It's always happy hour in this slice - of -
life dystopia Most games today put you in the shoes of the valiant knightly figure saving the world, or the jaded antihero caught up in global -LSB-...]
Not exact matches
In an era of television characterized by fantasy, science
dystopias and larger - than -
life drama characters, Penelope Alvarez feels like the Every Mom.
One decade since the first iPhone was released and we're
living in a zombified, siloed, technocratic
dystopia.
In its later
life, «instead of trying to model utopia, Biosphere 2 would actually model
dystopia — a future plagued by high carbon dioxide levels,» wrote Rebecca Reider, author of a definitive history of the project.
The time in the arena brings home the themes of
dystopia and is truly scary at times with all contestants out of their depth and fighting for their
lives.
The nation of Oceania, to phrase it another way, is so bereft of individualism and free inquiry that
life in Orwell's
dystopia is ultimately not worth
living.
But 2015, like every year before it, was brimming with quality cinema, whether it was in telling stories of futuristic
dystopias where gas and water are at a premium, of dogged journalists hunting down the truth behind decades of sexual scandals in the Catholic Church, of human emotions personified, or real -
life psychological experiments.
Robbie plays a smirking, knowing femme fatale — sometimes called «Annie» and sometimes «Bonnie,» for reasons explained late in the story — who spends her
life manipulating and befuddling violent men in some vaguely defined urban
dystopia.
Life during Wartime also revolves around a 12 year - old (Dylan Riley Snider) studying for his bar mitzvah, but the
dystopia in which he is immersed is far more bizarre than anything in the Coen's relatively comical adventure.
Though Sacred Deer makes more of an attempt to resemble real
life (The Lobster was set in a heightened
dystopia), it's like a warped version of a scary story told to children around a campfire, a cautionary myth in which a seemingly perfect family comes up against an inexplicable force of darkness.
After more than a year of surviving this
dystopia, the Abbotts continue on with their
lives; Lee's wife Evelyn (Emily Blunt) is preparing to give birth, their hearing son Marcus (Noah Jupe) is learning the ropes from his father, and their deaf daughter Regan (Millicent Simmonds) is still struggling to come to terms with her role in a tragedy that struck the family, several months earlier.
I look at media, surveillance technology, and military technology now, such as drones, and really do believe we are
living in the midst of some kind of Orwellian
dystopia.
«When All Your Hurtful Yesterdays Become All My Gendered Tomorrows»: Transgressive Ontologies Disrupting the Heteronormative Praxis Posed by a Post-Foulcauldian, Neo-Ravitchian Autoethnography of the
Lived Lives of Three Indigenous Culture - walkers in a Neo-liberal
Dystopia.)
In addition to saturating themselves with science fiction and
dystopias, many of my students have been reading novels that deal with real -
life issues.
Tagged as: #J20, bridget riley, CalArts, Cindy Sherman, George Caleb Bingham, harvard, Jenny Saville, Kadir Nelson,
Living in
Dystopia, martin luther king jr, Maxence Cyrin, St Louis Art Museum, Studio Museum in Harlem, The Women's March on Washington, Vija Celmins, Yayoi Kusama
The exhibition, which includes both new and old work, is a paean to the iPhones, headphones, laptops, game consoles, and watches that clutter the artist's everyday world — those over-marketed gadgets that transform our
lives momentarily before becoming garbage in a future
dystopia.
Tagged as: A.E. Benson, affordable housing, bridget donahue, Bronx Commons, Émilie Régnier, Hong Kong, James Bridle,
Living in
Dystopia, Lynn Hershman Leeson, Pace, Sean Raspet, Self Driving Cars, the Bronx, White Mule Framing Inc..
Using appropriation more pointedly, works from Martha Rosler's powerful Bringing the War Home: House Beautiful series (1967 - 72) juxtapose images from lifestyle magazines with found Vietnam War photography to wrench a distant, all - too - real
dystopia into the
living rooms of middle - class Americans.
Tagged as: affordable housing, Amy Frearson, Bandcamp, BIDET, community land trusts, Eike Schmidt, Grindr Remembers, Guerrilla Girls, Holocaust Memorial, Jan Rafman, Job opportunity, Leon Trotsky,
Living in
Dystopia, Marc Adelman, Peter Eisenman, Radamés «Juni» Figueroa, The Contemporary, The Highline, Tindercaust, Uffizi Gallery, Yolocaust
I think we often don't realise that we are
living in a well - designed
dystopia.
Solo and group exhibitions include Ged Quinn, New Art Gallery Walsall, West Midlands, UK (2013 - 2014), Landscape 2000, Osnabru ck Cultural History Museum and Felix Nussbaum Haus, Germany (2013 - 2014), Looking at the View, Tate Britain, London, England (2013), Endless Renaissance, Bass Museum, Miami, USA (2012 - 2013), FOCUS, Modern Art Museum of Fort Worth, Texas, USA (2012), Lust for
Life & Dance of Death, Kunsthalle Krems (2010), Newspeak: British Art Now, Saatchi Gallery, London (2010) touring to State Hermitage Museum, St. Petersberg (2009), Made Up, Liverpool Biennale, Tate Liverpool (2008) and Utopia
Dystopia, Tate St. Ives, UK (2004).
While it's not sci fi, one critic, a former upstate New Yorker now
living in Canada, noted the other day: «Kunstler's latest book, a novel, is a western disguised as a future
dystopia.»
Glenn, It seems that they are calculating the cost of
living in their imagined future
dystopia vs. the benefit if
living their imagined future utopia.
Thanks to one video sent to Jalopnik, we can see that the future envisioned by LeEco CEO Jia Yueting — the man backing electric startup Faraday Future — is straight up
dystopia, with parents held back from their families, never - ending office work and apps that dominate your entire
life.