Sentences with phrase «life painting within»

Not exact matches

Great portrait painting may gesture toward the larger frame within which an individual life moves and has its being.

He said: «This Prime Minister seeks to paint the millions of trade unionists and their families as «the enemy within», with a Tory party drunk on class prejudice, intent on destroying this movement as a force in British life.»

I remember well when I used to spray paint cars for a living many years ago, how easily a stell car door panel would develop a fine film of rust even within hours!

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Majewski uses CGI to place actors within Bruegel's paintings and layer live action in painterly compositions, both as a way to explore the creative process and as illustration and commentary on the social and political reality of Spanish - ruled Flanders that inspired Bruegel.

Youth is but the painted shell within which, continually growing, lives that wondrous thing the spirit of a man, biding its moment of apparition, earlier in some than in others.

Drawing with pen to create an animation, captured on iPad, and then activated within a painting using augmented reality to create an interactive, living image.

These 31 homes — all designed with dark - grey PVC flooring and bright white painted walls — range from studios to four beds; seven of them, located within the printshop, are affordable live - work studios for artists registered with the Maison des Artistes association.

These Baja paintings are larger than life and located within remote canyons of volcanic rock, dotted with oasis of palms.

In the game players live the adventures of twin alchemists Lydie and Suelle, through magnificent landscapes within mysterious paintings, in their quest to become the best alchemists.

Within the story, Ash finds that his paintings can come to life.

You have used social media to open up conversations about painting, and familial challenges within a creative life.

Within Scully's paintings parallel worlds and cities come to life, inviting the viewer in to explore her dense micro universes.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

, although it is painted from life, the figures never posed together and the still life and landscape elements within the paintings were constantly undergoing transformation.

Within these paintings, which embody both the radiance of life and the sublimity of death, motifs from Kusama's earliest works are often echoed, giving evidence to the singular vision that has driven her over the course of her long career.

Painting is always intuitively conditioned... Pictorial life is not imitated life; it is, on the contrary, a created reality based on the inherent life within every medium of expression.

Her Deforestation and the Land series developed into paintings of global warming and imbalances within ocean plant life.

Artwork Introduction In Makiko Kudo's paintings, a mental image - landscape unfolds within which both things she encounters in daily life and the dream - like world of her imagination that have formed a single - harmonized entity.

In Uptown, which is, a little regrettably, located in Chelsea, Als brings together over thirty portraits Neel painted of people within her social circle in Harlem (if one takes a detour to Als's Instagram, they will stumble upon a similar project: a compulsive record of tender snapshots presenting the people encountered in his life).

There was a time within living memory when a survey of Klee's painting like the one at Tate Modern — 17 rooms, 130 works — would have been the event of the season (it's on until 9 March).

Originally associated with the Chicago Imagists, Hanson's approach to painting possesses the Imagists» desire to capture the visceral and emotional aspects of what it means to be human, yet through the earnestness and sincerity that lives within the words of Emily Dickinson, William Blake, and William Shakespeare.

In conjunction with the 2016 New York exhibition, Lévy Gorvy published a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

The big yellow painting in the far room («Rain in The Port of Spain») is actually for me, quite a sad painting because within the city of Porto Spain where I live one whole city block in the centre of the city is occupied by the jail.

You can get a sense of the history of painting within Saville's work so it also reminds me of other artists who inspire me such as Seventeenth century Dutch still - life painters, Picasso, and Lucien Freud.

Drawing equally from lifestyle magazines and life experience, Martin Mull cleverly appropriates visual material from both; his paintings function against the framework of flickering collective memory and within the cultural unrest and individual discontent of the present.

This multi-generational group exhibition showcases a multitude of positions within painting today, yet the selection of all - living artists is surprising and intriguing.

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

Their subject matter includes all of the traditional categories within Western Art: figurative, landscape, portraiture, indoor and outdoor genre and still life paintings.

February 19 — March 19, 2011 Mike Weiss Gallery is proud to host the first live painting action within the United States by Hermann Nitsch, founding member of the Viennese Actionism movement.

Conceptualizing ideas relating to place identity and lived experiences within the built environment, my paintings become an extension of my identity.

In conjunction with the exhibition, the galleries will publish a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

As though he were referencing French Existentialism, the lack of human presence is palpable and becomes a quality within the painting that, in turn, heightens the importance of the quotidian objects represented (i.e. the still life and the interior).

Throughout her life, Morgan produced work within different mediums with fluidity, shaped by what she described as «early root experiences» with painting and poetry.

The difference between Rauschenberg and his immediate predecessors was that, whereas they were certain that the source of the painting's independent life was somehow within themselves, he was interested in making art out of the disparate and impersonal matter of everyday life, the castoffs of commodity culture.

In terms of subject, not style, Doig's work can be positioned within two traditions - that of Western landscape painting with heroic, moody representations of nature; and Impressionism with depictions of daily life, scenes previously thought irrelevant or inconsequential but which serve as the true basis for human interaction.

Untitled B2: This painting started specifically in wanting to communicate the struggle that life is: the obstacles and demons I encounter as I struggle to find peace within me.

A portrait painting can be that certain something that you have searched for all your life and always carried within your soul.

Having moved from New York where he spent 13 years, to Vienna 4 years ago; having had a son and becoming a father, Butler has gone from working within a totally new environment, to producing paintings which are a uniquely personal expression, made at a time of ideal balance between his private and studio lives.

The publication features a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture

These two artists are very different, but their basic message is that painting can be renewed in ways we haven't seen before, whether it is reshaped by Mr. Marshall's erudite meditation on black life in America, or exploded from within, as in Ms. Owens's worldly, encompassing formalism.

Pearlstein knows that nudes painted exactly on the scale of life tend to seem smaller than they actually are, and he wants to call our attention to the importance of humanity, and with this of humane values, within a complicated cosmos.

In 1953, Rauschenberg embarked on the «red paintings,» in which collaged elements acting as discrete images rather than merely textural interest took on their own life and importance within the painting structure.

While Bernard Cohen's paintings resist categorisation within any certain period or style, his work across six decades has been unified by formal attempts to discover and translate the full complexity of life, identity and the human condition.

Within three years of those first paintings, he came up with his trademark spheres and cylinders, like Chardin's still life gone mad.

Featuring 30 evocative painting, sculpture, and installation works by four distinct women artists (Donghee Goh, Han Sol Lee, Hey Sun Lee, and Jungwon Ko), Making It New reflects on the importance of traditional culture that exists deep within Korean lives and minds today.

The exhibition Bitter Angel at Faurschou Foundation Beijing centres on a series of eight large paintings from 1999, which move within these contrasts between life and its seamier sides.

Erik Parker is known for his precisely painted and organized worlds of chaos that exist within his brightly coloured, intensely layered, highly saturated canvases, that riff on the traditional genres of portraiture and still - life.