Sentences with phrase «life objects together»

The game starts off by introducing you to an inventor that has created some sort of VR - style visor that can merge real - life objects together.

Not exact matches

God and ourselves: Niebuhr's sense for this object of theological inquiry is the thread that binds together his life's work.

No person is ever merely object as long as still living, 9 yet each moment of a person's series perishes and another begins, prehending the satisfaction / superject of the previous moment of the series, together with other contemporaries.10 God's actual entities also perish, yet God is always a concrescing subject (though not the same momentary subject), since God's personal series could never have a first nor last moment.

Year 4 Science Assessments Objectives covered: Recognise that living things can be grouped in a variety of ways Explore and use classification keys to help group, identify and name a variety of living things in their local and wider environment Recognise that environments can change and that this can sometimes pose dangers to living things Describe the simple functions of the basic parts of the digestive system in humans Identify the different types of teeth in humans and their simple functions Construct and interpret a variety of food chains, identifying producers, predators and prey Compare and group materials together, according to whether they are solids, liquids or gases Observe that some materials change state when they are heated or cooled, and measure or research the temperature at which this happens in degrees Celsius (°C) Identify the part played by evaporation and condensation in the water cycle and associate the rate of evaporation with temperature Identify how sounds are made, associating some of them with something vibrating Recognise that vibrations from sounds travel through a medium to the ear Find patterns between the pitch of a sound and features of the object that produced it Find patterns between the volume of a sound and the strength of the vibrations that produced it Recognise that sounds get fainter as the distance from the sound source increases Identify common appliances that run on electricity Construct a simple series electrical circuit, identifying and naming its basic parts, including cells, wires, bulbs, switches and buzzers Identify whether or not a lamp will light in a simple series circuit, based on whether or not the lamp is part of a complete loop with a battery Recognise that a switch opens and closes a circuit and associate this with whether or not a lamp lights in a simple series circuit Recognise some common conductors and insulators, and associate metals with being good conductors

In a short, circa 1895 unfinished essay on the artists Chardin and Rembrandt, Marcel Proust noted the strange friendship that seems to exist between the objects in Chardin's still lifes, and genera scenes: «As happens when beings and objects have lived together a long time in simplicity, in mutual need and the vague pleasure of each other's company, everything here is amity.»

A variety of shapes gathered together, presaging her later, figurative works inspired by African avatar - like forms that assemble objects from the person's life and gather them together.

Exhibited together for the first time, these extraordinary paintings and arrangements (or tableaux) of objects reference and echo each other, as combined reflections on landscape, heritage, religion, history, life, and death.

Together, they would serve as literally object lesson in what what must be destroyed if culture is to live.

«Throwing the objects together introduces an element of randomness and subverts the conventional idea of the sober, ordered still life painting,» Thane says.

In 1962, she appeared alongside American Pop artists and European «Nouveaux Réalistes» in Janis's New Realists exhibition of 1962, which brought together a range of artists who used objects and imagery from everyday life in their work.

Highlights among the new acquisitions include Marc Camille Chaimowicz's groundbreaking Partial Eclipse 1980 — 2006, for which there will be a weekly live performance every Saturday afternoon at 15.00, and Cathy Wilkes's (We are) Pro Choice 2008, a large - scale installation which brings together discarded everyday objects to create an unsettling tableau.

In total, these works and objects weave together a narrative document of the artist making sense of her life and ours within an increasingly dematerialized landscape.

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collage, 2015.

The show joins together over 300 prints, many of which have never before been exhibited, in conjunction with 100 documents and objects, revealing an exceptional eye for the details of daily life and understanding of 20th century America.

However, while Huanca offers us the notion of a realm beyond the body, her living, breathing, moving artwork depends on exchange, a communal coming together of physical bodies, objects, and materials.

Helen Marten brings together a range of handmade and found objects drawn from daily life and more unusual sources (including cotton buds, coins, shoe soles, limes, marbles, eggs, snooker chalk and snakeskin).

In numerous colour illustrations, photographs that Heinz Peter Knes took together with Danh Vo, the book depicts the interiors of the Wong Fie family residency in San Francisco filled with paintings, sculptures, and mulitfaceted objects from very specific and diverse fields of interest such as asian antiques and americana that Martin Wong followed and collected together with his parents throughout is life.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

Abstracted figures and objects come together in Technicolor scenarios that hint at an almost surrealist sensibility, while still based firmly in the realm of physical space as rooms such as kitchens or living rooms become concretized.

In addition to the regular menu of wares, the first in the series flaunts small toys like the ones found in Cracker - Jack boxes and gumball machines, beer bottle caps, marbles from the artist's childhood and pins of revered music groups from his engagement with the punk music scene since he played with the band Destroy All Monsters in the early 1970s, Memory Ware Flat # 1 is a special survey because of they way it pulls together the artist's influences, often - used materials, objects from his daily life and personal memorabilia.

Artists freely combine elements from installation, text, film, sculpture, architecture and choreography in their practice, bringing objects and bodies together in challenging live performances.

Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY (catalogue) 2000 Double Fantasy, Matthew Marks Gallery, New York Gallery Paule Anglim, San Francisco 1999 Gorge, (performance), Matthew Marks Gallery, New York 1998 Feeder 2 and Corollary, Matthew Marks Gallery, New York 1997 The Black / White Album, Matthew Marks Gallery, New York April Hare, Gallery Paule Anglim, San Francisco 1996 Hare Attitudes, Contemporary Arts Museum, Houston (catalogue) 1995 Video, Matthew Marks Gallery, New York 1993 Stoney End, Matthew Marks Gallery, New York 1989 The Schreber Suite, MATRIX Gallery, University of California, Berkeley Art Museum 1987 Inscription, XS Gallery, Western Nevada Community College, Carson City, NV Selected Group Exhibitions: 2018 Way Bay, Berkeley Art Museum and Pacific Film Archive Tag: Proposals on Queer Play and the Ways Forward, curated by Nayland Blake, Institute of Contemporary Art Philadelphia 2017 Living Apart Together, Hammer Museum, Los Angeles Trigger: Gender as a Tool and a Weapon, New Museum, New York (catalogue) «I hear it everywhere I go», Franklin Street Works, Stamford, CT Let Me Be an Object that Screams, Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago 2016 Black Pulp!

, 300 New York at Chelsea Piers, New York, US French Kiss, curated by Rob Wynne, JGM Galerie, Paris, FR The Shapes of Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiac!

What / Why: «In Living Arrangement, Alberto Aguilar brings together photography, video and sculptural installation involving domestic objects.

The plastic objects, as well as the entire shop, are part of the work; together with the film, they form an allegory for the living and working conditions within our global society.

This approach is especially evident in the still lifes she began creating with kitchen implements in the late 1970s: everyday objects such as frying pans, knife blades, whisks, fork tines, an egg slicer or baking tins, shot together with plant leaves and vegetables and elevated as a whole.

Separate, they are their own objects, but together they become so much more, they balance the ways of life.

Born 1972, Baltimore, Maryland / Lives and works in Brooklyn, New York Drawing from cast - off materials that litter the urban landscape, Shinique Smith's sculptures compress the lives of the objects she ties together»» clothing, textiles, shoes and stuffed toys; with twine, ribbon and the Lives and works in Brooklyn, New York Drawing from cast - off materials that litter the urban landscape, Shinique Smith's sculptures compress the lives of the objects she ties together»» clothing, textiles, shoes and stuffed toys; with twine, ribbon and the lives of the objects she ties together»» clothing, textiles, shoes and stuffed toys; with twine, ribbon and the like.

The works included in Utopia at the Stag Monuments are significant, autonomous objects in themselves and, taken together, they represent a Gesamtkunstwerk that helps to elucidate Beuys» life and work.

Together, the intriguing objects and faces hint at potential narratives or conjure an individual's interior life.

The exhibition brings together artworks, design objects, and architectural proposals to trace how computers transformed aesthetics and hierarchies, revealing how these thinking machines reshaped art making, working life, and social connections.

Exhibition highlights include Homebound (1999), an assemblage of ordinary household objects and furniture threaded together by a crackling wire of live electricity and La grande broyeuse (Mouli - Julienne x 17)(1999).

Among the 50 or so sculptures, installations and works on paper, don't miss «Homebound,» an assemblage of ordinary household objects and furniture threaded together by a crackling wire of live electricity, and «La grande broyeuse (Mouli - Julienne x 17),» a steel sculpture that imagines a monstrously sized «vegetable slicer» as a menacing creature.

Alfonso's works depicts accumulations of objects, devices and accessories from everyday life, piled up, and drawn closely together, so as to flood the pictorial space.

His carved pieces explore the concept of still life, like Prouvost's, bringing together improbable objects into imaginary dialogues.

The impact of these interactions on her art is readily apparent in her «painting constructions» such as Sphinx (1962), a chaotic diorama, which preserves the rectangular space of the frame and its presentation hanging on a wall but expands into space, providing a capsule in which to assemble objects from everyday life, linked and layered together with string and smears of paint.

So, even if the objects - through which we are meant to encounter actions, or the idea of performance - are unfamiliar or downright strange, their massed display, together with the near absence of live performances from the exhibition, serves to rescue static objects from performance, as it were, and restrict time - based media to a dependent or minor status.

Many senior couples enjoy the status and privilege of being married, and they object to living together on moral grounds.

Two types of objects were of particular interest: couple displays representing jointly acquired objects that couples want visitors to see (e.g., the shelf in the living room showing off the shot glasses from all of the countries we've been to together), and couple markers reflecting those favorite objects that couples jointly acquired (e.g., the quilt in our bedroom that we bought while on a romantic weekend trip to New England).

If you like your living room cute and cosy, try clustering colour - co-ordinated objects together — from pictures to cushions — to create a coherent look.