Sentences with phrase «life characters imaginable»

Depp now turns his talents towards one of the most unsympathetic real life characters imaginable... South Boston's infamous crime lord James «Whitey» Bulger.

Not exact matches

Here is my evil plan — Create a fictional character, have him born into poverty in a part of the world full of strife with no recorded history, cast some doubts on his conception (that will keep them guessing), leave a decade or so gap in his life story, re-introduce him in the middle of nowhere and tell everyone he has all these amazing powers, he confounds and confuses all his followers and tells them not to tell anyone about what he does or where he is going and Oh yeah, they are all prostiitutes and tax cheats and lepers and the really lowlifes of society, deny them the chance to follow him, set him at odds with both the government and the church powers of his time, cast doubts on his seexuality and intelligence, make it so he refuses anyone to come to his aid and kill him in the most horrible way imaginable, then hide his body, make it so nothing he does can be historically proven.
Heavy on battle scenes which include decapitations, stabbings, and nearly every other imaginable way of taking life known to men at that time, Troy also delves into the sexual immorality enjoyed by characters like Achilles.
Although the three lead actors are all working under serious impediments — Travolta has been equipped with a singularly ridiculous soul patch and a Boston accent that runs the gamut from non-existent to «SNL» sketch broadness, oftentimes in the same scene, Plummer has a role that all but insists on being played in the hammiest manner imaginable and Sheridan (whose previous films have included such better projects as «The Tree of Life,» «Mud» and «Joe») is playing a contrivance instead of a character — they are not without a certain innate charm, and indeed, the best scenes here are the ones in which they are simply allowed to interact and bounce off of each other in a relaxed manner before having to return to the mechanics of the increasingly forced plot.
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