Sentences with phrase «lift aquatint»

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm, © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.

HELEN FRANKENTHALER (1928 - 2011) La Sardana lithograph and sugar - lift aquatint in colors on Rives BFK paper, 1987, signed and dated in pencil, numbered 4/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., Barcelona, an area of pale discoloration below the subject, otherwise in good condition, framed Image: 27 1/2 x 18 7/8 in.

Drypoint, sugar lift aquatint, and spit bite aquatint printed in black from one copper plate on Zerkall Bütten paper

Master Printer Sam Carr - Prindle helped her incorporate custom - made stencils from her studio in New York into copper plates mainly by using a modified sugar lift aquatint technique.

The sugar lift aquatint, incorporates carborundum and hand painting on 5 hand - torn sheets of Moulin de Gue paper and measures 96 x 240 inches.

Artists working in the Crown Point studio bring their unique approaches to the medium, using hard ground etching, drypoint, sugar lift aquatint, and photogravure to name a few techniques.

Photographs: «As Time Goes By (Orange)», unique sugar - lift aquatint with carborundum relief on five hand torn sheets of 35gsm Moulin du Gré paper, by Sir Howard Hodgkin (2009 - 2014).

«Pretty Little Liars» 2012 Etching with sugar - lift aquatint, drypoint roulette, scraping 14 x 14 7/8 inches Edition of 18 $ 900, Frame $ 175

Robert Kushner, O Aloe XIXI, Indian Documents, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD

Robert Kushner, O Aloe XII, Japan, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio SOLD

, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire

Robert Kushner, O Aloe XXII, Harding Family, 2014 chin collé, sugar lift aquatint plate size 22 x 14 inches, sheet size 30 x 22 inches monoprint collaboration with Smith College, printed by Wingate Studio Purchase / Inquire

Etchings with sugar lift aquatint and scraping, image 12 x 9 inches each, sheet 15 x 11 1/2 inches each.

Stripping even the minimal color used in the paintings foregrounds Taylor's fastidious attention to texture through etching, sugar lift aquatint and scraping.

John Cage, 75 Stones, 1989; Color spit bite aquatint with sugar lift aquatint on smoked paper; 54 x 41 inches; published by Crown Point Press, San Francisco.

Untitled, 2005 set of five soft ground, spit bite, and sugar lift aquatint 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire

Sascha Braunig, Stays, 2016 aquatint etching, soft ground, sugar lift aquatint, burnishing 39 x 28 inches edition of 25 published by Wingate Studio

Sugar lift aquatint 56 x 40 cm [22 x 15.7 inches].

Untitled, 2005 set of five spit bite, sugar lift aquatint, and embossing 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire

Pablo Picasso Sueno y Mentira de Franco (The Dream and Lie of Franco), 1937 etching, sugar - lift aquatint on paper 12 1/2 x 16 5/8 inches

For her edition for the Whitechapel Gallery Ramsden has made a single gesture or «swipe» directly onto the copper etching plate, which has then been printed to create a varied edition of 35 sugar lift aquatints.

Chris Ofili combined spit bit and sugar lift aquatints, hard ground etching, and drypoint to achieve a rich, varied texture in the romantic scene of embracing figures under a cave waterfall in «Last Night.

Limited edition hand - painted carborundum reliefs and sugar - lift aquatints by Turner Prize - winning British artist Howard Hodgkin (b. 1932)-- on view for the first time in the United States — will be showcased at Alan Cristea Gallery.

Not exact matches

Day for Night State II, 2012 aquatint, sugar lift, white ground, burnishing, and hand painting by the artist 27.5 x 22.5 inches edition of 30 co-published by Smith College and Wingate Studio, printed by Wingate Studio SOLD OUT

Richard Hamilton Patricia Knight II, 1982 Lift - ground and step -, open - bite aquatint, scraper and burnisher on Rives paper Paper: 37.7 x 28.5 cm (unframed) 14 7/8 x 11 1/4 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Richard Hamilton Patricia Knight I, 1982 Lift - ground aquatint, scraper and burnisher on Rives paper Paper: 38 x 28 cm (unframed) 15 x 11 1/8 in (unframed) Edition of 50 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

Luna, 2005 six color hard ground etching, aquatint, spit bite aquatint, sugar lift, white ground, drypoint, and roulette 30 x 22.5 inches edition of 30 published by Wingate Studio.

Color sugar lift and spit bite aquatints with soft ground etching printed on gampi paper chine collé

Chuck Webster, Houses Under the Sea, 2014 three color aquatint etching, spit bite aquatint, and sugar lift 38 x 43 inches edition of 15 published by Wingate Studio Purchase / Inquire

Robert Kushner, Blue Iris, 2017 five plate aquatint etching with sugar lift, soap ground, and spit bite plate size 24 x 24 inches, sheet size 30 x 30 inches edition of 30 published by Wingate Studio Purchase / Inquire Project and Artist Info

Sugar lift etching and aquatint printed in black on BFK paper, hand - colored by the artist

Aquatint, lift - ground etching and aquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed «Motherwell» in pAquatint, lift - ground etching and aquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed «Motherwell» in paquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed «Motherwell» in pencil...

He then created gentle washes of blue sky and weathered marks using the sugar lift and spit bite aquatint techniques.

Intaglio, planographic colour etching, soft ground etching, sugar lift etching, aquatint and lithograph

Pompeii Forte, 1976 - 82; Drypoint, etching, sugar - lift etching, sugar - ground etching and aquatint on White CM Fabriano Classico paper; Signed, dated and numbered 2/5; 12 1/4» x 21 1/2» (plate); 22» x 30 1/2» (sheet); Literature: Harrison 88; Provenance: The artist; Donn H. Stewart, thence by decent; Private Collection Signed, dated and numbered in pencil lower recto.