I see myself as a still -
life painter trying to become an abstract painter.
«I see myself as a still -
life painter trying to become an abstract painter,» he has said.
Not exact matches
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Monet's quotes reveal many daily
life experiences of a
painter in open air,
trying to catch the moment of moving Nature.
«The funny thing is, when I was Adam's age I came to New York to be an abstract
painter and my parents didn't have the foggiest idea of what I was
trying to do with my
life.
Whenever I get too confused in the studio I
try to remind myself the feeling that I had when studying with her: that painting from
life, the simplest thing, is what made me want to be a
painter.
He
tried painting the Canadian landscape from
life but «felt a bit lost,» he says, and worried that he was becoming a Sunday
painter.
He
tried to move the debate from the old binary positions of previous decades, declaring that «the true
painter, will be he who can wring from contemporary
life its epic aspect and make us see and understand, with colour or in drawing, how great and poetic we are in our cravats and our polished boots».
In the midst of
trying to finish several paintings and drawings to be included in her forthcoming solo exhibit, Journey of a Solitary
Painter, at Morgan Lehman (October 20 — December 10, 2011), the painter Katia Santibañez spoke with Rail publisher Phong Bui about her life an
Painter, at Morgan Lehman (October 20 — December 10, 2011), the
painter Katia Santibañez spoke with Rail publisher Phong Bui about her life an
painter Katia Santibañez spoke with Rail publisher Phong Bui about her
life and work.
... And that ambiguity is also entirely the point of Schutz's work, which looks for problems in the realm of painting — problems about how a painting is made and what it is made out of — that are also psychological problems: ones not necessarily specific to the
painter as an individual, but that might be encountered by anyone
trying to construct a
life out of the ready - made materials of the world we've been thrown into.»
On the evidence of his recent exhibition at Peter Blum, I suspect John Beech is
trying to one - up Marcel Duchamp, Donald Judd, and just about every abstract
painter who's ever
lived.
I
try to be sincere throughout my process to make honest paintings and I
try not to take up space as a white cis male
painter in México or in Perú, where I used to
live, because there are enough white men taking up space in these majority brown countries.
I mean, Theaster Gates does that for me, but sometimes I could just be a
painter and
live my
life painting and not
try to do anything else, but it's just when I think about Schindler's List — Oh, I could have done more!
The situation reminds me of a house
painter attempting to paint a still
life with his accustomed roller, or — to avoid an implied pejorative comparison — an artistic
painter trying to cover a house with a palette knife.