Sentences with phrase «light artists feel»

Not exact matches

This gel formula, which celebrity makeup artist Huda Kattan loves, feels light and contains cucumber extract for a refreshing cooling effect on the sensitive skin around the eyes.

Pittsburgh — based makeup artist Tiffany Fluhme, who specializes in bridal work, says: «A great foundation primer is very light and makes your skin feel like silk; put it on after moisturizer and before your makeup.»

Eve, the protagonist of this beautiful, tender novel, is an artist intoxicated by colors: the way light plays with them, how they work together, how they make her feel, even by their names.

From the outside, it looks like a huge glowing box; inside, the intense light and large, aluminum - framed windows make the seven small rooms feel like artists» studios.

From George Inness, who «translates just the light and feeling of a fixed hour,» to Vincent van Gogh, whose cypresses are like «voices of aspiration, joy or fear,» to Jackson Pollock, who, Robert Rosenblum wrote, «evokes the sublime mysteries of nature's untamable forces,» artists continually try to capture and replicate the awe - inspiring and the invisible.

-LSB-...] don't depict Seal Point but rather are meditations on the ineffable qualities of a place as Walker has experienced it — color, light, motion, shape, texture — recording the narrative of how the artist feels about this special location over the course of changing seasons, months and years.

Funky Felt Storyboards Wed April 22, 6:30 - 9:30 pm (a light dinner will be served) Facilitated by Rebeca Raney, Joan Mitchell Foundation Artist - Teacher Felt Storyboards are interactive displays that students can use to communicate multiple ideas using colored felt and scissors.

Crosman writes that these paintings «don't depict Seal Point but rather are meditations on the ineffable qualities of a place as Walker has experienced it — color, light, motion, shape, texture — recording the narrative of how the artist feels about this special location over the course of changing seasons, months and years.»

In all his works here we see the back and forth between what the eye gleans from this world of light, shadow, color, form, people, trees, skies, water and all the elements of objective reality, and what the artist asserts of his feelings, as revealed by gestures, color and movements of paint through actions that depict the artist's inner world.

Edition: 50 copies signed, dated and numbered in Roman numerals in pencil on the endpaper, also numbered in Roman numerals in felt - tip pen on the penultimate page; oil paint on book cover applied by Richter with squeegee, in a light grey cardboard slipcase (designed by the artist) 20 copies, signed, dated, numbered in Roman numerals and marked h.c. in pencil on the endpaper; some of these also signed, dated and numbered in Roman numerals in ballpoint or felt - tip pen on the penultimate page; oil paint applied to book cover by Richter with squeegee, in light grey cardboard slipcase (designed by the artist)

Alert to the artist's capacity for merging with — one might say, feeling in concert with — his surroundings, we feel his presence, the texture of his awareness, even in the light that fills the Infinity Fields that first appeared in the 1970s.

I am also looking forward to various solo presentations: the French - Moroccan artist Bouchra Khalili — whose meditations on statelessness feel more relevant than ever — at Jeu de Paume, Paris (5 June — 23 September); and in London, the Hayward Gallery's timely Andreas Gursky retrospective (25 January — 22 April) is bound to shine a light on globalization after a torturous year of Brexit induced self - reflection.

These geographical locations and their rich history of painting can be felt in Goethals work: the glazed layers of early devotional Flemish painting, the light and glowing colors of the desert landscape in the Southwest and the influence of American artists such as Clifford Still, Richard Serra and Brice Marden.

The grid of colorful, pulsating lights must have got artists and their clients moving, and reference to disco in a decade of irony must have made them feel ever so knowing.

In the hands of the four canonical artists associated with the movement — Judd, Carl Andre, Dan Flavin, and Robert Morris — the work typically consisted of sculptural, bluntly geometrical works created from industrial materials (wood cubes, metal floor tiles, neon lights, thick felt drapes, etc.) that confronted viewers with their sheer, implacable objecthood, revealing nothing but their relation to the viewer's own physicality.

An artist I felt most clearly drawn to at that time and have been ever since was Claude Lorraine, his very personal interpretation of landscape which no matter whether it had trees and distance used the most perfect means of light, tonality and distance to embrace his vision.

The light - hearted space is decorated by the works of young artists, and in doing so Chrome Hearts co-owner Laurie Lynn Stark hopes to arouse a feeling of optimism and deliver a message of «peace, happiness, and inspiring our youth.»

Algal samples, SAIC branded water bottles, stereoscopic viewer, artist book, fat, felt, step stool, clamp lights

Wangechi Mutu: Cutting Remarks Enrique Norten: Flux and Flexibility Julián Zugazagoitia: Mr. Zugazagoitia's Neighborhood Katarzyna Kozyra: Shock Tactician Rika Noguchi: She Dreams of Flying Cai Guo - Qiang: Playing with Fire Andrea Rose: If It's Tuesday, It Must Be Tehran Milú Villela: «Supermom» as President Brad Cloepfil: Letting There Be Light Stephen Vitiello: Feel the Noise Tobias Bernstrup: Singing the Body Electronic Carmen Giménez: «She Doesn't Take No for an Answer» Franco Mondini - Ruiz: Kitsch and Sell Joe Amrhein: 750 Artists and Counting Linda Pace: Pace's Place Alain Fleischer: This Is Not Just a Think Tank Paul D. Miller a.k.a. DJ Spooky: The Sample Life Daniele Puppi: Thumps, Grunts, and a Leap Across the Void Ralph Rugoff: Making «Pathetic» Look Good Ingolf Timpner: Going for Neo-Baroque Hedwig Fijen: Moving with Manifesta Anita Contini: Creative Timing Eija - Liisa Ahtila: Scenes from a Mirage Marie - Laure Bernadac: Move Over, Mona Lisa Mark Bradford: Dye Another Day

But the reaction on social media certainly reflects how we all feel today: «He was an extraordinary artist, and a true original,» tweeted The Rolling Stones... Iggy Pop remarked: «David's friendship was the light of my life.

Famous modern installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of Monumental Sculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes with lights.

To capture that elusive feeling, which she dubs «nature in her quiet mood,» Torpedo Factory painter Marietje Chamberlain studies the subtle effects of light at dawn or dusk — and last week, a bustling institution in the D.C. area decided to share in the artist's sense of calm.

Including abstinence from solid food, alcohol and cigarettes, in addition to the change in his sleeping patterns, these bring to critical light the temporal, immaterial, and physiological labor of artists at a time when commodification of art production is keenly felt in Hong Kong.

Another highlight is the large - scale painting I am not ready... by Li Shurui from her «Light» series works that reproduce the look and feel of light in different environments, from arctic landscapes to nightclub, also in a screening room features a wide range of new video works, including Huang Ran's Blithe Tragedy and Fang Lu's Lovers Are Artists (Part Light» series works that reproduce the look and feel of light in different environments, from arctic landscapes to nightclub, also in a screening room features a wide range of new video works, including Huang Ran's Blithe Tragedy and Fang Lu's Lovers Are Artists (Part light in different environments, from arctic landscapes to nightclub, also in a screening room features a wide range of new video works, including Huang Ran's Blithe Tragedy and Fang Lu's Lovers Are Artists (Part One).

Today's young online artists (such as Amalia Ulman) owe everything to Guy's proto - selfies and their feel for light and material, but can this emerging Internet generation somehow emulate the physical presence of Guy's analog work?

While contrasting in colour with her contemporary use of light stones, the hard wood met her preference for direct carving over modelling; she would explain: «I like the resistance of the hard material and feel happier working that way» («The Aim of the Modern Artist: Barbara Hepworth, Ben Nicholson», Studio, vol.104, no. 477, Dec. 1932, p. 332).

Scott's exhibition feels like a local display of highly publicized works by a New York — based artist that collectively don't sustain a focus or shed new light on older works.

«I like to work with [light] so that you feel it physically, so you feel the presence of light inhabiting a space,» says American installation artist James Turrell.

For this show, however, he has also created sculptures that include delaminated OLED screens playing illustrations the artist creates algorithmically (a maze, for example, morphs into a tree - like form), and a Light and Space - inspired installation whose black scrims make you feel as if you've stepped into a single square inch of one of Zheng's paintings.

Tawney, one of the world's first great fiber artists, once suggested her nearby South Street loft felt like an island surrounded by boats at night whose motion and lights reminded her of Venetian glass.

We made the room feel larger by eliminating some bulky furniture and introduced an artist's original artwork that complimented the lighting fixture.