The other, JR, is a semi-anonymous French street artist known for public art — larger - than -
life photographic portraits posted on streets, buildings, and border walls — that gives a voice to the voiceless at the intersection between the personal and the political.
Not exact matches
The opening credits sequence, accompanied by a rendering of Camille Saint - Saens «Carnival of the Animals,» provides sepia - toned historical period photographs (from the Library of Congress, various museums and
photographic archives, and the NY Public Library) of turn - of - the - century city and tenement
life (
portraits, closeups, slices of
life including play, marriage, work, politics, friendships, transportation, domesticity, and leisure time).
Employing a range of techniques, including collage, hand - drawn rotoscoping — a technique that involves tracing from frames of
live film footage — interlaced still
photographic images, and
live 16 mm film footage, Breer composes lively, nimble films that present an intimate, modest, and personal
portrait of slices of shared
lives and eras.
From his earliest
photographic self -
portraits to his sculptural still
lifes, each series is a remarkable creation suggestive of interiors or furniture, theater settings or architecture, yet they often seem absent of an immediate identifiable content, as if they confront the viewer with a riddle.
His earliest
photographic works recreated historical subjects, such as self -
portraits, still
lifes and mythological scenes.
The National
Portrait Gallery celebrates the remarkable
life and career of Audrey Hepburn through 70
photographic portraits.
Entitled Shelf
Life — read between the lines: a visual poem, a family
portrait, a collision of mementos, this expansive and thoughtful
photographic piece spans a 63 - foot wall presenting a sequence of images that poetically address increased anxieties over the current political climate.
This
photographic corpus contains food representations, still -
life objects, domestic artifacts, «domesticated» plants, and
portraits.
Daniel Gordon (1980, Boston, USA) is known for his colourful, patterned photographs,
portraits, still
lifes, and
photographic abstractions printed on canvas: so - called Screen Selections.
With an extraordinary knowledge of
photographic techniques, he created black - and - white
portraits of people, animals and landscapes that capture beauty and transcend the boundary between
life and death.
In the wide range of art the gallery offers, subjects range from water and beach scenes, boats, landscape, flower arrangements, graphic paintings of musicians, fifties
photographic paintings, birds, fish, traditional still
life, figure painting,
portraits and trees, covering every major contemporary figurative category and genre.
Yet these relatively automatic processes rarely fail to seduce — death masks and
photographic portraits can be more fascinating than a
living face.
With blurry intensity, Twombly set his
photographic sights on still
life motifs, including fruit and flowers from the garden in Gaeta overlooking the sea, landscapes and
portraits of friends and family.
Three
life - sized
photographic portraits of trans feminist activists and women of color — CeCe McDonald, Johanna Saavedra and Jennicet Gutiérrez — occupy a large section of gallery wall space, and their oversized presence speaks to a need for greater visibility of trans women within the larger women's movement.
Rather than doing that, Mexico City - born photographer Amanda Gutiérrez seeks to document her surroundings as she ventures through Brooklyn's Sunset Park, focusing both on her «subjective experience as a Mexican woman
living and working in New York» and painting a
photographic portrait of the neighborhood's Mexican immigrant community.
This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation with various materials and
photographic processes, to
portraits of friends and strangers and still
lives of his environment, to book page collages, to more recent hyperreal digital works.
A remarkable
photographic project which documents five years in the
lives of the inhabitants of Ponte City, an iconic Johannesburg landmark and the tallest residential skyscraper in Africa, will have its only UK showing at the Scottish National
Portrait Gallery this winter.
The
portrait and landscape
photographic series documents the
lives of migrant farm workers throughout South Africa, Mozambique, Zimbabwe and Malawi.
The artist paints from
photographic reference and her subject's range from
portraits and self -
portraits to landscapes and still -
lifes, all of which are personal and intimate.
He has been an important contributor of
portraits, still -
lives and
photographic essays in such publications as
Life, Holiday, Look, Vanity Fair, Scientific American, Town and Country, Esquire, Travel and Leisure, Harper's Bazaar, The New Yorker and others.
Notably, The Home of My Eyes reflects on communities
living in Azerbaijan through a sequence of 55
photographic portraits inscribed with ink.
Sprick is one of Colorado's best - known painters; his
portraits and still
lifes collected widely for their naturalism and accuracy, which border on the
photographic at times.
His multifaceted career ranges from early
photographic works, recreating historical subjects (self -
portraits, still -
lives, mythological scenes, etc.), to empty frames and bases without objects.
13 Most Beautiful Avatars (part of their larger
Portraits project from 2006 - 7) is a
photographic series of «celebrity» avatars exhibited in a contemporary art gallery in Second
Life.
The broad range of vision engages one with its formal and narrative authority — from elegant self - contained cerebral works like On Kawara's «Today» series, in which the artist paints only a date of the year against a background of color, and Roni Horn's wall - sized
photographic series composed of 36 progressive clown
portraits of perceptual ambiguity, both artists neatly isolating individual permutations of
life's sequential narrative, to Peter Fischli and David Weiss» collaborative film, «Der Lauf der Dinge (The Way Things Go),» in which the unconstructed imagery is punctuated by bursts of random narrative that addresses
life's impermanence.
Through the 40
photographic works presented in The Haunted Capital, Frazier offers an intimate
portrait of the effects of deindustrialization on the
lives of individuals and communities.
Ethridge combines
photographic images — landscapes, cityscapes,
portraits, still
lives, collages and commercial assignments — without hierarchy but with respect for their individual character.
2008 «Character Project» — USA Network Commission Honored Educator, The Society for
Photographic Education, Cleveland, OH Oxbow School, Napa, CA — Visiting Artist Residency 2007 Addison Gallery of American Art, Andover, MA - Edward E. Elson Artist - in - Residence 2006 Studio Museum in Harlem, New York, NY - Artist in Residence, «Expanding the Walls: Making Connections Between Photography, History, and Community» 2005 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence San Francisco Arts Education, San Francisco, CA - Artist - in - Residence 2003 Detroit Institute of Arts, Detroit, MI - Artist - in - Residence California State University, Monterey Bay, CA - Artist - in - Residence, The Reclamation Project 2002 John Simon Guggenheim Memorial Foundation Fellowship - Fellow in Photography David and Alfred Smart Museum of Art, The University of Chicago - Artist - in - Residence 2000 Federal Reserve Bank, Chicago, IL - Commission 1999 International Artist's Studio Program in Sweden (IASPIS), Stockholm, Sweden - Artist - in - Residence Percent for Art Commission, Chicago Department of Cultural Affairs - Midway Airport Center for Documentary Sudies at Duke University - «Idivisible» / A National Documentary Project Parrish Art Museum, Southampton, NY - Artist - in - Residence Yale University Art Gallery, New Haven, CT - Artist - in - Residence 1998 National
Portrait Gallery, London - Artist - in - Residence 1997 Addison Gallery of American Art, Phillips Academy, Andover, MA - Edward E. Elson Artist - in - Residence Cleveland Center for Contemporary Art, OH - Artist - in Residence 1996 High Museum of Art, Atlanta, GA, «Picturing the South: The Commission Project» Wadsworth Atheneum, Hartford, CT, Residency Project Committee for Public Art Commission, Cleveland Public Library Virginia Beach Center for the Arts, VA / Colonial Boys and Girls Club, Norfolk, VA - Residency Workshop 1995 Walker Art Center, Minneapolis, MN - Artist - in - Residence Wexner Center for the Arts, Columbus, OH - Artist - in - Residence 1994 Percent for Art Commission, Chicago Department of Cultural Affairs - Mabel Manning Near West Side Branch Library 1993 The Museum of Modern Art, New York, MoMA
Life Trustees
Portrait Commission The George Gund Foundation, Cleveland, OH, Commissioned Project The Museum of Contemporary Photography, Columbia College and Providence - St.