Sentences with phrase «life relationships onto»

Not exact matches

Chambers goes onto say that «for the rest of my life, I will proclaim nothing but the whole truth of the Gospel, one of grace, mercy and open invitation to all to enter into an inseverable relationship with almighty God.»

The authoritarianism, moralism, and legalism of much traditional religion diminishes spiritual awareness by encouraging people to project their own spiritual powers onto deity (thus impoverishing their inner lives), introject self - punishing beliefs that diminish self - other esteem and distort relationships, and retroflex vital assertive and sexual energies, thus blunting their aliveness.

Treating each tale as a species that mutates over time, they've borrowed techniques from phylogenetics (the study of evolutionary relationships between living organisms) to map stories onto the tree of Indo - European languages.

They are very much more geared to introducing people with a view to leading onto a real - life meeting rather than keeping relationships in cyberspace.

As people strive to find and hold onto a meaningful purpose in their work and relationships, they often find it difficult to simply define the overall objectives in their lives.

There's really no clarity of time and no relationship to latch onto to save this movie's life.

Speaking with Marvel.com, Bendis spoke towards Peter and Miles both holding onto the Spider - Man title in the Marvel Universe, «One of my favorite things about a shared universe, is that on top of what you're writing for the characters, other things are happening to the characters, like now Miles is in the new universe, and now he's a part of the Champions, and half of [Civil War II] was people fighting over his head, so things have changed in his life, and his relationship to the Marvel Universe is completely different than it was in the first series and that's exciting.»

Indeed, that inseparable relationship begins on day one: When an advisory firm opens up a new small - cap stock fund or long - term bond portfolio, for example, it handpicks that fund's directors — who, in theory, can vote themselves onto the board for life.

The murals, sandblasted directly onto the concrete walls of the building by the Norwegian artist Carl Nesjar, are the first in a series of monumental works in concrete realized by Picasso, and mark the beginning of a working relationship that would continue for the rest of Picasso's life.

Since emerging onto the international art scene in the late 1980s as the protagonist of a generation of British artists, Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art, beauty, religion, science, life, and death.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

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