic career.

Not exact matches

Maybe you're realizing that supporting your spouse's desire to live her dream as an artist for 10 years while you held down a straight job with benefits has caused you to overwork and undervalue your own needs.

While living out her first dream as a live sound engineer touring the world with Grammy Award winning artists, she saw firsthand that everyone needs daily inspiration.

While most people you find on the dating sites are real people looking for fun and romance in their lives, as with everything on the Internet, there are always a couple of con artists out there, and as with any... Continue Reading →

The story of what went on behind the scenes was as interesting as what ended up on the screen — if not more so — as the world learned when Greg Sestero, a star of the film and compatriot of Wiseau, pulled back the curtain in his 2013 book The Disaster Artist, in which he chronicled his life as a friend to Wiseau and the ridiculously lengthy and taxing production of The Room, while also trying to shed some light on the legend of Tommy Wiseau.

But while there isn't much to distinguish Born To Be Blue's dramatic stakes from any number of stories about self - destructive, self - centered artists (or «movies about jazz musicians,» as they're more commonly known), the film is given a spark of life by the inspired casting of Ethan Hawke.

As an artist, Janet excites, enlightens, leads, and embraces her fans with insights into life's meaning while touching their deepest feelings.

The Disaster Artist is about the the friendship between the eccentric Tommy Wiseau and naive Greg Sestero while they make The Room, a film about... the honest truth is - it's actually hard to say what it's about because there are so many story lines that are brought up and never revisited, but the IMDB describes it as the story of «Johnny, a successful banker who lives happily in a San Francisco townhouse with his fiancé, Lisa.

Comicpalooza started in a theater during the movie premier of the Dark Knight and to commemorate our 10th anniversary, Discovery Green, across the Avenida from the George R. Brown Convention Center, will be showing the movie Friday night at 8:00 p.m. New this year for gamers is a watch party for the Houston Outlaws as the Overwatch team battles the San Francisco Shock Friday, May 25th at 10:00 p.m. Saturday night, you can party with us on the plaza for another public event at the After Party on the Avenida with special guests Ghostland Observatory, while inside guests can wander through a Live Art auction as artists create original pieces before our eyes.

Bill Pohlad, a producer who has overseen such films as Brokeback Mountain, Into the Wild, Tree of Life, and 12 Years a Slave, as well as the musically inclined biopic The Runaways, makes his directorial debut (technically a sophomore effort as his original debut was canned in the early 1990s) with a biopic of The Beach Boys» Brian Wilson that, while not a perfect film, is an interesting and sometimes illuminating portrait of an artist as a young and older man.

As the title suggests, this book follows the life of Jim Henson (the man who brought us The Muppets) and is about being an artist while also making money.

Tanya discovers quite accidentally that all the while she was living with Mark and, in her opinion, failing as a muse, she was inspiring a different, far greater, artist.

Creative writing has been a part of his life for many years, as he enjoyed writing plots and stories for the various RPG games he played with friends as a teenager, and creating stories within his English classes at school.Following his education, Andrew eventually found work as a Freelance, and then in - house artist, while also pursuing a side career in wedding Photography before returning to full time freelance work.

While Jamie struggles with family responsibilities, Ella's steampunk murder mystery develops a life of its own, raising disturbing memories of her time as a striptease artist and a past life as a sexually abused Italian nun.

The lighter version of creative grooming is known as pet tuning and is more owner - oriented, adjusting the pets» visual appearance to their owners» amusement or life style, while the creative grooming is more of an art form, therefore more artist (groomer) oriented.

With views of the Channel Islands and Downtown Santa Barbara, be sure to enjoy some music under the stars as you admire the cityscape, while listening to some of your favorite artists live.

As you play through the six - chapter story of Layers of Fear, you learn that all is not well with our talented artist, and that he's living with a great deal of guilt while constantly fighting his inner demons.

Voice - over artists bring life to the characters including Marqus Bobesich voicing Sebastian Castellanos having also had roles in horror TV series and films such as The Crossbreed, American Horror Story and Survival of the Dead, while Meg Saricks voices Juli Kidman having provided additional voices in Life is Strange: Before the Storm and starred in the Nailbiter films, alongside an entire supporting cast who also perform their respective roles to an equally high standlife to the characters including Marqus Bobesich voicing Sebastian Castellanos having also had roles in horror TV series and films such as The Crossbreed, American Horror Story and Survival of the Dead, while Meg Saricks voices Juli Kidman having provided additional voices in Life is Strange: Before the Storm and starred in the Nailbiter films, alongside an entire supporting cast who also perform their respective roles to an equally high standLife is Strange: Before the Storm and starred in the Nailbiter films, alongside an entire supporting cast who also perform their respective roles to an equally high standard.

I am 51 so I have been at this a while and although I have always made a living in the arts, (I was a scenic artist for the theatre for 10 years, I am an art teacher now and last summer I even worked on the painting restoration of the Astoria column), deep down I never believed I could make a living as an artist.

The installation consists of a series of pillars of stacked clay cubes and, while their simplified forms recall the sculptural minimalism of artists such as Richard Serra, their organic material and warm, reddish - orange coloring convey a strong sense of living presence.

Some of the most interesting living artists («living» as opposed to «contemporary» here; Memling's dead, but he's still the competition) channel traditions and currents that, while not altogether outside of the modernist purview, are nonetheless — how to put it?

It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.

«While they were opposed to the idea of art as commodity, and disdainful of Pop Art,» said Rachleff, «most of the artists would have loved to make a living off of their art work.»

A Wisconsin native, Amundson earned his bachelor's degree in art from UW - Madison, but made a name for himself as an artist while living in Colorado for 35 years.

In her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the painting.

He uses his cross-cultural background (as an Iraqi artist living in Helsinki) to create a distinct visual language often laced with sarcasm and paradox, while maintaining an ultimately humanistic approach.

The emptiness of the interiors reflects what Nhlengethwa claims is the sense of loneliness one encounters as an artist working alone while family and friends are out living their lives.

The exhibition focuses on the work of four artists: Helen Hyde (1868 — 1919), Bertha Lum (1869 — 1954), Elizabeth Keith (1887 — 1956), and Lilian Miller (1895 — 1942), all of whom trained as painters but, while living in Japan, also designed woodblock prints.

Aftermath: Art in the Wake of World War One at Tate Britain explores how artists responded to Europe's physical and psychological scars, while Generation Hope: Life after the First World War at IWM London takes visitors from 1918 to the heart of the «roaring» twenties, showcasing developments in art, literature, film, fashion and technology as people tried to shape a new world.

Made while the artist was in Paris, Ruff turns the camera on himself and acts as a prop in a narrative still life.

While many of the artists - such as Hans Hofmann and Robert Motherwell - worked or lived in Provincetown for years, some major figures of the 20th century - including Stuart Davis, Willem de Kooning, Charles Demuth, Marsden Hartley, and Mark Rothko - also «passed through.»

While some of the letters were sent to living artists, others are letters that Ligon would have sent those of the past, as if they were still around.

«By introducing the categories of photography as well as video and performance art, the National Academy signals a remarkable ability to re-think its 187 - year - old premises, while continuing its mandate to recognize some of the most trenchant and thoughtful living American artists.»

LATOYA RUBY FRAZIER: What attracted me to the mediums of photography and video as an artist were my influences while studying at Edinboro University of Pennsylvania and Syracuse University with mentors like Kathe Kowalski, a photographer and writer committed to photographing women in prison, families living below the poverty line in Erie, Pennsylvania, and her own mother's illness and death.

By some fortuitous coincidence just a few steps separate «Joan Mitchell: The Last Paintings» at Cheim & Read from «Matta: A Centennial Celebration» at Pace Gallery and each show explosively refutes any notion of youthfulness being the province of the young while giving new life to the phenomenon known as «old age style» — used to distinguish formal characteristic of late works by Titian, Rembrandt, or Cézanne, where the artist just wants to get to the heart of the matter and sloughs off all the fine finish he had needed to impress his audience in earlier years.

While the artist has eliminated (or temporarily set aside, as time will tell) all but traces of narrative from her working method in larger canvases, she continues to paint heads, roughly life - sized (though this show includes none).

Tacita Dean is an artist who identifies strongly as British, while living abroad.

For a start, several of the artists in the show might not identify as British (while they all live and work in London, Sonja is German, Milena is a Canadian of Serbian heritage, and Alexis is American).

Inviting a community of Santa Monica based youth into the Artist Lab, while simultaneously realizing a body of work based on objects and texts found in an estate sale at Chinatown's Charlie James Gallery, Fallah has represented a circle of life in his project: portraits of identity constructed forensically on behalf of the deceased, contrasting with his portraits at 18th Street made collaboratively with youth to describe their lives as yet unknown.

Scrambling one's creative practice and domestic life, as conceptual painter Michelle Grabner has done since the mid-1990s, carries forward feminist critiques while opening up the contradictory poles of intimacy and circulation inherent in the artist's studio.

While some artists, such as Mel Bochner, rejected painting and the sculptural object outright, calling for a «dematerialization» of the art object altogether, Sonnier and Merz collapsed the distinctions between painting and sculpture, employing commercial or industrial materials to tie their work more closely to the life of the street.

As a virtual institution, DiMoDA is dedicated to collecting, preserving, interpreting and exhibiting Digital artworks from living New Media artists, while expanding the conscious experience of viewing Digital art in a Virtual space.

With the support of a 2014 NACF Artist Fellowship, Naranjo Morse will work a vein of usable clay she found near the Santa Clara community garbage dump, while seeking found materials to reclaim as part of her current focus on sustainable living methods.

Acting as an engaging social hub through opening events that contain art, live music, and refreshments, Art Room enables community interaction with artwork and the artists, while adding to the contemporary art culture that is continually growing in DFW.

While some artists, (such as Carrie Mae Weems, Robert Colescott, Purvis Young, Nick Cave, William Pope L., Kerry James Marshall and Barkley Hendricks) grew up admist the Civil Rights and Black Power movements of the 1960s and»70s, others continue to live within its aftermath.

Florine Stettheimer, Reginald Marsh and Frida Kahlo also come to mind when considering her canvases, as they too are artists who have narrated their own lives, while in the process depicting life conducted in and around the studio.

While Daryll Peirce focuses on the outside examination of the self, especially the unknown metaphysical connective magic that binds us all together as living beings, the Korean artist David Choong Lee skillfully incorporates bold graphics with organic elements, creating kaleidoscopic dreamscapes and subjects.

The shift happened as a matter of serendipity, while the artist was painting at sands point preserve, but it took hold viscerally for a woman whose main life events have coincided with storms.

He got his nickname Red while living in Provincetown, where he worked as a dishwasher at a restaurant before he became a full - time artist.

The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.