Sentences with phrase «life pictures earlier»

The Pixel and Pixel XL were leaked in real - life pictures earlier today, showing off the 5 - inch and 5.5 - inch displays and each device's front facing camera, earpiece, and ambient light sensor.

Not exact matches

Even pictures like the live - action Cinderella, released earlier this year, quietly brought home $ 520 Million at the global box office — about what Terminator 2 got — but we're accustomed to these home runs from Disney that it barely registered on the radar.

Early cosmologies also pictured the cosmos relative to the human observer, as we continue to do when we speak of sending a rocket «upward» into space or refer to Australians as living «down under.»

What the Egyptians pictured the sky goddess as doing when she raised up the departed, an early Hebrew, beginning to believe in life after death, might have pictured Yahweh as doing: «She sets on again for thee thy head, she gathers for thee thy bones, she unites for thee thy members, she brings for thee thy heart into thy body.»

He was able to picture early Christianity this way with the more assurance because he did most of his scholarly work before attention shifted back to Palestine in the time of Jesus (thanks in part to the discovery of the Dead Sea Scrolls), and before the themes of light against darkness, life against death, came in the 1960s to be understood as first century Jewish themes.

Although pure mathematics and impure practice thus combine to suggest that living things, human selves and societies, should not be pictured on the model of Chepstow Castle — as though they were ping - pong balls, single shells that either insulate or shatter — our generalized common - sense notions of inside and outside by and large remain early Norman in their simplicity.

But as I hope my earlier analysis of the scientific writing on life extension made clear, there is no working picture or vision of what our lives, as individuals or living in common, might actually be like in the world that science might bring about.

Its primary value lies in its witness to the picture of the life of the early Church which was developed a decade or so after the fall of Jerusalem and the deaths of the principal apostles.

Here he commended marriage at a reasonably early age, and deplored the common picture of young people living wildly, becoming disgusted with themselves and then turning to being a monk or a priest for which «not one in a hundred» was suited.

Assemblyman Luis Sepulveda (pictured above r. on an earlier episode of the program, with Democratic District Leader Williams Rivera) will be the featured guest on this Monday night's BronxTalk with Gary Axelbank, which airs live at 9 p.m. on BronxNet.

When it comes to kids, the data on chronic, unrelenting stress early in life, when the brain is still wiring itself up, doesn't paint an optimistic picture.

These objects are painting vivid pictures of life at the site now known as the Bathonea excavations, from the earliest days of the Lower Paleolithic era to the bustle of a busy trading port during the Byzantine Empire.

Some genetic studies, many on mitochondrial DNA of living people, supported this picture by indicating a relatively early split between Aborigines and other non-Africans.

The study «promises to develop a colorful picture of ancient life,» says Luis Chiappe, a paleontologist and early bird expert at the Natural History Museum of Los Angeles County in California.

«This is really the first time we've tried to put together a picture of how the early atmosphere, early climate and early continental evolution went hand in hand,» said Donald R. Lowe, a professor of geological and environmental science who wrote the paper with Michael M. Tice, a graduate student investigating early life.

I read The Well Path: Lose 20 Pounds, Reverse the Aging Process, Change Your Life «> The Well Path earlier this year and it has really helped my understand the full picture on bodily health.

I can only conclude that the people who think Flower and Live Flesh represent the new, mature Almodóvar think that his earlier pictures were immature.

The project is in the early stages so details remain thin, but according to the Times, Jordan will turn his attention to «Wrong Answer» after he plays real - life lawyer Bryan Stevenson in «Just Mercy,» a drama that Destin Daniel Cretton («Short Term 12») will direct for Broad Green Pictures.

A picture taken later in her life also reveals she is the grey - haired gentlewoman he met eight years earlier.

They had awarded «The Godfather» Best Picture two years earlier, but much of the precursor circuit (and all of the critics groups) largely ignored the sequel, opting instead for films such as «Alice Doesn't Live Here Anymore» and «Chinatown,» among others.

In its swirl of violence and emotion, the new movie feels like a summation of those two most recent pictures, even as it braids together settings and story elements from Jia's earlier films «Unknown Pleasures» (2002) and «Still Life» (2008), his surreally tinged docu - fiction about the incalculable impact of the Three Gorges Dam project.

The Hollywood Reporter has news that Furious 7 director James Wan is in «early talks» to direct Sony Pictures» planned live - action adaptation of the anime series Robotech.

This Best Picture winner is an account of early 20th - century life with a hard - working, fun - loving family in a Welsh coal - mining village, where they deal with love, death, union strikes and bullying.

Earlier this week Universal Pictures and Legendary Entertainment kicked off production on Detective Pikachu, the first live - action Pokemon movie, and now we have word from THR of a new addition to the cast.

Earlier this year, Sony Pictures chairman Tim Roth said director Ang Lee was using ultra high rate film making for certain sequences that enable the audience to, «feel the contrast between the intensity of war and the rest of life, exactly as the young soldiers do.»

And the above - pictured Private Lives, which is a treat if you like early 1930s comedies, and the Lena Horne - featuring Cabin in the Sky on Friday.

Bradley was exposed to photography at a early age by his father, who was an avid hobbyist who was always taking pictures of his young son no matter the time or location, going so far as to converting living space in the family home to a darkroom and hanging the results in every room.

Using the history of Dawson City as a backbone for his story — and including clips from the lost footage itself — Morrison builds a hypnotic interrogation of early 20th century life and the pioneer days of motion pictures.

The worlds of the earlier pictures are defined in part by absences and deficiencies — by the isolation of characters from one another, by a sense of unsettled and unfulfilled lives.

The early live action films made by the Disney studio during the 1940s and early»50s always - even when being of the adventure genre - remained rather quaint pictures.

This film starts out giving us a picture of Jodorowsky's early years as Alejandre (portrayed by his son Adan) living in a poor neighborhood where his father has a shop.

1932 Tatra Type 57 — Zoe Harrison tells the intriguing story of the car that came here from Austria in the 1970s / 1911 Albion 16hp — The tale of this Scottish expatriate now enjoying an active life in Australia is told by Dennis Harrison / Ice and Snow Rally 1991 — Malcolm Elder explains what it is like to take part in the Rallye Neige et Glace in the French Alps / Early 20s Fox light car — The story of this Anglo - German enterprise is uncovered by Michael Worthington - Williams / Another Golden Age of Motoring — Brian A Meulbrouck argues that the period following WW2 should be considered worthy of this accolade / 1928 Alvis 12/50 — The Editor enjoys his excursion this month in this sporting open tourer / Epps Bros. coachbuilders — The history of the London - based family firm is recalled for us by James Taylor / 1924 Turcat - Mery SG limousine — In the second part of his article Finbarr Corry writes about his impressions of driving a 1924 limousine / 1930s «graveyard» — Ray Cattle pictures a sad collection of thirties cars left in the open to rot.

This triumphant picture - book biography introduces swimmer Gertrude Ederle, capturing the energy of her early life and her 1926 record - breaking swim across the English Channel in both the strong pictures and the sure text.

LONEY: As a child, I was fascinated by James VanDerZee's fancy photos.Sometime in the early 2000s, I found his biography and was determined to write a picture book about his miraculous comeback story later in life.

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Earlier we posted a picture of Jeffrey, who is blind, and his brother Jermaine, who has dedicated his life to be Jeffrey's loyal guide dog.

Being orphaned or abandoned at an early age, with no prospect of a father in the picture under any circumstances, hardly gives an individual a leg up in life.

Early in his career, Roussel worked in two veterinary practices over a five - year period and pictured himself spending his life as a rural veterinary practitioner.

I have a lot of enthusiasm for the future of Big Picture, but it's still early days for Valve in the living room, and it shows.

Her reading of Henri Bergson's theory of «living energy» is demonstrated in her paintings with active forms covering the entire picture plane, as she «believes in the interconnected nature of all living things...» [1] As such, she was among the early practitioners of the «all - over» painting style along with Jackson Pollock.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

This exhibition will include little - seen and significant early artworks, her arresting sloths, a selection of curious personal and ritualistic artefacts and talismans, small sculptures accompanied by their bespoke furniture supports, as well as recent life - size free - standing technicolour figures, such as Blue and Green Scarf 2013 and Sun Worship 2013 (pictured above), which blur the lines between the archaic and futuristic.

The 1985 film, Every Picture Tells A Story - about the artist's early life - was made by his son, James Scott, for Channel 4 Television.

Other highlights include a complete run of unbound issues of the popular picture magazine Life, an important contextual complement for the RIC's photojournalistic holdings, as well as nearly 3,000 19th and early - 20th - century stereographic objects from the Dr. Martin J. Bass and Gail Silverman Bass Collection.

The work moves through several recognisable phases: from the carefully constructed figurative pictures of the late 1940s; into various degrees of object - based abstraction; to an even simpler sort of still life painting in the 1970s and early 1980s.

First shown in a solo exhibition at Metro Pictures, New York, in 1986, this work was one of four figurative paintings that featured iconic political figures and groups from the late 1960s and early 1970s, including Angela Davis, the Black Panther leader Kathleen Cleaver, and the experimental troupe the Living Theatre.

Memorable food paintings of yore include Giuseppe Arcimboldo's portraits (pictured above) from the 1500s, Pieter Claesz and the Dutch still life painters of the 1600s, Caravaggio's rotting fruit, the early Cubist still lifes of Picasso and Braque, Wayne Thiebaud «s desserts from the 1960s, and Andy Warhol's iconic Campbell's Soup Cans.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

One of these moments comes in the group of small painterly still - life pictures from the early 1960's that occupy an entire wall of the exhibition.

A life - sized cast iron statue (not pictured) by Sir Antony Gormley installed at a Dorset beauty spot earlier this summer has been blown over by the wind into the water