Sentences with phrase «life on a film set»

Not exact matches

Neil deGrasse Tyson on the set of his new talk show series «StarTalk» filmed with a live studio audience in the Hayden Planetarium at the American Museum of Natural History.

The new film on his life and career is set to hit cinema screens in 2017, featuring appearances from other F1 legends such as Emerson Fittipaldi, Sir Jackie Stewart and Mario Andretti.

Based on the classic film, School Of Rock brings Dewey Finn and his students to life, as they set out to win Battle of the Bands.

Edumediaindia.com, a leading online chat portal that has been able to achieve a fair share of success in the online adult entertainment industry, recently introduced its live celeb events.We provide a preview tool to test video settings before entering a sex show.If you're looking to become a video broadcaster yourself, then please visit the model sign - up form on the corresponding platform.The owners of the chat portal said that they have tried to find out raw talents from different nooks and corners of the country and have been able to find out some of the best entertainers from across India.They also maintained that some of the entertainers on their site have appeared in films and commercials, while many others have made live webcam chat their career.

Heder scored better on all fronts by voicing Reginald «Skull» Skulinski in the Steven Spielberg - produced, CG - animated family film Monster House, a spooky and funny romp about a home that begins devouring trick - or - treaters, and the three youngsters who set out to stop it.The November 2006 release School for Scoundrels returned Heder to live - action material.

The film focuses on this painful but necessary part of life, as well as the effect it has on both men, each with their own set of issues and the various ways they try to cope with them.

His next project (which, though it doesn't begin filming until next month, is currently slotted for an end - of - year release) is a New York - set period dramedy based on the stranger - than - fiction, real - life FBI sting operation (ABSCAM) that brought down numerous crime figures and corrupt government officials in 1980.

This relationship forms the core of Michael Pearce's clammily compelling debut feature, which paints a very different picture of Channel Island life to that other film set on Guernsey involving books and potato peel pies.

The Hasidic Jews» traditional dress may serve as a barrier on the street, and the film does indulge itself occasionally in playing on the incongruity of the suited and hatted men making their way around modern New York, but seeing the generalities of life reflected in such a particular setting amounts to a genuinely powerful insight into some of the universal themes of love, sacrifice and (gentle) self - improvement that are here handled with a charmingly light touch.

As the film's shooting schedule wears on, Fairbanks becomes romantically involved with her leading man, Jake Fields (Jeremy Sisto), but Fields and his friends on the production staff begin to question her stability when she starts wearing her costumes at all times, living on the sets, and tries to live as the character of Guinness.

Perhaps a life and career as impressive as Nichols» needs to be segmented to be appreciated, but I'd be interested if O'Brien and others who clearly know and adore Nichols followed through on this film's set - up and talked about what happened to stage and screen after «Becoming Mike Nichols.»

Setting entirely aside the accuracy of the film, the IRA still has him marked for death, and indeed there was an attempt on his life in Canada 10 years after he fled.

The film may live as little more than a supplement on a future box set, but Noah Baumbach and Jake Paltrow do well enough to give a sense of the breadth De Palma's career while letting the iconoclastic director write his history in his own way.

Enough Said is a unique film in that it isn't about the man having to overcome his foibles in order to be worthy of the woman he wants, it's about a woman who must look within and come to terms on whether she can accept someone else into her life who has a set of flaws that someone she regards highly finds unacceptable.

On Geena Davis (a rare tangent into the living, precipitated by his memories of Oliver Reed on Cutthroat Island): «Perhaps in a long laundry list of ludicrous events I have witnessed on film sets, the one I most treasure is watching my leading lady having her makeup and hair assiduously attended to between each take of one scenOn Geena Davis (a rare tangent into the living, precipitated by his memories of Oliver Reed on Cutthroat Island): «Perhaps in a long laundry list of ludicrous events I have witnessed on film sets, the one I most treasure is watching my leading lady having her makeup and hair assiduously attended to between each take of one scenon Cutthroat Island): «Perhaps in a long laundry list of ludicrous events I have witnessed on film sets, the one I most treasure is watching my leading lady having her makeup and hair assiduously attended to between each take of one scenon film sets, the one I most treasure is watching my leading lady having her makeup and hair assiduously attended to between each take of one scene.

Real - life astronauts have given the film their blessing but one or two artificial - looking scenes betray the fact the film was shot on sets at Shepperton and Pinewood, not in outer space.

A visually - rich film like Ghost in the Shell that's filled with futuristic sets and cyborg characters could have easily relied on green screens and digital effects to bring its entire world to life.

In comparison to recent films based on the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the RadiOn the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the Radio.

Yet the horrific circumstances of his chemical castration and the very real realities of his life as a gay man are sidestepped by the faux thriller set - up of the film, a device that conveniently allows a heterosexual writer like Moore (who's Oscar acceptance speech granted us insight into how his version of Turing lacks any on - screen interiority as a gay man) to touch upon the subject as a clichéd trope.

«I love playing this character,» Johansson told Entertainment Tonight on the set of Avengers: Infinity War, before reports that a Black Widow film is in development, «and I think there is definitely an opportunity to explore the Widow as a woman who has come into her own and is making independent and active choices for herself, probably for once in her life.

While Malick was busy pondering the very beginnings of life on this planet, two other films set about envisioning the end.

Penélope Cruz rescues this frequently silly comedy, set on a 1950s film set in Franco's Spain, as a larger - than - life actor in a part - entertaining, part - exasperating tale

In this Walt Disney live - action film, two dogs and one cat (featuring the voices talents of Michael J. Fox, Don Ameche and Sally Field) set out on an Incredible Journey to find their home, after their owners arrange to have them boarded temporarily.

Set in the past and focusing on the true life events of P.T. Barnum (played fine by Hugh Jackman) and the origins of his infamous Barnum and Bailey Circus, the film could have been a whole lot more better had it not been a cartoonish musical.

Countering the standard practice of having the actors in a film musical lip - synch their songs to prerecorded tracks (a / k / a «playback»), director Tom Hooper (The King's Speech) insisted that all of the singing in his Les Mis happen live on the set, in the moment, with hidden earpieces allowing the actors to hear the orchestrations.

The Devil's Backbone and Pan's Labyrinth, on the other hand, are genuinely beautiful pieces of cinema: films that respectively use ghosts and monsters to explore the physical and psychological impact of living under a repressive regimes (both are set during the Spanish Civil War).

The film, which is set on an Earth where the extinction - causing asteroid veered off course and left the dinosaurs free to flourish, has revealed the list of voice talents that will bring «The Good Dinosaur» to life.

Johnson's Alice is our lead, who at the beginning of the film breaks up with her long - term boyfriend Josh (Nicholas Braun) in order to set out on her own path and explore the single life that she was never able to.

Set after an apocalyptic nightmare in which ugly - ass blind giant insect - y creatures (looking like atomic grasshoppers) have done in most of the planet, Krasinski's film focuses on one family in rural New York who have abandoned their farmhouse to live in the barn where it is easier to control the sounds they make.

Cera delivers the one natural - seeming performance in the picture, the one that conveys legitimate exasperation for mothers who call him «puppy» and girlfriends who talk on hamburger phones and put abandoned living - room sets on his lawn as some sort of shrine (like the film itself) to fashionable quirk.

The award - winning director behind such fare as Her and Being John Malkovich tried his hand at creating a «live dance film» for the first time, on the set of The Tonight Show With Jimmy Fallon.

If there's a certain airlessness to Folman's live - action aesthetic and a tendency to over-egg some of the speeches, it does set up a kind of artificial, sci - fi - ish tone early on, even in this, the least fantastical part of the film.

Along the way, we touch on the abandoned film project that Lee was working on with screenwriter Michael Arndt, how The Book Of Life affected this production, the evolution of the idea from the initial spark to the finished film, how Adrian Molina got involved in the project, how Lee Unkrich went from editor to director and how he edits his own films, how Darla got a credit as «Digital Angel» on the original Toy Story, hiding easter eggs in an international setting, and working with Michael Giacchino.

The film is based on a true story, and the tone of the movie is set right away as we watch footage from a cell phone camera of the policy brutality against the real life Grant and his friends by the Bay Area Rapid Transit officers.

Desplechin's new film is the prequel to his masterful 1996 movie My Sex Life... or How I Got Into an Argument — and as such, it invites viewers to reflect on the past two decades of his career, during which he has brought to life a set of richly intricate and emotionally potent tales that evoke the singular pleasure of cinema, from My Sex Life and Kings & Queen to A Christmas Tale and now My Golden DLife... or How I Got Into an Argument — and as such, it invites viewers to reflect on the past two decades of his career, during which he has brought to life a set of richly intricate and emotionally potent tales that evoke the singular pleasure of cinema, from My Sex Life and Kings & Queen to A Christmas Tale and now My Golden Dlife a set of richly intricate and emotionally potent tales that evoke the singular pleasure of cinema, from My Sex Life and Kings & Queen to A Christmas Tale and now My Golden DLife and Kings & Queen to A Christmas Tale and now My Golden Days.

The questions of racism, of vengeance and of actions you condemn and condone are uncomfortable to consider but doing so reminds you that whilst this is a film, it's also partly based on reality and very much located in the mind - set and the lives of a large percentage of Americans living today.

As far as films go, the script and direction by Richard LaGravenese (Paris I Love You, Living Out Loud) aren't going to set the cinematic world on fire, as he imbues his tale with ample amounts of artistic license in order to get his overall message across.

Save for a few scenes that take place on a battlefield, much of this work could easily be accomplished on stage, yet instead of making the film feel small or inadequate, this restrained setting instead gives weight to the micro expressions and gentle asides that Day - Lewis uses to bring life to his role.

But when the shoot was plagued by financial troubles, on - set rivalries and rumors of his affairs, McQueen's personal life began to unravel and his dream film quickly turned into a nightmare.»

Though Ng dropped out of film school with one semester left for the chance to document Willard's journey to the screen, I can't imagine she'll live to regret it: She's the best I've seen at compiling on - set footage with momentum since David Prior and should find steady employment in the specialized field of DVD production.

Disney presents the film on DVD in a luscious 2.35:1 anamorphic widescreen transfer * — gone is the excess filtering of their more recent live - action fare, replaced by an unobtrusive, mood - setting mist of grain.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

The first official image has arrived online from Life on the Road, the upcoming feature film from writer - director Ricky Gervais, which sees him reprising his role as David Brent from The Office... Set some 15 years after The Office, Life on the Road sees David Brent delving into his pension to head out on tour -LSB-...]

A new image has arrived online from the upcoming feature film Life of the Road, which sees Ricky Gervais back in the role of David Brent from The Office... Life on the Road follows Brent as he sets out on a tour with his band Foregone Conclusion, with a documentary crew in tow.

That's one reason why I was impressed by a film that may not have come on your radar yet, although it has played at various American festivals — Life and Nothing More, by Antonio Mendez Esparza, a Spanish director working in the U.S.. It's the Florida - set story of a mother - son relationship, about a teenage boy going through problems at home and at school, and his mother, who keeps their household together through a series of diner jobs while dealing with the attentions of a fond but potentially troublesome suitor.

Then you have to persuade her that she will not be totally destroying her son's life by spending six or eight weeks on a film set.

British actress Helen Mccrory fears she has scarred her kids for life after they were left terrified by her appearance on the set of new film...

Set in mid-fifties Liverpool, this film offers snapshots of moments in in the life of Davies» stand - in Bud (Leigh McCormack) over one year, at school (where he is increasingly teased and bullied by bigger boys), at holiday celebrations (with neighbors singing and joking), and at the movies, where the camera lingers on his face, captivated by the screen.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

As a fan of director Ridley Scott's original 1982 neo-noir sci - fi film, set in a dystopian future in which humans and androids live side - by - side, Deakins was excited about the idea of working on the long - discussed sequel.