Sentences with phrase «life portraits on»

Not exact matches

Comedian Samantha Bee sits for a portrait at the Washington Post Live space on the third day of the 2016 Democratic National Convention in Philadelphia, PA on Wednesday July 27, 2016.

It gives a portrait presentation of Newman, concentrating on five places associated with his life and on nine areas in which he excelled.

Researched by Michael Emerson of Rice University and David Sikkink of Notre Dame (and released by the Association of Religion Data Archives), the second wave of the Portraits of American Life Study found that divergent perceptions on race among black and white Christians have continued to widen...

Aside from the grim image of every living thing on earth gasping for breath and choking on water as they sink beneath the waves, the flood story also paints a troubling portrait of a God who seems incompetent because He regrets that He made mankind (Didn't He know this would happen?)

Hay's portrait is on display above the bar in the Chicago location, known for its local nightlife and live blues entertainment.

They will be teaching a photography workshop with a focus on reportage, food, still life and portraits.

He paints most days to make up for lost time, concentrating on portraits rather than still lifes or landscapes because he likes to capture the inner spirit of a person.

Meet the Maker: Menagerie Artist Emma Gray from Menagerie lives and works in Brighton, where she creates extraordinary portraits of animals painted on wood — some...

Live animals are sometimes used to set the mood for Easter portraits, but you will definitely need to have another adult on hand to assist with this aspect of your photo shoot.

WBFO»S Eileen Buckley reports on Toetoe Lay, Lafayette High School senior's self - portrait of life as a refugee.

WBFO»S Focus on Education Reporter Eileen Buckley spoke with the student, who created a powerful self - portrait in his art class displaying the strife he left behind in his home country and the difficulties he experienced while living in Buffalo.

The effect is magical — creating a public portrait of Atala as a man who appeared out of nowhere, on a quest to save many, many millions of lives.

This occurred at 1 o'clock in the morning on September 1st, 1914, and the body, as had been previously arranged, was sent to the Smithsonian Institution in Washington, D.C.. For the side view of the head [see illustration], I restored the eye so that the portrait might have a more life - like appearance.»

The crown jewel of Abel Mendez's laboratory at the University of Puerto Rico at Arecibo was the art on the walls: scientists» portraits of distant worlds where they believe other types of life forms may be quietly mirroring our own daily habits.

Portrait of Fixer Upper Host Chip Gaines in the Harp's living room on demolition day, as seen on HGTV's Fixer Upper.

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

There's plenty of raw material here for the kind of ruminative portrait that Haley did so well previously with Danner: Lee's divorce (his ex is played by Elliott's real - life spouse Katharine Ross), his strained relationship with his adult daughter (Krysten Ritter), and his refuge in the company of Jeremy (Nick Offerman), a friendly weed dealer and ex-child actor with whom Lee once worked on a series.

Released in the Bicentennial year, after Vietnam, Watergate, and attention - getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid -»70s audience — too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley.

A portrait of a hard rocking band known for their live performances on their evolutionary journey to becoming one of the greatest cult rock bands of our time.

There are far better films detailing Hitler, and I would suggest to viewers wanting an accurate portrait of events, should watch the film that focuses on the last ten days of his life, Der Untergang (Downfall).

As with «Shotgun Stories,» Nichols assembles a tense portrait of blue - collar life, while deepening his thematic interests and working on a bigger scale.

Covering a transformative year in Hendrix's life from 1966 - 67, in which he went from a New York City backing musician to making his mark in London's music scene up until his Monterey Pop triumph, the film presents an intimate portrait of the sensitive young musician on the verge of becoming a rock legend.

The documentary feature Whitney is an intimate, unflinching portrait of Houston and her family that probes beyond familiar tabloid headlines and sheds new light on the spellbinding trajectory of Houston's life.

Great Speeches From a Dying World is an unsettling documentary portrait gallery of nine homeless people living on the streets of Seattle.

The other, JR, is a semi-anonymous French street artist known for public art — larger - than - life photographic portraits posted on streets, buildings, and border walls — that gives a voice to the voiceless at the intersection between the personal and the political.

Instead, piecing together archival sequences of the man regarded as one of the greatest drivers of all time with audio interviews of controversial star's family, friends, colleagues and competitors, it presents a compelling portrait of his life on and off the track.

Instead, All Is By My Side only covers Hendrix's life from 1966 - 67, chronicling how he went from being a backup guitarist performing at New York's Cheetah Club, to breaking out as a music sensation in London - offering «an intimate portrait of the sensitive young musician on the verge of becoming a rock legend,» according to the official synopsis.

Four years after delving deep into the romantic troubles of a singles - bar - haunting fiftysomething in «Gloria,» and a few months after casting a sensitive eye on a young transgender waitress in the wake of tragedy in «A Fantastic Woman,» Chilean director Sebastian Lelio offers yet another striking and warmly nuanced portrait of the kinds of women whose internal lives are rarely portrayed on screen, tackling a lesbian love affair within London's Orthodox Jewish community in «Disobedience.»

«Final Portrait» focuses on one small episode in the life of Italian artist Alberto Giacometti (Geoffrey Rush), who died in 1966 at the age of sixty - five.

The movie cuts between these two facets of the same world to present a unified portrait of lives under siege, cutting between interviews with the two men, harrowing portraits of the violent forces in their lives (especially on the Mexican side of the border) and fly - on - the - wall representations of the main figures on the job.

With the balance of their friendship hinging on whos getting the most out of it, Life amounts to an elegantly crafted, intensely cynical, double portrait of the artist as a young man.

LONDON — In «On Chesil Beach» Saoirse Ronan, as she did with her back - to - back best actress Oscar nominated roles in «Brooklyn» and «Lady Bird,» presents another indelible portrait of a woman confronting dramatic change in her life.

Winner of the Waldo Salt Screenwriting Award (U.S. Dramatic) and actress / writer / director Lake Bell's debut feature, In A World is the sassy portrait of the unsung community of voiceover artists and voice coaches, living on the fringe of the «industry», never basked in Oscar glory, but with its own rules, hierarchy and Life Achievement ceremonies.

THE TRUTH ABOUT TULLY The truths come out slowly but surely in this sensitive portrait of family life on a Nebraska farm.

«Life Itself,» Steve James's film about the life and work of iconic film critic Roger Ebert, joins «Finding Vivian Maier,» co-director Charlie Siskel (nephew of Gene Siskel, Ebert's co-host on «Siskel & Ebert») and executive producer Jeff Garlin's portrait of the Windy City nanny who was secretly a genius photographer, and «Red Army,» Gabe Polsky's exploration of the hockey team's rise and fall and how it mirrored that of the Soviet Union, as three of the top contenders eligible for the Best Documentary Oscar shortlLife Itself,» Steve James's film about the life and work of iconic film critic Roger Ebert, joins «Finding Vivian Maier,» co-director Charlie Siskel (nephew of Gene Siskel, Ebert's co-host on «Siskel & Ebert») and executive producer Jeff Garlin's portrait of the Windy City nanny who was secretly a genius photographer, and «Red Army,» Gabe Polsky's exploration of the hockey team's rise and fall and how it mirrored that of the Soviet Union, as three of the top contenders eligible for the Best Documentary Oscar shortllife and work of iconic film critic Roger Ebert, joins «Finding Vivian Maier,» co-director Charlie Siskel (nephew of Gene Siskel, Ebert's co-host on «Siskel & Ebert») and executive producer Jeff Garlin's portrait of the Windy City nanny who was secretly a genius photographer, and «Red Army,» Gabe Polsky's exploration of the hockey team's rise and fall and how it mirrored that of the Soviet Union, as three of the top contenders eligible for the Best Documentary Oscar shortlist.

Though it creates intensely compelling portraits on the surface, it shies away from examining the characters, especially du Pont, in real depth (once the triangle grows strained, Mark is essentially sidelined) and avoids any probing of du Pont's interior life or motive for a cold - blooded killing.

Behind the façade of easy living and knockabout camaraderie is a bleak portrait of the mental and emotional scars left on a generation of men broken the meat grinder of the first modern industrial war.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.

Unbelievably gorgeous, Cartel Land is an important, complex, and towering portrait of two men raging against the lawless terror inflicted on thousands of innocent lives, and the imposing system that traps all of them.

Film Reviews: Kundun by Karen Jaehne The Secret Agent by Leslie Rigoulot The Truman Show by Karen Jaehne Partial Filmography: Les Animaux amoureux (Animals in Love) Cassandra's Dream The Fog of War: Eleven Lessons from the Life of Robert S. McNamara Glass: A Portrait of Philip in Twelve Parts The Hours The Illusionist Koyaanisqatsi Kundun Naqoyqatsi Neverwas No Reservations Notes on a Scandal Roving Mars The Secret Agent Secret Window Taking Lives The Truman Show Undertow

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Other Collector's Edition Exclusives are: The Wizard of Oz Comes to Life (Grauman's Chinese Theatre Souvenir Premiere Program on August 15, 1939), Metro - Goldwyn - Mayer Studio News (the IntraCorporate House Organ / Newspaper for the week beginning Monday, August 14, 1939 specifically celebrating the release of The Wizard of Oz), Photoplay Studies - Rare Secondary Education Scholastic In Honor of The Wizard of Oz (magazine, volume V, number 12: circa August 1939), the studio's invitation to The Grauman's Premiere (that included tickets to the original opening night, plus a newly designed commemorative ticket), and Deluxe Collector's Portfolio (reproductions of original 1939 Kodachrome Publicity Art, with nine portraits and on - set photographs).

But it is also a heartbreaking portrait of an artist who's been silenced, and Panahi manages to put a human face — his own — on this injustice, and turn what can seem like an abstract violation of rights into something more immediate and terrible, the stifling of a life.

Focusing on Brian Wilson, the mercurial singer, songwriter and leader of The Beach Boys, Love & Mercy paints an unconventional portrait of the artist by interweaving seminal moments in his life, from his artistic genius to his profound struggles, and the love that keeps him alive.

The second act expands on it, giving us two new characters, a new philosophy behind life in this world, and an extended portrait of the devastation.

Songs My Brothers Taught Me (Director & Screenwriter: Chloé Zhao)-- This complex portrait of modern - day life on the Pine Ridge Indian Reservation explores the bond between a brother and his younger sister, who find themselves on separate paths to rediscovering the meaning of home.

Actor Kathryn Hahn from the film «Private Life» poses for a portrait at the YouTube x Getty Images Portrait Studio at 2018 Sundance Film Festival on January 20, 2018 in Park Citportrait at the YouTube x Getty Images Portrait Studio at 2018 Sundance Film Festival on January 20, 2018 in Park CitPortrait Studio at 2018 Sundance Film Festival on January 20, 2018 in Park City, Utah.

The only extras include the Blu - ray - only Making Every Second Count with Spencer Stone, Alek Skarlatos and Anthony Sadler taking us moment - by - moment through the real - life drama, just as they lived it and on both discs, Portrait of Courage with Eastwood and his creative team telling why they took the bold step of casting the three Americans to play themselves in the film and other approaches to the film.

Taking on the considerable task of directing, writing and starring in his film, Everett lavishes great care on a subject he clearly holds in high esteem, and to his credit, does not shy away from painting a less - than - glamorous portrait of an aging Wilde, syphilitic and lecherous as he lives out his exile in Europe following his scandalous imprisonment for gross indecency.