Sentences with phrase «life scale draws»

Not exact matches

Admittedly I have drawn attention to large - scale suffering, but the question is just as difficult to answer when we come to the hatred, lust, malice, greed, pride and selfishness which mar the national, social and family life of our own country.

«Age and gender influence risk for certain peripheral vascular diseases: Findings drawn from large - scale study of 3.6 million screened individuals provided by life line screening.»

With their spiked shells and scaled bodies, the prehistoric - looking reptiles can live up to nearly 100 years, but it is their amazing size that has drawn peoples» attention for centuries, Thomas said.

You see, the outer planets (like Uranus) move more slowly through our birth charts, with profound effects that can last years and shape our lives on a drawn - out scale.

Children draw and write about their outdoor play activities where they live then find these features on a large scale map.

The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale.

The book's large scale renders the images nearly life - size, drawing you in to the many faces: Stephen Hawking gazes piercingly from his wheelchair, Johnny Depp drops a hint of a smile, a sun - drenched African mother fills a bedroom with her loving warmth as she works to prevent babies from being born HIV - positive.

The worlds of Boundless are brought to life with breathtaking draw distances, advanced level of detail scaling, real - time reflections, HDR lighting, fog, bloom, depth of field, and volumetric lighting.

Seeing a performance problem like this so early in the life of the Switch console isn't promising, though it's not exactly deal - breaking either, when considering the sheer scale and breadth of the world at almost every moment — being inside a building talking to people, then suddenly walking outside, seeing everything still rendered, draw distance and all, with zero slow down, really is something that surprises me each time.

Yes, while some games can be considered technically and / or stylistically superior, like Super Metroid with its screen - filling bosses, Yoshi's Island with its liberal use of scaling and rotating, and Kirby's Dream Land 3 with its mimicry of a child's crayon drawing, when it comes down to a game creating a believable landscape hewn from the living world, DKC3 takes on all comers.

As these artists have drawn their practices and thought lives down to the intimate scale of the gallery, a love language has formed from material and incident.

Born in Nigeria, she lives and works in Los Angeles, where two exhibitions of her large - scale works combining collage, painting, drawing and printmaking were mounted this fall.

Cramer lives and works in New York City where he is making large - scale works incorporating his drawings of birds.

More important, Botticelli continued to make classical learning, Christian symbolism, drawing in perspective, figures on a powerful scale, and life drawing central to Renaissance ideals, like Piero della Francesca before him.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other CatastroScale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastroscale drawings from the series Hurricane and Other Catastrophes.

His latest retrospective at Open Eye Gallery highlights a number of large - scale oils, drawings and watercolours from a career spanning over fifty years, which was heavily influenced by the artist's life - long muse and inspiration, Helen Bellany.

In Larger than Life, it's not celebrity but scale that draws your eye, as you look up at the sculpture that expands into the space.

Andrea Zittel Linear Sequence (2016), a series of new sculptures that eschew the impact and pace of technological change and propose alternate modes of living and organizing one's life along with three large - scale billboards on the exterior of SITE's building that are drawn from Zittel's How to Live?

Join Lorimoto, our crowned - monarchs - of - the - outliers, for this high quality and well worth the trip exhibition which will include the large scale drawings of ornate fungus by Alex Chowaniec, paired paintings by Max Yawney, two kinetic sculptures by Charlotte Becket, and a larger than life sculpture called «Chainsaw Blue» by Nao Matsumoto.

«Firework Drawings» is a selection of large - scale works on paper created using live fireworks and their pigments.

David Shrigley: Brain Activity showcases the diversity of the artist's work - seemingly amateurish, crude drawings, hand - crafted sculptures made of unusual materials, and installations characterized by incongruities of scale - offering insightful and often surreal commentary on the absurdities of life, death and everything in between.

While living in Japan from 1986 to 1995, Cai explored the properties of gunpowder in his drawings, an inquiry that eventually led to his experimentation with explosives on a massive scale and the development of his signature «explosion events».

The show includes a live performance at 2 p.m. Feb. 8 as well as large - scale installations, prints, drawings, and video works.

Participants will have the opportunity to draw an exuberant three - dimensional large - scale cardboard still - life inspired by the work of Stuart Davis.

Scholl is mainly working on a life - size scale, altering the viewer's relation to the image: drawn characters become the spectator's counterparts.

The exhibition featured Walker's handsome, large - scale figure paintings, interspersed with smaller drawings and still life sketches.

Altfest's small - scale oil - paintings are painstakingly executed and drawn from life and realised over a long period of time.

Wall texts for Thin Black Line (s) Gallery 5 Tate Britain 2011 - 2012 with links for further information Claudette Johnson born 1959 England Her early large - scale pastel drawings on paper depict black women as monoliths, larger than life.

In those far off days Sonia Boyce made large scale pastel drawings, full of pattern and portrait, seductive autobiographical narratives revealing absolutely everything about real life and young love, secret conversations, working peoples aspirations, difficult relationships and childhood memories.

Gary Hume (born 1962) first found acclaim in London in the late 1980s, when his bold paintings of hospital doors, rendered at life - size scale in high - gloss hardware store paints on aluminum panels, drew much attention and ushered Hume into the ranks of the Young British Artists.

A Texan by birth who has lived and worked in Boston for more than 30 years, she is known for her dramatic large scale drawings of objects from all walks of life.

In his first major UK solo, Rafman continues to draw from gaming culture and technology in a short movie inspired by Live Action Role Play and a large - scale artificial hedge maze that can be navigated with the help of an Oculus Rift.

Dark Fiber traces a different approach to network representation, drawing lines that hop between systems and scales, through vast landscapes, industrial infrastructure, media apparatuses, walls and conduits, lived space and imagined worlds.

Titled Discoteca, the show consists of a series of 14 large scale drawings from her Vinyl series — a group of handmade, larger than life reproductions of vintage vinyl records, where each... Continua a leggere

Titled Discoteca, the show consists of a series of 14 large scale drawings from her Vinyl series — a group of handmade, larger than life reproductions of vintage vinyl records, where each Sharpie pen stroke replicates a groove or where cover images are lovingly traced in a way reminiscent of teenage bedrooms and the manual imperfection of adoring fans, only to expand in craftsmanship and ambition to reach a perfect language of its own.

Room 2 features large - scale paintings by Michael Armitage which weave together narratives drawn from historical and current news media and his recollections from time spent and lived in Kenya.

Instead of addressing grand themes, Dupuy - Spencer's small - scale paintings and drawings depict everyday scenes from a cross-section of American life.

In another set of interactions, works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.

Eric Holzman has a fondness for aged surfaces, which he creates as substrate for his modestly scaled drawings of landscapes, portraits and still - lifes.

That same loud and voluptuous defiance of time and mortality is broadcast loud and clear by Harriette Joffe in figural works on a bold scale, such as Blue Maya, a secure life drawing rendered in monumental splendor with electric flashes of bright blue and pink to put to rest any sense of the «dying of the light.»

This evolving continuum of personal and idiosyncratic images is often presented in epic collections of small - scale drawings, paintings, and photographs, presented in flowing and seemingly haphazard installations that appear to grow organically, like a busy life well lived.

This celebration is manifested through selected works, dating from 2004 to the present, live endurance performance, large - scale video installations, photography, sculpture, painting and drawing.

«Whether representing psychological landscapes, still lifes, or natural scenes, his drawings combine forms without regard to scale or specific indications of foreground, middle ground, and background.

These large - scale ink - and - colored - pencil drawings capture vignettes from contemporary Inuit life, and are wonderfully tender, fun, and expressive.

Her last solo show focused on the mythology of the Deep South and the Civil War, and in addition to large scale drawings and sculptures, she created a weekly program of events to bring those themes to life in the community - with local tours of neighborhoods and cemeteries, guest lectures and workshops.

The show will include drawings, an editioned screenprint, a large - scale photograph and a life - size sculpture of a deceased astronaut.

Bringing together live endurance theater, large - scale projection, popular music, photography, painting and drawing, this exhibition will introduce American audiences to the collected outpout of one of today's most exciting and evolving artists.

Donald Sultan is one of the leading American contemporary still life artists, known for his large — scale, «catastrophic - event» paintings that incorporate nontraditional materials such as Dead Plant, November 1, 1988, as well as his sensuous charcoal drawings of iconic presentations and abstract depictions of fruit such as Black Lemons, May 20, 1985, both in the Modern's collection.

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).

Accompanying the life - size suite are three new larger - scale, almost sculptural versions of more ads, 35 x 35 inches each and mounted on aluminum which has been crumpled in such a way as to suggest being balled up and tossed then fished out of a wastebasket — but also that calls attention to their paper - based nature, and to the fact they are drawings.