Sentences with phrase «life painted several»

He painted portraits, especially of friends, and self - portraits, and in later life painted several landscapes.

Not exact matches

Bronx Councilman Rafael Salamanca, whose district includes several NYCHA developments, questioned whether the authority is dangerously underplaying the potential for harm to children living in apartments with lead paint.

Painting can be a time - consuming task, but fortunately, there are several tools designed to make your life easier.

We live in the midwest and we have had several bad months of cold weather and haven't had any issues with the paint.

We only have 3 more events of the season, we used our shower for the first time on the 23rd, the paint is one the wall, all the dust has been cleaned from every surface on the house, we actually made a meal in our kitchen on Christmas Day & put our feet up to enjoy a glass of wine (ok, several, hehehehe) in our cozy living room.

Together, these stories paint a devastating portrait of several women whose lives are linked by a single act of violence.

He spent several months living with the More family at their new home in Chelsea and painted their family portrait.

I've experienced the exact opposite in several live classes I attended with the «instructor» painting away with little or nothing to say about why they do what they do.

Laderman's life and work were celebrated on - line several places most notably by Jed Perl and by painter Larry Groff on his blog Painting Perceptions.

I've built and maintained my own sites for several years but used Dreamweaver and have grown weary of trying to keep up with that technology (instead of painting for a living).

[6] In 1970 Motherwell said, «Throughout my life, the 20th - century painter whom I've admired the most has been Matisse», [7] alluding to several of his own series of paintings that reflect Matisse's influence, most notably his Open Series that come closest to classic Color Field painting.

Paintings by George Bellows, several early drawings by Joseph Stella and the accompanying photography of immigrants and urban life by Alfred Steiglitz, Paul Strand, Lewis Hine and others are also interesting and provocative.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

In the Brooklyn Rail, Deborah Kass remembers how NYC's Second Wave Feminists changed the course of painting history in the 1970's: «When I served burgers at the Broome Street Bar and lived in a loft on West Broadway next to Towers Cafeteria, soon to be The Odeon, there were several women artists along with Elizabeth... read more... «Feminism, painting and New York City in the 1970's»

From her room along the via di Rignalla, she painted several still lifes, which became mementos of her sojourns there.

[3] In addition to drawing the artwork to accompany stories in the magazines, Culter's paintings were featured on the cover of several issues of Life magazine.

(Decades later, in 1964, his continued dialogue with Matisse would culminate in a life - altering trip to Leningrad, where Diebenkorn viewed several of Matisse's greatest paintings at the State Hermitage Museum.

I've already been painting live for several years, but had little knowledge on really monetizing the work itself or acquiring more opportunities.

The work moves through several recognisable phases: from the carefully constructed figurative pictures of the late 1940s; into various degrees of object - based abstraction; to an even simpler sort of still life painting in the 1970s and early 1980s.

Claudia has attended several art courses, both practical and theoretical, which have allowed her to experiment with various disciplines, media and techniques, including ceramics, life drawing and painting, sculpture and printmaking.

There's a life - size, stone - carved petrol pump, a cycle of vibrant cosmological paintings by Beatriz Aurora and — this being the Americas, — several references to the European displacement of indigenous peoples, most notably the mismatched assemblages by the irrepressible Cherokee Jimmie Durham.

Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.

The cozy NEWD Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space showing gently noirish figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.

He used to live on the street but now shows his artwork in galleries and has sold several paintings.

In addition to a group of important paintings from the university's collection, loans of artwork from several private collections and public institutions, many shown publicly for the first time in years, provide a unique opportunity to observe the development of the artist's life and work through drawings, paintings, and prints dating from the 1940s to the 1980s.

Tevet has received several distinguished awards including the EMET Prize for Art, Science and Culture, The Office of The Prime Minister of Israel & A.M.N Foundation, 2013; the Dizengoff Prize for Painting and Sculpture, Tel Aviv - Yafo Municipality, 2011; and the Minister of Culture and Science Prize for Life Achievement in Art, 2013.

Artwork in several formats — including photography, film, installation and paintings — outlines various aspects of culture, history and everyday life in a multifacetted metropolis and in a country with European and oriental influences.

Despite its half - century historical sweep, in essence «The Painting of Modern Life» felt like an intimate group show, presenting several works by each of the 22 featured painters, sequenced and hung with intelligence and restraint, never forcing the argument but letting the arrangement suggest its own rich conversation.

So when I was invited to do the show, I thought about these tables that appear in several of the paintings,» said Adams, who was born in Baltimore, and lives and works in Brooklyn.

He also painted several self - portraits, landscapes, and many still lifes which usually depict flowers and fruit.

For this show, Egan presents several oil paintings characterized by rich brushstrokes with subjects ranging from portraits of animals, to still - lifes of objects such as clothing, food, or furniture.

Alfred Barr Jr., then a curator at the Museum of Modern Art (MoMA), saw the show and selected several pictures from it for inclusion in MoMA's Painting and Sculpture by Living Americans exhibition, which opened on December 2, 1930.

She also found a second home in Maine and became associated with the Lincolnville artists, including Alex Katz and Neil Welliver, before moving to mid-Coast Maine where she has lived and painted en plein air for several decades.

In the midst of trying to finish several paintings and drawings to be included in her forthcoming solo exhibit, Journey of a Solitary Painter, at Morgan Lehman (October 20 — December 10, 2011), the painter Katia Santibañez spoke with Rail publisher Phong Bui about her life and work.

Sweden's Nationalmuseum, which has no acquisitions budget of its own, has nonetheless acquired an exemplary painting by the celebrated Dutch still life and hunting scenes painter Jan Weenix, thanks to donations from several funds.

He had now become friends with several painters, worked for a while in an art gallery, and, in his words, «realized that I could just stay home and rattle around and amuse myself, or I could paint in such a way that the paintings could enter the market and possibly make a living for me.»

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and Georpaintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and GeorPaintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

She was highly prolific and active in the Philadelphia area, served on the PAFA board, and spent several non-consecutive years of her life painting in Europe, where she exhibited with Kandinsky... I came away from «Quita Brodhead: Bold Strokes» wondering how it is possible that I had not heard of her in the past.

Apart from portrait paintings she also painted a number of female nudes as well as several still - lifes of Calla lilies.

They're currently showing several simultaneous shows, including Louisa West's Geo Botanical, paintings of Australian flora and fauna, bringing the tradition of still life to Australia's landscape, alongside an all - female exhibition on portraiture in different media.

Among the most significant over the past several decades include The Pop Object: The Still Life Tradition in Pop Art (2013), Lucian Freud Drawings (2012), Georges Braque: Pioneer of Modernism (2011), Robert and Ethel Scull: Portrait of a Collection (2010), Picasso's Marie - Thérèse (2008), Manolo Millares (2006), James Rosenquist: Monochromes (2005), Lucian Freud: Recent Paintings & Etchings (2004), Cézanne Watercolors (1999), Alberto Giacometti (1994), Robert Rauschenberg Drawings: 1958 - 1968 (1986), Lyonel Feininger (1985 - 1986; this exhibition traveled to The Phillips Collection in Washington, D.C.), Edgar Degas (1978), Claude Monet (1976), Henri Matisse (1973) and many others.

Harriet Sawyer Artist Co-Juror for Animals, 2012 Harriet has been living and painting on the East End since 2002 and has been shown in multiple group exhibitions, including several at Guild Hall, and has completed two one - woman shows.

In addition to The Last Irascible, Jon Schueler: A Life in Painting and Dr. Wayne's talk on Stan Brodsky, the museum is offering several other programs in conjunction with the exhibition.

There will also be several recent paintings and pastel drawings completed over the past four years, including three new still - life paintings.

On it hung three paintings of naked young women spreadeagled and painted from life, while on the reverse of the structure were several gloopy small paintings depicting the muddy spring at the source of the Thames.

Several paintings approach allegory revisited as parody, beginning with Large Interior, W9 1973 (his mother and his lover), and the heavily promoted Large Interior W11 (After Watteau) 1981 — 83, with its awkward (and memorable) conjunction of five people from the artist's intimate life.

The Mimbre paintings perfectly interact with the portrait series, as they were inspired by the Mimbres: a tribe that lived in what is now the southwestern part of the United States during the 11th century and whose legacy, among other things, were several artifacts and pottery, which not a lot of people had studied.

The exhibition is comprised of two parts, A Day in the Life of the Sun, and The Shadow Self; and the show features several new paintings with two recent video installations, photographs and drawings.

While the show will also offer the chance to see several superb examples of the artist's most minimal subject: the ineffably beautiful paintings of colored papers, the exhibition's greater body of work will be devoted to still lifes and will show Bravo's highly finished technique in the treatment of this timeless theme.

There are several celebrated Irish artists from County Fermanagh, specializing in a variety of genres, like landscape painting and still life, in watercolours and oils.