Sentences with phrase «life in a contemporary context»

We are seeing the reemergence of work by artists later in life in a contemporary context.

Not exact matches

Without such explanation laymen have no choice but to interpret the symbol or myth literally, and of course it then seems senseless to them in the context of contemporary life.

Some of these concentrate on helping to place a passage in its original context so that the reader can be aware of the concerns of the author; others apply the passage to contemporary life; others, following the teaching of St Ignatius Loyola, encourage the reader to use her imagination to picture the scene described and thereby come close to Jesus.

It is one kind of thing to understand a person when she is my wife in the context of our life together, another to understand her when she is a potential buyer and I an advertiser in the context of contemporary American consumerist culture, still another when she is a client and I a psychiatrist in a psychotherapeutic context, even though these various senses of «to understand» overlap in various ways.

Theology begins and ends in the collective practice of living communities of faith — communities which seek clarity about their mission in the context of the contemporary world.

Furthermore, this week's New Yorker features a characteristically excellent piece by our best living literary critic, James Wood, much of which is taken up by an in - depth and very sympathetic engagement with the work of the aforementioned Professor Taylor, whose work is a sine qua non for anyone hoping to understand the place of religion in our contemporary context.

A skill is context - specific, and perhaps the real question is not how we can hope to situate a traditional virtue in contemporary circumstances but what circumstances today are most hostile to a Christian life and what moral skills does countering them require.

At a glance the events of the Bible and the life of the Church can be seen in their contemporary context.

The life - like contexts were provided by developing their own questions in EEIs and ERTs and having the peer mentor support them to answer their questions using contemporary knowledge and processes.

A resource that provides a context for students to examine the fragility of democracy and connect history to events in contemporary life

Vhils» practice has long been engaged with the urban context, and his works resonate with and reverberates the human experience of living in a contemporary megalopolis.

Scientific developments were rapidly changing the context of contemporary life and Yves Klein believed that as an artist the only way forward was to create a new realm for artistic exploration that reconnected people to the sublime rather than dwell in nihilistic emotion or existential angst.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

The programme will not only celebrate the important and integral work of Travelling Gallery but will explore and test its values within today's contemporary context, advocating for its vision that we live in a Country in which everyone has the opportunity to experience and engage in the arts.

LR: «Live» adds an important dimension to the fair by enabling the appreciation and support of contemporary art in all its forms — expanding the range of artists and content able to be represented in the fair context and creating dynamic experiences for fairgoers.

This book examines Stella's life and career in the context of the contemporary art world, featuring works from his recent blockbuster museum exhibitions as well as landmark works from throughout his career.

João Maria Gusmão (b. 1979, Portugal) & Pedro Paiva (b. 1977, Portugal) live and work in Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallerin Lisboa; In the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon GallerIn the last decade the duo has participated in international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallerin international contexts such as the 27th Bienal de São Paulo, the 6th Mercosul Biennial, Manifesta 7, PhotoEspaña 08 along with exhibitions at CCA Wattis Institute for Contemporary Arts, San Francisco and Kunstverein Hanover, or the Ikon Gallery.

My works tend to land somewhere between Game Art (in the context of contemporary art) and gamification leaning towards gamified life - coaching.

A survey is also provided of the EKR in the context of the contemporary international art trends and avant - garde aspects of Estonian literary life which were the trend - setters.

By focusing on the intermingling of traditional and contemporary issues, the Art and Culture in Mali, West Africa program offered a context within which students are immersed in Malian culture and way of life.

Innovation Grants awarded for the 2017 - 2018 academic year are BAM Speaker Series: Future Past, Beneath the Skin: A Living Museum Installation, Devices for Defense + Protection, Horse Dream Horse, Reguarding Room, Text Neck, and Till Now: Contemporary Art in Context.

In addition to mounting focused monographic presentations of the pillars of 20th - century art such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores current themes in contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorIn addition to mounting focused monographic presentations of the pillars of 20th - century art such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores current themes in contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorin contemporary art through thematic exhibitions that place living artists in the historic context of their predecessorin the historic context of their predecessors.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

The Nivola Museum in Orani is an institution devoted to the work of Costantino Nivola within the larger context of contemporary art, landscape and living traditions.

Alongside the distinct formalism that underpins six decades of practice, Brisley has unflinchingly probed the contemporary political, cultural and social contexts in which we live.

The book, entitled Frank Stella, examines the artist's life and career in the context of the contemporary art world.

The unique context of the gallery's location — a converted wing of a castle, set in extensive formal gardens — provides a further framing device for the exhibition's broad theme of contemporary arts» use and understanding of the historic genre of still life.

International in scope while responsive to the context of the city of Montreal, all of DHC / ART's programming is offered free of charge as a way to reinforce its commitment to accessibility while fostering a discussion on how contemporary art is invested with the topics and ideas that reflect and touch our everyday lives.

Working across video, writing, installation and other new media, the interdisciplinary artist explores «dialectics formalized in Black radicalism and organized labor into a context of networked virtual life» and seeks to reveal dynamics at play and embedded in technology and contemporary culture.

Raphaela Platow, the CAC's Alice & Harris Weston Director and Chief Curator explains,» Green Acres builds on eco-conscious exhibitions the Contemporary Arts Center has spearheaded in the past, including The American Lawn: Surface of Everyday Life, Ecovention and Beyond Green, and puts into context the nearly 40 year phenomena of farming as art.

Kembry's still life paintings focus on the expressive and abstract qualities of colour and formal composition in both an historical and a contemporary context.

(catalogue) Persona, The Renaissance Society at the University of Chicago, Chicago, IL; Kunsthalle Basel, Basel Switzerland 1995 It's How You Play The Game, Exit Art, New York; curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo Strung Into the Appolonian Dream... an exhibition of a private collection, Feature, NYC, NY Seven Llongish Wodden Sculptures, Feature, New York, NY 1994 The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design, Milwaukee 1993 A Sequence of Forms: Sculpture by Illinois Artists, Chicago Cultural Center, Chicago, IL Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler, Contemporary Arts Center, Cincinnati, OH; Urbana - Champaign, IL; I Space, University of Urbana - Champaign Gallery, Chicago, IL 1992 Drawing New Conclusions, Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago, IL 1991 Office Party, (March) Feature, New York, NY Power: Its Icons, Myths and Structure in American Culture 1961 - 1991, Museum of Fine Art, Richmond VA: curated by Holliday T. Day (catalogue) 1990 Toward the Future Contemporary Art in Context, Museum of Contemporary Art, Chicago Awards in the Visual Arts, New Orleans Museum of Art, New Orleans, LA; Southeastern The Thing Itself, Feature, New York, NY (brochure) New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA; curated by Elaine A. King (catalogue) Half - Truths, The Parrish Art Museum, Southhampton, NY; curated by Marge Goldwater 1989 On Kawara: Date Paintings 1966 - 1988, The Renaissance Society at the University of Chicago, Chicago, IL Signs of Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian; Fundacao Luso - Americana Para O Desenvolvimento, Lisbon, Portugal; curated by Judith Russi Kirshner.

«Quality of Life,» Josh Kline's second solo exhibition, feels like a culmination of sorts, certainly in regards to the resurgence of posthumanism in contemporary art — in the context of his work, bodies that have surpassed the human condition and its inherent weaknesses — the discussion of which Kline has galvanized by his corporeal artwork and unflagging curatorial endeavors.

In the context of the proliferation of photography, film, and new media in contemporary culture, the exhibition showcases the variety of styles and strategies artists have engaged to breathe new life into painting and to explore the medium's expansive possibilitieIn the context of the proliferation of photography, film, and new media in contemporary culture, the exhibition showcases the variety of styles and strategies artists have engaged to breathe new life into painting and to explore the medium's expansive possibilitiein contemporary culture, the exhibition showcases the variety of styles and strategies artists have engaged to breathe new life into painting and to explore the medium's expansive possibilities.

2006 Black Alphabet (Contexts In Contemporary African American Art), Zacheta National Gallery Of Art, Warsaw, Poland Peekskil Project, Hudson Valley Center For Contemporary Art, Peekskill, NY E7, Aljira Center for Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic Art Space, New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, Miami

The Hammer Museum is presenting an array of exhibition - related public programs that feature the living artists in Masters, explore the influences they felt from earlier generations, and provide a contemporary context by featuring the artists and topics of the younger generation.

New York About Blog Exploring Philosophy, Religion & Atheism In The Context Of Contemporary Urban Life.

In writing that is rich in detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary AustraliIn writing that is rich in detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin detail, strong in analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin analysis and informed by their research experience they argue for a deeper appreciation of the creativity inherent in Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin Aboriginal and Torres Strait Islander social life, and the way that knowledge is constructed and deployed in complex intercultural contexts in contemporary Australiin complex intercultural contexts in contemporary Australiin contemporary Australia.

While the potential for conflict or lateral violence between Aboriginal and Torres Strait Islander peoples living on Palm Island was well secured in the establishment of the Reserve, the ongoing isolation and exclusion of Aboriginal and Torres Strait Islander peoples living on the Island from the broader Australian community, exacerbates the effects of similar policies redesigned to reflect a contemporary context.